Content type
Page
File
ARTS.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Run away from Runner Runner
he = -—
ae
_
Runner Runner review
Aidan
Mouellic
Staff Writer
. |
film starring Justin
Timberlake and Ben
Affleck would seem like a
good sign that a movie will
be great, but in the case of
director Brad Furman’s latest
movie, it means that this film
is only slightly bearable.
Runner Runner revolves
around Richie Furst
(Timberlake), a talented gam-
bler who attempts to gamble
his way towards paying his
Princeton college tuition. He
ends up working in Costa
Rica for online gambling
tycoon, Ivan Block (Affleck).
The film plays out a story
we've seen hundreds of times
already: rich guy gives little
guy a chance, and little guy
takes rich guy down. Runner
Runner is just a fresh take
on a stale film format.
The refreshed premise of the
film seems slightly promising,
but the execution falls flat. The
film is boring and predictable.
Timberlake and Affleck
are perhaps the only high
points of the film. Their acting
presence give the B-list cast
some shine, but their combined
star power isn’t enough to make
f =
Still of Ben Affleck and Justin Timberlake in Runner Runner | Photo courtesy of Scott Garfield
this film interesting or fun.
I expected more from a film
starring these two Hollywood
heavy hitters, but apparently
having a respected name in a
film does not guarantee quality.
In a period where
theatres are full of a great
selection of awesome films,
I’d recommend spending
your money on another
choice and checking out either
Gravity or Captain Phillips.
Paramore is back and better than ever
Paramore concert review
Steve Cayer, Senior Columnist
HS SF Ft
hat does pure
awesomeness sound like?
I am happy to report that I have
found the answer: Paramore.
It’s been two long years
since we’ve heard new music
from the alternative pop/ punk
band—primarily because of the
departure of two members—but
last April they released their
fourth self-titled studio album,
Paramore.
When it came out, I just
knew Paramore would be doing
a brand new tour sometime in
the future. And that time finally
came on October 16.
Paramore rocked out in the
Vancouver PNE Forum, a venue
they changed to a week before
the show. At their original
venue, the Pacific Coliseum,
8
they had some production
difficulties and had to move. At
first, | was sceptical about the
changed venue, but J thought
I might just go and see what
happened.
They definitely made
the right choice. The Forum
provides a sense of closeness
between the audience and the
performers—no binoculars
required. I was maybe 20 feet
from the stage.
The one problem with
the venue was the sound.
During the two opening bands,
HelloGoodbye and Classified,
the sound was just terrible.
The bass made me shift in my
seat every time it thundered
around the floor. I also couldn’t
understand the vocalists the
entire time they were on. That
being said, both bands had
enough energy to power the
entire room and then some.
I'll always remember the
moment when Paramore came
on stage.
The curtain that I had
thought was the back wall of the
room suddenly fell down and
the entire band came rushing in
to their hit song, “Grow Up.”
I’m surprised I didn’t go
deaf. I was also happy they fixed
the sound.
The band then played most
of the songs from their new
album including their two hit
singles, “Now” and “Still Into
You.”
The best part about the
songs from their new album is
that every one is memorable.
There’s always that one line
that everybody remembers. You
know how it is, memories are
forever.
Paramore also peppered
in some classic hits like
“Crushcrushcrush,” “Brick by
Boring Brick,” “That’s What You
Get,” and “Misery Business.”
They even sang a little of
Fleetwood Mac’s “Landslide,” to
show us their influences and to
show off Hayley Williams’ vocal
chops.
It was a night to remember
with music to never forget.
Hayley Williams, lead singer of Paramore | Photo courtesy of Mark Van Manen
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Run away from Runner Runner
he = -—
ae
_
Runner Runner review
Aidan
Mouellic
Staff Writer
. |
film starring Justin
Timberlake and Ben
Affleck would seem like a
good sign that a movie will
be great, but in the case of
director Brad Furman’s latest
movie, it means that this film
is only slightly bearable.
Runner Runner revolves
around Richie Furst
(Timberlake), a talented gam-
bler who attempts to gamble
his way towards paying his
Princeton college tuition. He
ends up working in Costa
Rica for online gambling
tycoon, Ivan Block (Affleck).
The film plays out a story
we've seen hundreds of times
already: rich guy gives little
guy a chance, and little guy
takes rich guy down. Runner
Runner is just a fresh take
on a stale film format.
The refreshed premise of the
film seems slightly promising,
but the execution falls flat. The
film is boring and predictable.
Timberlake and Affleck
are perhaps the only high
points of the film. Their acting
presence give the B-list cast
some shine, but their combined
star power isn’t enough to make
f =
Still of Ben Affleck and Justin Timberlake in Runner Runner | Photo courtesy of Scott Garfield
this film interesting or fun.
I expected more from a film
starring these two Hollywood
heavy hitters, but apparently
having a respected name in a
film does not guarantee quality.
In a period where
theatres are full of a great
selection of awesome films,
I’d recommend spending
your money on another
choice and checking out either
Gravity or Captain Phillips.
Paramore is back and better than ever
Paramore concert review
Steve Cayer, Senior Columnist
HS SF Ft
hat does pure
awesomeness sound like?
I am happy to report that I have
found the answer: Paramore.
It’s been two long years
since we’ve heard new music
from the alternative pop/ punk
band—primarily because of the
departure of two members—but
last April they released their
fourth self-titled studio album,
Paramore.
When it came out, I just
knew Paramore would be doing
a brand new tour sometime in
the future. And that time finally
came on October 16.
Paramore rocked out in the
Vancouver PNE Forum, a venue
they changed to a week before
the show. At their original
venue, the Pacific Coliseum,
8
they had some production
difficulties and had to move. At
first, | was sceptical about the
changed venue, but J thought
I might just go and see what
happened.
They definitely made
the right choice. The Forum
provides a sense of closeness
between the audience and the
performers—no binoculars
required. I was maybe 20 feet
from the stage.
The one problem with
the venue was the sound.
During the two opening bands,
HelloGoodbye and Classified,
the sound was just terrible.
The bass made me shift in my
seat every time it thundered
around the floor. I also couldn’t
understand the vocalists the
entire time they were on. That
being said, both bands had
enough energy to power the
entire room and then some.
I'll always remember the
moment when Paramore came
on stage.
The curtain that I had
thought was the back wall of the
room suddenly fell down and
the entire band came rushing in
to their hit song, “Grow Up.”
I’m surprised I didn’t go
deaf. I was also happy they fixed
the sound.
The band then played most
of the songs from their new
album including their two hit
singles, “Now” and “Still Into
You.”
The best part about the
songs from their new album is
that every one is memorable.
There’s always that one line
that everybody remembers. You
know how it is, memories are
forever.
Paramore also peppered
in some classic hits like
“Crushcrushcrush,” “Brick by
Boring Brick,” “That’s What You
Get,” and “Misery Business.”
They even sang a little of
Fleetwood Mac’s “Landslide,” to
show us their influences and to
show off Hayley Williams’ vocal
chops.
It was a night to remember
with music to never forget.
Hayley Williams, lead singer of Paramore | Photo courtesy of Mark Van Manen
Edited Text
ARTS.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Run away from Runner Runner
he = -—
ae
_
Runner Runner review
Aidan
Mouellic
Staff Writer
. |
film starring Justin
Timberlake and Ben
Affleck would seem like a
good sign that a movie will
be great, but in the case of
director Brad Furman’s latest
movie, it means that this film
is only slightly bearable.
Runner Runner revolves
around Richie Furst
(Timberlake), a talented gam-
bler who attempts to gamble
his way towards paying his
Princeton college tuition. He
ends up working in Costa
Rica for online gambling
tycoon, Ivan Block (Affleck).
The film plays out a story
we've seen hundreds of times
already: rich guy gives little
guy a chance, and little guy
takes rich guy down. Runner
Runner is just a fresh take
on a stale film format.
