Philosophy

Freedom and nature in Schelling's philosophy of art

Digital Document

Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show how subjectivity and objectivity emerge from a common source in nature. The philosophy of art plays a dual role in the system. First, Schelling argues that artistic activity produces through the artwork a sensible realization of the ideas of philosophy. Second, he argues that artistic production creates the possibility of a new mythology that can overcome the socio-political divisions that structure the relationships between individuals and society. Shaw's careful analysis shows how art, for Schelling, is the highest expression of human freedom. --From publisher description.

'Animals, those incessant somnambulists’: A critique of Schelling’s anthropocentrism

Digital Document

The ‘death’ of German Idealism has been decried innumerable times since its revolutionary inception, whether it be by the 19th-century critique of Western metaphysics, phenomenology, contemporary French philosophy, or analytic philosophy. Yet in the face of two hundred years of sustained, extremely rigorous attempts to leave behind its legacy, German Idealism has resisted its philosophical death sentence. For this exact reason it is timely ask: What remains of German Idealism? In what ways does its fundamental concepts and texts still speak to us? Drawing together new and established voices from scholars in Kant, Fichte, Hegel, and Schelling, this volume offers a fresh look on this time-honoured tradition. It uses myriad of recently developed conceptual tools to present new and challenging theories of its now canonical figures. --From publisher description.

Cartesian egalitarianism: From Poullain de la Barre to Rancière

Digital Document

This essay presents an overview of what I call “Cartesian egalitarianism,” a current of political thought that runs from François Poullain de la Barre, through Simone de Beauvoir, to Jacques Rancière. The impetus for this egalitarianism, I argue, is derived from Descartes’ supposition that “good sense” or “reason” is equally distributed among all people. Although Descartes himself limits the egalitarian import of this supposition, I claim that we can nevertheless identify three features of this subsequent tradition or tendency. First, Cartesian egalitarians think political agency as a practice of subjectivity. Second, they share the supposition that there is an equality of intelligences and abilities shared by all human beings. Third, these thinkers conceptualize politics as a processing of a wrong, meaning that politics initiates new practices through which those who were previously oppressed assert themselves as self-determining political subjects.

Digital Document

The chapters of this book illustrate both the breadth of philosophical practice and its various methodological directions, while, at the same time, showing how philosophy can be relevant to everyday life, not just for individuals, but for the economy, the government, international organizations, the helping and therapeutic professions, and the educational system."-- Publisher. A print copy of this book - which includes Michael Picard's chapter - is available in the Douglas College library.

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