The refreshed premise of the
film seems slightly promising,
but the execution falls flat. The
film is boring and predictable.
Timberlake and Affleck
are perhaps the only high
points of the film. Their acting
presence give the B-list cast
some shine, but their combined
star power isn’t enough to make
f =
Still of Ben Affleck and Justin Timberlake in Runner Runner | Photo courtesy of Scott Garfield
this film interesting or fun.
I expected more from a film
starring these two Hollywood
heavy hitters, but apparently
having a respected name in a
film does not guarantee quality.
In a period where
theatres are full of a great
selection of awesome films,
I’d recommend spending
your money on another
choice and checking out either
Gravity or Captain Phillips.
Paramore is back and better than ever
Paramore concert review
Steve Cayer, Senior Columnist
HS SF Ft
hat does pure
awesomeness sound like?
I am happy to report that I have
found the answer: Paramore.
It’s been two long years
since we’ve heard new music
from the alternative pop/ punk
band—primarily because of the
departure of two members—but
last April they released their
fourth self-titled studio album,
Paramore.
When it came out, I just
knew Paramore would be doing
a brand new tour sometime in
the future. And that time finally
came on October 16.
Paramore rocked out in the
Vancouver PNE Forum, a venue
they changed to a week before
the show. At their original
venue, the Pacific Coliseum,
8
they had some production
difficulties and had to move. At
first, | was sceptical about the
changed venue, but J thought
I might just go and see what
happened.
They definitely made
the right choice. The Forum
provides a sense of closeness
between the audience and the
performers—no binoculars
required. I was maybe 20 feet
from the stage.
The one problem with
the venue was the sound.
During the two opening bands,
HelloGoodbye and Classified,
the sound was just terrible.
The bass made me shift in my
seat every time it thundered
around the floor. I also couldn’t
understand the vocalists the
entire time they were on. That
being said, both bands had
enough energy to power the
entire room and then some.
I'll always remember the
moment when Paramore came
on stage.
The curtain that I had
thought was the back wall of the
room suddenly fell down and
the entire band came rushing in
to their hit song, “Grow Up.”
I’m surprised I didn’t go
deaf. I was also happy they fixed
the sound.
The band then played most
of the songs from their new
album including their two hit
singles, “Now” and “Still Into
You.”
The best part about the
songs from their new album is
that every one is memorable.
There’s always that one line
that everybody remembers. You
know how it is, memories are
forever.
Paramore also peppered
in some classic hits like
“Crushcrushcrush,” “Brick by
Boring Brick,” “That’s What You
Get,” and “Misery Business.”
They even sang a little of
Fleetwood Mac’s “Landslide,” to
show us their influences and to
show off Hayley Williams’ vocal
chops.
It was a night to remember
with music to never forget.
Hayley Williams, lead singer of Paramore | Photo courtesy of Mark Van Manen
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Run away from Runner Runner
he = -—
ae
_
Runner Runner review
Aidan
Mouellic
Staff Writer
. |
film starring Justin
Timberlake and Ben
Affleck would seem like a
good sign that a movie will
be great, but in the case of
director Brad Furman’s latest
movie, it means that this film
is only slightly bearable.
Runner Runner revolves
around Richie Furst
(Timberlake), a talented gam-
bler who attempts to gamble
his way towards paying his
Princeton college tuition. He
ends up working in Costa
Rica for online gambling
tycoon, Ivan Block (Affleck).
The film plays out a story
we've seen hundreds of times
already: rich guy gives little
guy a chance, and little guy
takes rich guy down. Runner
Runner is just a fresh take
on a stale film format.
The refreshed premise of the
film seems slightly promising,
but the execution falls flat. The
film is boring and predictable.
Timberlake and Affleck
are perhaps the only high
points of the film. Their acting
presence give the B-list cast
some shine, but their combined
star power isn’t enough to make
f =
Still of Ben Affleck and Justin Timberlake in Runner Runner | Photo courtesy of Scott Garfield
this film interesting or fun.
I expected more from a film
starring these two Hollywood
heavy hitters, but apparently
having a respected name in a
film does not guarantee quality.
In a period where
theatres are full of a great
selection of awesome films,
I’d recommend spending
your money on another
choice and checking out either
Gravity or Captain Phillips.
Paramore is back and better than ever
Paramore concert review
Steve Cayer, Senior Columnist
HS SF Ft
hat does pure
awesomeness sound like?
I am happy to report that I have
found the answer: Paramore.
It’s been two long years
since we’ve heard new music
from the alternative pop/ punk
band—primarily because of the
departure of two members—but
last April they released their
fourth self-titled studio album,
Paramore.
When it came out, I just
knew Paramore would be doing
a brand new tour sometime in
the future. And that time finally
came on October 16.
Paramore rocked out in the
Vancouver PNE Forum, a venue
they changed to a week before
the show. At their original
venue, the Pacific Coliseum,
8
they had some production
difficulties and had to move. At
first, | was sceptical about the
changed venue, but J thought
I might just go and see what
happened.
They definitely made
the right choice. The Forum
provides a sense of closeness
between the audience and the
performers—no binoculars
required. I was maybe 20 feet
from the stage.
The one problem with
the venue was the sound.
During the two opening bands,
HelloGoodbye and Classified,
the sound was just terrible.
The bass made me shift in my
seat every time it thundered
around the floor. I also couldn’t
understand the vocalists the
entire time they were on. That
being said, both bands had
enough energy to power the
entire room and then some.
I'll always remember the
moment when Paramore came
on stage.
The curtain that I had
thought was the back wall of the
room suddenly fell down and
the entire band came rushing in
to their hit song, “Grow Up.”
I’m surprised I didn’t go
deaf. I was also happy they fixed
the sound.
The band then played most
of the songs from their new
album including their two hit
singles, “Now” and “Still Into
You.”
The best part about the
songs from their new album is
that every one is memorable.
There’s always that one line
that everybody remembers. You
know how it is, memories are
forever.
Paramore also peppered
in some classic hits like
“Crushcrushcrush,” “Brick by
Boring Brick,” “That’s What You
Get,” and “Misery Business.”
They even sang a little of
Fleetwood Mac’s “Landslide,” to
show us their influences and to
show off Hayley Williams’ vocal
chops.
It was a night to remember
with music to never forget.
Hayley Williams, lead singer of Paramore | Photo courtesy of Mark Van Manen
Content type
Page
File
Lire & STYLE.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Lunch of the Week: Homemade granola bars
Stick-to-your-ribs snacks
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Gris are pretty much my
go-to meal, any time of the
day. Whether it’s snack-sized
hummus or a yogurt cup, you
can find me eating it at noon
and midnight alike. So I figured
it was about time I try my hand
at homemade granola bars—and
after looking at the ingredients
list and amount of packaging
involved in the store-bought
met and do raspberries with
white chocolate. You can even
throw in breakfast cereal like
cornflakes or rice puffs! I ended
up using a cup of smashed
roasted almonds, and a1/2 cup
each of unsweetened coconut
ribbons, roasted pumpkin
seeds, dried cranberries, and
dried cherries. I also threw in
a 1/2 cup of ground flaxseed
just to be extra healthy.
You will need:2/3 cups
quick rolled oats 1/2 cup
granulated sugar 1/3 cup
oat flour (or 1/3 cup oats,
processed till finely ground in a
food processor or blender)1 /2
teaspoon salt1/4 teaspoon
will have a hard time getting out
of the pan if you forgo this step.
Plus, once you go parchment
you don’t go back—it’s cheap,
reusable, and it makes clean-up
a breeze when you're making
cookies. Lightly grease the pan
and paper once you've lined
it, set it aside, and preheat
your oven to 350 F.To make the
granola bars, first combine all
the dry ingredients, including
your selection of fruit and nuts,
in a large bowl. Once you've
mixed the dry ingredients, mix
the melted butter, vanilla, corn
syrup, honey, and water ina
smaller bowl. I like to heat my
honey up a little bit first in the
you could go tropical with coconut and dried mango, classic with almonds and
raisins, or get a little gourmet and do raspberries with white chocolate.
varieties I usually consume,
it seemed like a no-brainer.
I chose to adapt a granola
bar recipe from my favourite
food blog, smittenkitchen.
com. If you love eating simple
yet decadent meals and enjoy
porn-quality pictures of the
cooking process, you need to
check out that blog. As Deb
from Smitten Kitchen says, this
granola recipe is super versatile.
It calls for 2-3 cups of dried fruit
or nuts, but it doesn’t specify
which kind—this allows you
to be creative. You could go
tropical with coconut and dried
mango, classic with almonds
and raisins, or get a little gour-
ground cinnamon2-3 cups dried
fruits and nuts 1/3 cup peanut
butter or another nut butter
1 teaspoon vanilla extract 6
tablespoons melted butter1/4
cup honey 2 tablespoons light
corn syrup1 tablespoon water
To prepare, get all your
ingredients ready—because
you have a lot to work with, it’s
good to set up your workspace
and keep it organized. Then,
get your pan ready. This recipe
calls for an 8x8 baking pan.
Line the pan in one direction
with parchment paper (with the
ends sticking out on each side).
Parchment paper may seem
unnecessary, but trust me, you
need it for this recipe. Your bars
microwave so it mixes more
smoothly. Then, pour the con-
tents of your wet bowl into your
dry bowl, and add the peanut
butter to the whole thing. Mix it
up until it’s all crumbly—I use
my hands for this because it’s
more fun that way. Press your
mixture into the prepared pan.
Use some plastic wrap to press it
in smoothly, then toss it into the
oven and wait 30-40 minutes.
Let them cool down completely
before cutting into pieces—you
may want to cool them off in
the refrigerator. Store your tasty
bars in an airtight container in
the fridge, or wrap them indi-
vidually. These also freeze well.
be
Photo courtesy of Sophie Isbister
The new library
VPls Welcome Back Week
and neighbourhood
DIY libraries
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Des being born and
raised in Vancouver, and
living here most of my life, I
don’t visit the Vancouver Public
Library (VPL). As a book lover,
I really should; the library has
a lot to offer these days. In
addition to events like book
readings and author Q-and-A’s,
the library also carries much
new media, such as DVDs,
10
video games, and ebooks. But
my library aversion stems from
my deep shame: I have racked
up probably a billion dollars in
late fees and missing books.
So you can imagine what
a relief it was to hear that VPL
is hosting a Welcome Back
Week. The CBC reports that
from October 21 to 27, VPL
“will waive late return fines
for anyone bringing back long-
overdue items.” The article
also says that the friendly
librarians will try to come
up with an arrangement for
missing books—but you have
to go directly to a librarian,
and I anticipate that it will
be fairly busy with legions of
scatterbrained Vancouverites
clamouring to return their
forgotten and unread copies of
War and Peace.
Why is the VPL doing this?
They want people to read! What
is the point of having a huge
library if people are kept away
by financial woes?
Libraries are making a huge
comeback—despite the growing
popularity of ebooks—and
it’s not just the classic, brick
and mortar libraries that are
seeing a resurgence. Smaller,
do-it-yourself, neighbourhood
libraries are cropping up in the
form of Little Free Libraries.
According to littlefreelibrary.
org, “a Little Free Library is a
box full of books where anyone
may stop by and pick up a
book (or two) and bring back
another book to share.” There
are a few in my Vancouver
neighbourhood: one, a mere
block away from my house,
looks like a tiny red phone
booth. Another mini-library,
not affiliated with Little Free
Library, exists along the 10th
Avenue bike path in Vancouver.
Check out their website to see if
there is one near you!
These libraries contain
whatever books are donated by
people in the neighbourhood—a
great way to get rid of books
and exchange them for new
ones. The boxes can be as small
or as large as the space allows,
but either way, they are bursting
with community-improving
goodness. Bringing books right
to the streets and right to the
people encourages reading
for everyone, just like VPL’s
Welcome Back Week.
Students may have a lot of
class reading to keep up with,
but that doesn’t mean we don’t
like to fall into a juicy, fictional
narrative every once in a while.
So keep your eyes peeled for
tiny libraries that pop up in your
neighbourhood—they just might
surprise you with their broad
selection.
Welcome back week runs at
Vancouver Libraries from October
21 to 27. For more information
about Welcome Back Week, check
out www.upl.ca
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Lunch of the Week: Homemade granola bars
Stick-to-your-ribs snacks
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Gris are pretty much my
go-to meal, any time of the
day. Whether it’s snack-sized
hummus or a yogurt cup, you
can find me eating it at noon
and midnight alike. So I figured
it was about time I try my hand
at homemade granola bars—and
after looking at the ingredients
list and amount of packaging
involved in the store-bought
met and do raspberries with
white chocolate. You can even
throw in breakfast cereal like
cornflakes or rice puffs! I ended
up using a cup of smashed
roasted almonds, and a1/2 cup
each of unsweetened coconut
ribbons, roasted pumpkin
seeds, dried cranberries, and
dried cherries. I also threw in
a 1/2 cup of ground flaxseed
just to be extra healthy.
You will need:2/3 cups
quick rolled oats 1/2 cup
granulated sugar 1/3 cup
oat flour (or 1/3 cup oats,
processed till finely ground in a
food processor or blender)1 /2
teaspoon salt1/4 teaspoon
will have a hard time getting out
of the pan if you forgo this step.
Plus, once you go parchment
you don’t go back—it’s cheap,
reusable, and it makes clean-up
a breeze when you're making
cookies. Lightly grease the pan
and paper once you've lined
it, set it aside, and preheat
your oven to 350 F.To make the
granola bars, first combine all
the dry ingredients, including
your selection of fruit and nuts,
in a large bowl. Once you've
mixed the dry ingredients, mix
the melted butter, vanilla, corn
syrup, honey, and water ina
smaller bowl. I like to heat my
honey up a little bit first in the
you could go tropical with coconut and dried mango, classic with almonds and
raisins, or get a little gourmet and do raspberries with white chocolate.
varieties I usually consume,
it seemed like a no-brainer.
I chose to adapt a granola
bar recipe from my favourite
food blog, smittenkitchen.
com. If you love eating simple
yet decadent meals and enjoy
porn-quality pictures of the
cooking process, you need to
check out that blog. As Deb
from Smitten Kitchen says, this
granola recipe is super versatile.
It calls for 2-3 cups of dried fruit
or nuts, but it doesn’t specify
which kind—this allows you
to be creative. You could go
tropical with coconut and dried
mango, classic with almonds
and raisins, or get a little gour-
ground cinnamon2-3 cups dried
fruits and nuts 1/3 cup peanut
butter or another nut butter
1 teaspoon vanilla extract 6
tablespoons melted butter1/4
cup honey 2 tablespoons light
corn syrup1 tablespoon water
To prepare, get all your
ingredients ready—because
you have a lot to work with, it’s
good to set up your workspace
and keep it organized. Then,
get your pan ready. This recipe
calls for an 8x8 baking pan.
Line the pan in one direction
with parchment paper (with the
ends sticking out on each side).
Parchment paper may seem
unnecessary, but trust me, you
need it for this recipe. Your bars
microwave so it mixes more
smoothly. Then, pour the con-
tents of your wet bowl into your
dry bowl, and add the peanut
butter to the whole thing. Mix it
up until it’s all crumbly—I use
my hands for this because it’s
more fun that way. Press your
mixture into the prepared pan.
Use some plastic wrap to press it
in smoothly, then toss it into the
oven and wait 30-40 minutes.
Let them cool down completely
before cutting into pieces—you
may want to cool them off in
the refrigerator. Store your tasty
bars in an airtight container in
the fridge, or wrap them indi-
vidually. These also freeze well.
be
Photo courtesy of Sophie Isbister
The new library
VPls Welcome Back Week
and neighbourhood
DIY libraries
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Des being born and
raised in Vancouver, and
living here most of my life, I
don’t visit the Vancouver Public
Library (VPL). As a book lover,
I really should; the library has
a lot to offer these days. In
addition to events like book
readings and author Q-and-A’s,
the library also carries much
new media, such as DVDs,
10
video games, and ebooks. But
my library aversion stems from
my deep shame: I have racked
up probably a billion dollars in
late fees and missing books.
So you can imagine what
a relief it was to hear that VPL
is hosting a Welcome Back
Week. The CBC reports that
from October 21 to 27, VPL
“will waive late return fines
for anyone bringing back long-
overdue items.” The article
also says that the friendly
librarians will try to come
up with an arrangement for
missing books—but you have
to go directly to a librarian,
and I anticipate that it will
be fairly busy with legions of
scatterbrained Vancouverites
clamouring to return their
forgotten and unread copies of
War and Peace.
Why is the VPL doing this?
They want people to read! What
is the point of having a huge
library if people are kept away
by financial woes?
Libraries are making a huge
comeback—despite the growing
popularity of ebooks—and
it’s not just the classic, brick
and mortar libraries that are
seeing a resurgence. Smaller,
do-it-yourself, neighbourhood
libraries are cropping up in the
form of Little Free Libraries.
According to littlefreelibrary.
org, “a Little Free Library is a
box full of books where anyone
may stop by and pick up a
book (or two) and bring back
another book to share.” There
are a few in my Vancouver
neighbourhood: one, a mere
block away from my house,
looks like a tiny red phone
booth. Another mini-library,
not affiliated with Little Free
Library, exists along the 10th
Avenue bike path in Vancouver.
Check out their website to see if
there is one near you!
These libraries contain
whatever books are donated by
people in the neighbourhood—a
great way to get rid of books
and exchange them for new
ones. The boxes can be as small
or as large as the space allows,
but either way, they are bursting
with community-improving
goodness. Bringing books right
to the streets and right to the
people encourages reading
for everyone, just like VPL’s
Welcome Back Week.
Students may have a lot of
class reading to keep up with,
but that doesn’t mean we don’t
like to fall into a juicy, fictional
narrative every once in a while.
So keep your eyes peeled for
tiny libraries that pop up in your
neighbourhood—they just might
surprise you with their broad
selection.
Welcome back week runs at
Vancouver Libraries from October
21 to 27. For more information
about Welcome Back Week, check
out www.upl.ca
Edited Text
Lire & STYLE.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Lunch of the Week: Homemade granola bars
Stick-to-your-ribs snacks
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Gris are pretty much my
go-to meal, any time of the
day. Whether it’s snack-sized
hummus or a yogurt cup, you
can find me eating it at noon
and midnight alike. So I figured
it was about time I try my hand
at homemade granola bars—and
after looking at the ingredients
list and amount of packaging
involved in the store-bought
met and do raspberries with
white chocolate. You can even
throw in breakfast cereal like
cornflakes or rice puffs! I ended
up using a cup of smashed
roasted almonds, and a1/2 cup
each of unsweetened coconut
ribbons, roasted pumpkin
seeds, dried cranberries, and
dried cherries. I also threw in
a 1/2 cup of ground flaxseed
just to be extra healthy.
You will need:2/3 cups
quick rolled oats 1/2 cup
granulated sugar 1/3 cup
oat flour (or 1/3 cup oats,
processed till finely ground in a
food processor or blender)1 /2
teaspoon salt1/4 teaspoon
will have a hard time getting out
of the pan if you forgo this step.
Plus, once you go parchment
you don’t go back—it’s cheap,
reusable, and it makes clean-up
a breeze when you're making
cookies. Lightly grease the pan
and paper once you've lined
it, set it aside, and preheat
your oven to 350 F.To make the
granola bars, first combine all
the dry ingredients, including
your selection of fruit and nuts,
in a large bowl. Once you've
mixed the dry ingredients, mix
the melted butter, vanilla, corn
syrup, honey, and water ina
smaller bowl. I like to heat my
honey up a little bit first in the
you could go tropical with coconut and dried mango, classic with almonds and
raisins, or get a little gourmet and do raspberries with white chocolate.
varieties I usually consume,
it seemed like a no-brainer.
I chose to adapt a granola
bar recipe from my favourite
food blog, smittenkitchen.
com. If you love eating simple
yet decadent meals and enjoy
porn-quality pictures of the
cooking process, you need to
check out that blog. As Deb
from Smitten Kitchen says, this
granola recipe is super versatile.
It calls for 2-3 cups of dried fruit
or nuts, but it doesn’t specify
which kind—this allows you
to be creative. You could go
tropical with coconut and dried
mango, classic with almonds
and raisins, or get a little gour-
ground cinnamon2-3 cups dried
fruits and nuts 1/3 cup peanut
butter or another nut butter
1 teaspoon vanilla extract 6
tablespoons melted butter1/4
cup honey 2 tablespoons light
corn syrup1 tablespoon water
To prepare, get all your
ingredients ready—because
you have a lot to work with, it’s
good to set up your workspace
and keep it organized. Then,
get your pan ready. This recipe
calls for an 8x8 baking pan.
Line the pan in one direction
with parchment paper (with the
ends sticking out on each side).
Parchment paper may seem
unnecessary, but trust me, you
need it for this recipe. Your bars
microwave so it mixes more
smoothly. Then, pour the con-
tents of your wet bowl into your
dry bowl, and add the peanut
butter to the whole thing. Mix it
up until it’s all crumbly—I use
my hands for this because it’s
more fun that way. Press your
mixture into the prepared pan.
Use some plastic wrap to press it
in smoothly, then toss it into the
oven and wait 30-40 minutes.
Let them cool down completely
before cutting into pieces—you
may want to cool them off in
the refrigerator. Store your tasty
bars in an airtight container in
the fridge, or wrap them indi-
vidually. These also freeze well.
be
Photo courtesy of Sophie Isbister
The new library
VPls Welcome Back Week
and neighbourhood
DIY libraries
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Des being born and
raised in Vancouver, and
living here most of my life, I
don’t visit the Vancouver Public
Library (VPL). As a book lover,
I really should; the library has
a lot to offer these days. In
addition to events like book
readings and author Q-and-A’s,
the library also carries much
new media, such as DVDs,
10
video games, and ebooks. But
my library aversion stems from
my deep shame: I have racked
up probably a billion dollars in
late fees and missing books.
So you can imagine what
a relief it was to hear that VPL
is hosting a Welcome Back
Week. The CBC reports that
from October 21 to 27, VPL
“will waive late return fines
for anyone bringing back long-
overdue items.” The article
also says that the friendly
librarians will try to come
up with an arrangement for
missing books—but you have
to go directly to a librarian,
and I anticipate that it will
be fairly busy with legions of
scatterbrained Vancouverites
clamouring to return their
forgotten and unread copies of
War and Peace.
Why is the VPL doing this?
They want people to read! What
is the point of having a huge
library if people are kept away
by financial woes?
Libraries are making a huge
comeback—despite the growing
popularity of ebooks—and
it’s not just the classic, brick
and mortar libraries that are
seeing a resurgence. Smaller,
do-it-yourself, neighbourhood
libraries are cropping up in the
form of Little Free Libraries.
According to littlefreelibrary.
org, “a Little Free Library is a
box full of books where anyone
may stop by and pick up a
book (or two) and bring back
another book to share.” There
are a few in my Vancouver
neighbourhood: one, a mere
block away from my house,
looks like a tiny red phone
booth. Another mini-library,
not affiliated with Little Free
Library, exists along the 10th
Avenue bike path in Vancouver.
Check out their website to see if
there is one near you!
These libraries contain
whatever books are donated by
people in the neighbourhood—a
great way to get rid of books
and exchange them for new
ones. The boxes can be as small
or as large as the space allows,
but either way, they are bursting
with community-improving
goodness. Bringing books right
to the streets and right to the
people encourages reading
for everyone, just like VPL’s
Welcome Back Week.
Students may have a lot of
class reading to keep up with,
but that doesn’t mean we don’t
like to fall into a juicy, fictional
narrative every once in a while.
So keep your eyes peeled for
tiny libraries that pop up in your
neighbourhood—they just might
surprise you with their broad
selection.
Welcome back week runs at
Vancouver Libraries from October
21 to 27. For more information
about Welcome Back Week, check
out www.upl.ca
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Lunch of the Week: Homemade granola bars
Stick-to-your-ribs snacks
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Gris are pretty much my
go-to meal, any time of the
day. Whether it’s snack-sized
hummus or a yogurt cup, you
can find me eating it at noon
and midnight alike. So I figured
it was about time I try my hand
at homemade granola bars—and
after looking at the ingredients
list and amount of packaging
involved in the store-bought
met and do raspberries with
white chocolate. You can even
throw in breakfast cereal like
cornflakes or rice puffs! I ended
up using a cup of smashed
roasted almonds, and a1/2 cup
each of unsweetened coconut
ribbons, roasted pumpkin
seeds, dried cranberries, and
dried cherries. I also threw in
a 1/2 cup of ground flaxseed
just to be extra healthy.
You will need:2/3 cups
quick rolled oats 1/2 cup
granulated sugar 1/3 cup
oat flour (or 1/3 cup oats,
processed till finely ground in a
food processor or blender)1 /2
teaspoon salt1/4 teaspoon
will have a hard time getting out
of the pan if you forgo this step.
Plus, once you go parchment
you don’t go back—it’s cheap,
reusable, and it makes clean-up
a breeze when you're making
cookies. Lightly grease the pan
and paper once you've lined
it, set it aside, and preheat
your oven to 350 F.To make the
granola bars, first combine all
the dry ingredients, including
your selection of fruit and nuts,
in a large bowl. Once you've
mixed the dry ingredients, mix
the melted butter, vanilla, corn
syrup, honey, and water ina
smaller bowl. I like to heat my
honey up a little bit first in the
you could go tropical with coconut and dried mango, classic with almonds and
raisins, or get a little gourmet and do raspberries with white chocolate.
varieties I usually consume,
it seemed like a no-brainer.
I chose to adapt a granola
bar recipe from my favourite
food blog, smittenkitchen.
com. If you love eating simple
yet decadent meals and enjoy
porn-quality pictures of the
cooking process, you need to
check out that blog. As Deb
from Smitten Kitchen says, this
granola recipe is super versatile.
It calls for 2-3 cups of dried fruit
or nuts, but it doesn’t specify
which kind—this allows you
to be creative. You could go
tropical with coconut and dried
mango, classic with almonds
and raisins, or get a little gour-
ground cinnamon2-3 cups dried
fruits and nuts 1/3 cup peanut
butter or another nut butter
1 teaspoon vanilla extract 6
tablespoons melted butter1/4
cup honey 2 tablespoons light
corn syrup1 tablespoon water
To prepare, get all your
ingredients ready—because
you have a lot to work with, it’s
good to set up your workspace
and keep it organized. Then,
get your pan ready. This recipe
calls for an 8x8 baking pan.
Line the pan in one direction
with parchment paper (with the
ends sticking out on each side).
Parchment paper may seem
unnecessary, but trust me, you
need it for this recipe. Your bars
microwave so it mixes more
smoothly. Then, pour the con-
tents of your wet bowl into your
dry bowl, and add the peanut
butter to the whole thing. Mix it
up until it’s all crumbly—I use
my hands for this because it’s
more fun that way. Press your
mixture into the prepared pan.
Use some plastic wrap to press it
in smoothly, then toss it into the
oven and wait 30-40 minutes.
Let them cool down completely
before cutting into pieces—you
may want to cool them off in
the refrigerator. Store your tasty
bars in an airtight container in
the fridge, or wrap them indi-
vidually. These also freeze well.
be
Photo courtesy of Sophie Isbister
The new library
VPls Welcome Back Week
and neighbourhood
DIY libraries
Sophie
Isbister
Life & Style
lifeandstyle@ theotherpress.ca
Des being born and
raised in Vancouver, and
living here most of my life, I
don’t visit the Vancouver Public
Library (VPL). As a book lover,
I really should; the library has
a lot to offer these days. In
addition to events like book
readings and author Q-and-A’s,
the library also carries much
new media, such as DVDs,
10
video games, and ebooks. But
my library aversion stems from
my deep shame: I have racked
up probably a billion dollars in
late fees and missing books.
So you can imagine what
a relief it was to hear that VPL
is hosting a Welcome Back
Week. The CBC reports that
from October 21 to 27, VPL
“will waive late return fines
for anyone bringing back long-
overdue items.” The article
also says that the friendly
librarians will try to come
up with an arrangement for
missing books—but you have
to go directly to a librarian,
and I anticipate that it will
be fairly busy with legions of
scatterbrained Vancouverites
clamouring to return their
forgotten and unread copies of
War and Peace.
Why is the VPL doing this?
They want people to read! What
is the point of having a huge
library if people are kept away
by financial woes?
Libraries are making a huge
comeback—despite the growing
popularity of ebooks—and
it’s not just the classic, brick
and mortar libraries that are
seeing a resurgence. Smaller,
do-it-yourself, neighbourhood
libraries are cropping up in the
form of Little Free Libraries.
According to littlefreelibrary.
org, “a Little Free Library is a
box full of books where anyone
may stop by and pick up a
book (or two) and bring back
another book to share.” There
are a few in my Vancouver
neighbourhood: one, a mere
block away from my house,
looks like a tiny red phone
booth. Another mini-library,
not affiliated with Little Free
Library, exists along the 10th
Avenue bike path in Vancouver.
Check out their website to see if
there is one near you!
These libraries contain
whatever books are donated by
people in the neighbourhood—a
great way to get rid of books
and exchange them for new
ones. The boxes can be as small
or as large as the space allows,
but either way, they are bursting
with community-improving
goodness. Bringing books right
to the streets and right to the
people encourages reading
for everyone, just like VPL’s
Welcome Back Week.
Students may have a lot of
class reading to keep up with,
but that doesn’t mean we don’t
like to fall into a juicy, fictional
narrative every once in a while.
So keep your eyes peeled for
tiny libraries that pop up in your
neighbourhood—they just might
surprise you with their broad
selection.
Welcome back week runs at
Vancouver Libraries from October
21 to 27. For more information
about Welcome Back Week, check
out www.upl.ca
Content type
Page
File
SPORTS.
Know the score? Contact the editor at sports@theotherpress.ca
Go fish
Mens soccer falls short
against the Mariners
Eric
( Wilkins
Sports Editor
j spots@theohepess.a
ith a host of Douglas
College athletes in
attendance, Cunnings Field
was full of fan support for the
men’s last soccer game of the
year. The dreary weather was
not stopping the hopeful fans
and Royals from sending a
message to the Vancouver Island
University (VIU) Mariners.
“T have never seen so
many fans at a game. Most
of us athletes wanted to
support the team on their last
game,” explained women’s
basketball player, Simran Bir.
As the crowd remained
cheerful, the Royals slowly
slipped away on the score-
board. VIU was controlling
the entire first half, as Douglas
committed several fouls in
their midfield. The energy was
dwindling on the field and the
score showed it. At half-time,
the score was 3-0, and it was
smooth sailing to a victory for
the Mariners. A second-place
seed was slipping away from
the young Douglas team.
At the end of half-
time, the Royals came
out with new energy.
The majority of the second
half was a back and forth rally,
one unsuccessful chance after
another, with both goalies
doing a great job of stuffing
the other team. But ultimately,
as the game neared the end,
the Mariners showed no signs
of slowing down. The Royals
held them to one goal, but were
unable to find the back of the
net themselves. Final score, 4-0.
“We played very poorly,
nothing like the Douglas
standards we know we should
have played. I really appreciate
the teams for coming out and
watching us although we did
not showcase our talents like we
should have,” said Ilias Bocolas.
Ending the season 8-2-4,
the Royals finished just one
game shy of second place.
Coming into the season, the
team was very confident
about the chances of winning
Provincials and moving on
to Nationals. That possibility
still exists; itl] just be a harder
road now. The Provincials
start Saturday October 26.
Captain and fifth year
Mohammad Ali reminded the
players not to take their oppor-
tunities for granted: “Today’s
game was definitely one to
forget. Moving forward we are
very confident going into the
Provincials. We need our top
senior players like Javid [Khan],
Sahil [Sandhu], Devin [Phelan],
Marc [Mincieli], and [Raaqim
Amijee] to carry this young
team. If they show up to play,
there is no doubt that we will
book a ticket to the Provincial
Final and also a berth at the
National Final in Halifax.”
Photo courtesy of Maria Fernanda Torres
Royal send-off
Final game of the season
for womens soccer
Courtnie
Martin
Sports Reporter
‘Ox paper, it’s been a rough
year for the women’s soccer
team. Heading into their final
game on Sunday October 20,
they were sporting a 1-12 record.
Generally speaking, such a dis-
mal showing on the scoresheet
indicates a lack of effort on the
pitch, but not so for this squad:
they’ve been in most every
game this year, leaving it all out
on the pitch. Solid showings all
over. The one problem, however,
was sticking it in the back of the
net. On Sunday afternoon, they
20
finally showed just what they
were capable of. In a big way.
It was a chilly afternoon
when the Royals took to
the field against the visiting
Vancouver Island University
(VIU) Mariners. The team was
clearly prepared to finish on a
high note, breaking from their
pre-game huddle with great
enthusiasm and a strong sense
of camaraderie that only a true
team can display. And so, with
a small throng of Douglas sup-
porters set up on the far sideline
providing support (along with
the ever-popular sound of vuvu-
zelas), the match kicked off.
The game got off to an
unfortunate start when a
defensive miscue led to an
empty net for the Mariners’
Jessie Weninger to fire at eight
minutes into the game, but the
Royals had other plans for how
the game was to play out. Not
long after the 20-minute mark,
Hayley Melvin unleashed a
shot that saw a deflection off
a defender before finding the
goal. A minute later, Miyoko
McKeown gave Douglas a lead
they would never relinquish
when she curled a beautiful ball
off the inside of the left post. In
the 36th minute, Melvin added
to her tally with another strong
strike. The teams headed into
half with the hosts up 3-1.
The Royals began the
second half in similar fashion
to how they ended the first.
Hard pressure from Melvin
forced a turnover at the top
of the box—a turnover Mia
Rushton was only too happy to
convert: 4-1 Douglas. McKeown
then potted her second of the
afternoon with a strike from
inside the box that the keeper
couldn’t quite get enough of. To
finish the scoring for the Royals,
Nicolle Fraser sent a gorgeous
ball to the far post just over
the keeper. Desperate to claw
back into the game, VIU would
score one in the 38th minute,
but it was too little, too late.
Final score 6-2 for Douglas.
“You're only as good
as your last game... and
our last game was a 6-2
win,” commented Coach
Ciaran McMahon.
“Unfortunately it took
until the last game [for us
to dominate], but that was
our goal all season. We're all
very, very happy about it,”
said Melvin. “It was great
for Mia and Sam as well.”
The game was more than
just the end of the season for
two players, though, as Melvin
alluded to. For Sam Stackhouse
and Mia Rushton, it was the end
of the road for their careers as
Royals. The team had a short
tribute after the game with
Ashley Dunn delivering the line,
“Forever a teammate. Forever
a friend. Forever a Royal.”
“Five years and she finished
off today with a goal, that’s just
quality for her,” said McMahon
on his captain, Rushton.
“Amazing,” managed
Rushton, describing her feelings
about her final game. As to
what she was going to miss
most, Rushton simply motioned
towards her coaches and team-
mates. No words necessary.
They may have only won
two games this year, but statis-
tics only tell half the story. These
Royals are clearly winners.
Know the score? Contact the editor at sports@theotherpress.ca
Go fish
Mens soccer falls short
against the Mariners
Eric
( Wilkins
Sports Editor
j spots@theohepess.a
ith a host of Douglas
College athletes in
attendance, Cunnings Field
was full of fan support for the
men’s last soccer game of the
year. The dreary weather was
not stopping the hopeful fans
and Royals from sending a
message to the Vancouver Island
University (VIU) Mariners.
“T have never seen so
many fans at a game. Most
of us athletes wanted to
support the team on their last
game,” explained women’s
basketball player, Simran Bir.
As the crowd remained
cheerful, the Royals slowly
slipped away on the score-
board. VIU was controlling
the entire first half, as Douglas
committed several fouls in
their midfield. The energy was
dwindling on the field and the
score showed it. At half-time,
the score was 3-0, and it was
smooth sailing to a victory for
the Mariners. A second-place
seed was slipping away from
the young Douglas team.
At the end of half-
time, the Royals came
out with new energy.
The majority of the second
half was a back and forth rally,
one unsuccessful chance after
another, with both goalies
doing a great job of stuffing
the other team. But ultimately,
as the game neared the end,
the Mariners showed no signs
of slowing down. The Royals
held them to one goal, but were
unable to find the back of the
net themselves. Final score, 4-0.
“We played very poorly,
nothing like the Douglas
standards we know we should
have played. I really appreciate
the teams for coming out and
watching us although we did
not showcase our talents like we
should have,” said Ilias Bocolas.
Ending the season 8-2-4,
the Royals finished just one
game shy of second place.
Coming into the season, the
team was very confident
about the chances of winning
Provincials and moving on
to Nationals. That possibility
still exists; itl] just be a harder
road now. The Provincials
start Saturday October 26.
Captain and fifth year
Mohammad Ali reminded the
players not to take their oppor-
tunities for granted: “Today’s
game was definitely one to
forget. Moving forward we are
very confident going into the
Provincials. We need our top
senior players like Javid [Khan],
Sahil [Sandhu], Devin [Phelan],
Marc [Mincieli], and [Raaqim
Amijee] to carry this young
team. If they show up to play,
there is no doubt that we will
book a ticket to the Provincial
Final and also a berth at the
National Final in Halifax.”
Photo courtesy of Maria Fernanda Torres
Royal send-off
Final game of the season
for womens soccer
Courtnie
Martin
Sports Reporter
‘Ox paper, it’s been a rough
year for the women’s soccer
team. Heading into their final
game on Sunday October 20,
they were sporting a 1-12 record.
Generally speaking, such a dis-
mal showing on the scoresheet
indicates a lack of effort on the
pitch, but not so for this squad:
they’ve been in most every
game this year, leaving it all out
on the pitch. Solid showings all
over. The one problem, however,
was sticking it in the back of the
net. On Sunday afternoon, they
20
finally showed just what they
were capable of. In a big way.
It was a chilly afternoon
when the Royals took to
the field against the visiting
Vancouver Island University
(VIU) Mariners. The team was
clearly prepared to finish on a
high note, breaking from their
pre-game huddle with great
enthusiasm and a strong sense
of camaraderie that only a true
team can display. And so, with
a small throng of Douglas sup-
porters set up on the far sideline
providing support (along with
the ever-popular sound of vuvu-
zelas), the match kicked off.
The game got off to an
unfortunate start when a
defensive miscue led to an
empty net for the Mariners’
Jessie Weninger to fire at eight
minutes into the game, but the
Royals had other plans for how
the game was to play out. Not
long after the 20-minute mark,
Hayley Melvin unleashed a
shot that saw a deflection off
a defender before finding the
goal. A minute later, Miyoko
McKeown gave Douglas a lead
they would never relinquish
when she curled a beautiful ball
off the inside of the left post. In
the 36th minute, Melvin added
to her tally with another strong
strike. The teams headed into
half with the hosts up 3-1.
The Royals began the
second half in similar fashion
to how they ended the first.
Hard pressure from Melvin
forced a turnover at the top
of the box—a turnover Mia
Rushton was only too happy to
convert: 4-1 Douglas. McKeown
then potted her second of the
afternoon with a strike from
inside the box that the keeper
couldn’t quite get enough of. To
finish the scoring for the Royals,
Nicolle Fraser sent a gorgeous
ball to the far post just over
the keeper. Desperate to claw
back into the game, VIU would
score one in the 38th minute,
but it was too little, too late.
Final score 6-2 for Douglas.
“You're only as good
as your last game... and
our last game was a 6-2
win,” commented Coach
Ciaran McMahon.
“Unfortunately it took
until the last game [for us
to dominate], but that was
our goal all season. We're all
very, very happy about it,”
said Melvin. “It was great
for Mia and Sam as well.”
The game was more than
just the end of the season for
two players, though, as Melvin
alluded to. For Sam Stackhouse
and Mia Rushton, it was the end
of the road for their careers as
Royals. The team had a short
tribute after the game with
Ashley Dunn delivering the line,
“Forever a teammate. Forever
a friend. Forever a Royal.”
“Five years and she finished
off today with a goal, that’s just
quality for her,” said McMahon
on his captain, Rushton.
“Amazing,” managed
Rushton, describing her feelings
about her final game. As to
what she was going to miss
most, Rushton simply motioned
towards her coaches and team-
mates. No words necessary.
They may have only won
two games this year, but statis-
tics only tell half the story. These
Royals are clearly winners.
Edited Text
SPORTS.
Know the score? Contact the editor at sports@theotherpress.ca
Go fish
Mens soccer falls short
against the Mariners
Eric
( Wilkins
Sports Editor
j spots@theohepess.a
ith a host of Douglas
College athletes in
attendance, Cunnings Field
was full of fan support for the
men’s last soccer game of the
year. The dreary weather was
not stopping the hopeful fans
and Royals from sending a
message to the Vancouver Island
University (VIU) Mariners.
“T have never seen so
many fans at a game. Most
of us athletes wanted to
support the team on their last
game,” explained women’s
basketball player, Simran Bir.
As the crowd remained
cheerful, the Royals slowly
slipped away on the score-
board. VIU was controlling
the entire first half, as Douglas
committed several fouls in
their midfield. The energy was
dwindling on the field and the
score showed it. At half-time,
the score was 3-0, and it was
smooth sailing to a victory for
the Mariners. A second-place
seed was slipping away from
the young Douglas team.
At the end of half-
time, the Royals came
out with new energy.
The majority of the second
half was a back and forth rally,
one unsuccessful chance after
another, with both goalies
doing a great job of stuffing
the other team. But ultimately,
as the game neared the end,
the Mariners showed no signs
of slowing down. The Royals
held them to one goal, but were
unable to find the back of the
net themselves. Final score, 4-0.
“We played very poorly,
nothing like the Douglas
standards we know we should
have played. I really appreciate
the teams for coming out and
watching us although we did
not showcase our talents like we
should have,” said Ilias Bocolas.
Ending the season 8-2-4,
the Royals finished just one
game shy of second place.
Coming into the season, the
team was very confident
about the chances of winning
Provincials and moving on
to Nationals. That possibility
still exists; itl] just be a harder
road now. The Provincials
start Saturday October 26.
Captain and fifth year
Mohammad Ali reminded the
players not to take their oppor-
tunities for granted: “Today’s
game was definitely one to
forget. Moving forward we are
very confident going into the
Provincials. We need our top
senior players like Javid [Khan],
Sahil [Sandhu], Devin [Phelan],
Marc [Mincieli], and [Raaqim
Amijee] to carry this young
team. If they show up to play,
there is no doubt that we will
book a ticket to the Provincial
Final and also a berth at the
National Final in Halifax.”
Photo courtesy of Maria Fernanda Torres
Royal send-off
Final game of the season
for womens soccer
Courtnie
Martin
Sports Reporter
‘Ox paper, it’s been a rough
year for the women’s soccer
team. Heading into their final
game on Sunday October 20,
they were sporting a 1-12 record.
Generally speaking, such a dis-
mal showing on the scoresheet
indicates a lack of effort on the
pitch, but not so for this squad:
they’ve been in most every
game this year, leaving it all out
on the pitch. Solid showings all
over. The one problem, however,
was sticking it in the back of the
net. On Sunday afternoon, they
20
finally showed just what they
were capable of. In a big way.
It was a chilly afternoon
when the Royals took to
the field against the visiting
Vancouver Island University
(VIU) Mariners. The team was
clearly prepared to finish on a
high note, breaking from their
pre-game huddle with great
enthusiasm and a strong sense
of camaraderie that only a true
team can display. And so, with
a small throng of Douglas sup-
porters set up on the far sideline
providing support (along with
the ever-popular sound of vuvu-
zelas), the match kicked off.
The game got off to an
unfortunate start when a
defensive miscue led to an
empty net for the Mariners’
Jessie Weninger to fire at eight
minutes into the game, but the
Royals had other plans for how
the game was to play out. Not
long after the 20-minute mark,
Hayley Melvin unleashed a
shot that saw a deflection off
a defender before finding the
goal. A minute later, Miyoko
McKeown gave Douglas a lead
they would never relinquish
when she curled a beautiful ball
off the inside of the left post. In
the 36th minute, Melvin added
to her tally with another strong
strike. The teams headed into
half with the hosts up 3-1.
The Royals began the
second half in similar fashion
to how they ended the first.
Hard pressure from Melvin
forced a turnover at the top
of the box—a turnover Mia
Rushton was only too happy to
convert: 4-1 Douglas. McKeown
then potted her second of the
afternoon with a strike from
inside the box that the keeper
couldn’t quite get enough of. To
finish the scoring for the Royals,
Nicolle Fraser sent a gorgeous
ball to the far post just over
the keeper. Desperate to claw
back into the game, VIU would
score one in the 38th minute,
but it was too little, too late.
Final score 6-2 for Douglas.
“You're only as good
as your last game... and
our last game was a 6-2
win,” commented Coach
Ciaran McMahon.
“Unfortunately it took
until the last game [for us
to dominate], but that was
our goal all season. We're all
very, very happy about it,”
said Melvin. “It was great
for Mia and Sam as well.”
The game was more than
just the end of the season for
two players, though, as Melvin
alluded to. For Sam Stackhouse
and Mia Rushton, it was the end
of the road for their careers as
Royals. The team had a short
tribute after the game with
Ashley Dunn delivering the line,
“Forever a teammate. Forever
a friend. Forever a Royal.”
“Five years and she finished
off today with a goal, that’s just
quality for her,” said McMahon
on his captain, Rushton.
“Amazing,” managed
Rushton, describing her feelings
about her final game. As to
what she was going to miss
most, Rushton simply motioned
towards her coaches and team-
mates. No words necessary.
They may have only won
two games this year, but statis-
tics only tell half the story. These
Royals are clearly winners.
Know the score? Contact the editor at sports@theotherpress.ca
Go fish
Mens soccer falls short
against the Mariners
Eric
( Wilkins
Sports Editor
j spots@theohepess.a
ith a host of Douglas
College athletes in
attendance, Cunnings Field
was full of fan support for the
men’s last soccer game of the
year. The dreary weather was
not stopping the hopeful fans
and Royals from sending a
message to the Vancouver Island
University (VIU) Mariners.
“T have never seen so
many fans at a game. Most
of us athletes wanted to
support the team on their last
game,” explained women’s
basketball player, Simran Bir.
As the crowd remained
cheerful, the Royals slowly
slipped away on the score-
board. VIU was controlling
the entire first half, as Douglas
committed several fouls in
their midfield. The energy was
dwindling on the field and the
score showed it. At half-time,
the score was 3-0, and it was
smooth sailing to a victory for
the Mariners. A second-place
seed was slipping away from
the young Douglas team.
At the end of half-
time, the Royals came
out with new energy.
The majority of the second
half was a back and forth rally,
one unsuccessful chance after
another, with both goalies
doing a great job of stuffing
the other team. But ultimately,
as the game neared the end,
the Mariners showed no signs
of slowing down. The Royals
held them to one goal, but were
unable to find the back of the
net themselves. Final score, 4-0.
“We played very poorly,
nothing like the Douglas
standards we know we should
have played. I really appreciate
the teams for coming out and
watching us although we did
not showcase our talents like we
should have,” said Ilias Bocolas.
Ending the season 8-2-4,
the Royals finished just one
game shy of second place.
Coming into the season, the
team was very confident
about the chances of winning
Provincials and moving on
to Nationals. That possibility
still exists; itl] just be a harder
road now. The Provincials
start Saturday October 26.
Captain and fifth year
Mohammad Ali reminded the
players not to take their oppor-
tunities for granted: “Today’s
game was definitely one to
forget. Moving forward we are
very confident going into the
Provincials. We need our top
senior players like Javid [Khan],
Sahil [Sandhu], Devin [Phelan],
Marc [Mincieli], and [Raaqim
Amijee] to carry this young
team. If they show up to play,
there is no doubt that we will
book a ticket to the Provincial
Final and also a berth at the
National Final in Halifax.”
Photo courtesy of Maria Fernanda Torres
Royal send-off
Final game of the season
for womens soccer
Courtnie
Martin
Sports Reporter
‘Ox paper, it’s been a rough
year for the women’s soccer
team. Heading into their final
game on Sunday October 20,
they were sporting a 1-12 record.
Generally speaking, such a dis-
mal showing on the scoresheet
indicates a lack of effort on the
pitch, but not so for this squad:
they’ve been in most every
game this year, leaving it all out
on the pitch. Solid showings all
over. The one problem, however,
was sticking it in the back of the
net. On Sunday afternoon, they
20
finally showed just what they
were capable of. In a big way.
It was a chilly afternoon
when the Royals took to
the field against the visiting
Vancouver Island University
(VIU) Mariners. The team was
clearly prepared to finish on a
high note, breaking from their
pre-game huddle with great
enthusiasm and a strong sense
of camaraderie that only a true
team can display. And so, with
a small throng of Douglas sup-
porters set up on the far sideline
providing support (along with
the ever-popular sound of vuvu-
zelas), the match kicked off.
The game got off to an
unfortunate start when a
defensive miscue led to an
empty net for the Mariners’
Jessie Weninger to fire at eight
minutes into the game, but the
Royals had other plans for how
the game was to play out. Not
long after the 20-minute mark,
Hayley Melvin unleashed a
shot that saw a deflection off
a defender before finding the
goal. A minute later, Miyoko
McKeown gave Douglas a lead
they would never relinquish
when she curled a beautiful ball
off the inside of the left post. In
the 36th minute, Melvin added
to her tally with another strong
strike. The teams headed into
half with the hosts up 3-1.
The Royals began the
second half in similar fashion
to how they ended the first.
Hard pressure from Melvin
forced a turnover at the top
of the box—a turnover Mia
Rushton was only too happy to
convert: 4-1 Douglas. McKeown
then potted her second of the
afternoon with a strike from
inside the box that the keeper
couldn’t quite get enough of. To
finish the scoring for the Royals,
Nicolle Fraser sent a gorgeous
ball to the far post just over
the keeper. Desperate to claw
back into the game, VIU would
score one in the 38th minute,
but it was too little, too late.
Final score 6-2 for Douglas.
“You're only as good
as your last game... and
our last game was a 6-2
win,” commented Coach
Ciaran McMahon.
“Unfortunately it took
until the last game [for us
to dominate], but that was
our goal all season. We're all
very, very happy about it,”
said Melvin. “It was great
for Mia and Sam as well.”
The game was more than
just the end of the season for
two players, though, as Melvin
alluded to. For Sam Stackhouse
and Mia Rushton, it was the end
of the road for their careers as
Royals. The team had a short
tribute after the game with
Ashley Dunn delivering the line,
“Forever a teammate. Forever
a friend. Forever a Royal.”
“Five years and she finished
off today with a goal, that’s just
quality for her,” said McMahon
on his captain, Rushton.
“Amazing,” managed
Rushton, describing her feelings
about her final game. As to
what she was going to miss
most, Rushton simply motioned
towards her coaches and team-
mates. No words necessary.
They may have only won
two games this year, but statis-
tics only tell half the story. These
Royals are clearly winners.
Content type
Page
File
www.theotherpress.ca
NEws.
A Class Act
Douglas College
Foundation celebrates
Oktoberfest in style
a
Poe figures, socialites,
students, and prominent
community leaders gathered
at Douglas College’s David
Lam campus on October 18 to
raise money for the Douglas
College Foundation, the
college’s charitable arm. The
Douglas College Foundation
assists students in financial need
by providing much-needed
bursaries and scholarships.
A Class Act, the
foundation’s marquee
fundraising event, drew a huge
crowd willing to pull out their
cheque books in both a live and
silent auction, as well as a raffle
draw. Now in its 16th year,
this year’s A Class Act had an
Oktoberfest theme, complete
with a variety of German beers,
food, and a live band.
While the total amount
raised by this year’s event—
which includes funds raised by
event ticket sales, raffle tickets
and the winning bids for items
in the silent auction—was not
Patrick
Vailancourt
News Editor
news@ theotherpress.ca
available at press time, the live
auction raised close to $4,000 for
the foundation. Organizers at
the Douglas College Foundation
had been hoping to reach their
goal of raising $25,000 by night's
end.
The Douglas College
Foundation, in operation since
1985, gave out more than 1,864
bursaries, scholarships, and
awards last year, with $675,000
raised for student aid. The
foundation hopes to continue to
provide assistance to students in
need of financial aid.
The event featured samples
of various German wines and
Photos courtesy of Patrick Vaillancourt
beers, as well as a selection
of local brews from a wide
range of vendors. A buffet of
various German foods was also
available, included in the $45-
cost of admission.
Hosts, servers, and cooks
working the event were
members of the Douglas College
hospitality program, giving
them some practical experience
at a relatively large-scale event.
Lisa Collyer, of Douglas
College’s hospitality
management program, said
that students in the program
welcomed the opportunity to
work such a meaningful event.
“Hospitality management
students require practical
experience and this is sucha
great event for our students to
be involved in,” said Collyer
in a short address to those in
attendance.
Some of the big names
in attendance included New
Westminster-Coquitlam MP Fin
Donnelly, Coquitlam Mayor
Richard Stewart, Douglas
College president Dr. Scott
McAlpine, and Dave Teixeira,
who acted as the master of
ceremonies.
Organizers for the event
urged people to be generous,
saying that bursaries and
scholarships go a long way in
helping students achieve their
educational objectives.
“Support from our donors
puts food on the tables, books
on the desk, and hope in the
hearts of students,” said Darlene
Hyde, chair of the Douglas
College Foundation. “With
every dollar you spend, you are
making a difference in the lives
of our students.”
Creating their own job
Entrepreneurs make
their own way with
Douglas Colleges Self
Employment program
a
Amongst the vast number of
programs and courses available
to students at Douglas College,
one of the most popular and
promising opportunities
available is the Self-Employment
program.
The Self-Employment
program has helped over 3,000
businesses get started, with
students learning things from
developing business plans and
transitioning strategies to being
their own boss. Their track
record is quite impressive: 95
per cent of the businesses started
through the program are still
Patrick
Vailancourt
News Editor
news@theotherpress.ca
up and running after one year,
and 72 per cent of the businesses
opened are still in business after
four years. The program has
been offered since 1995, and has
since become the largest self-
employment program in the
Lower Mainland.
Michelle Jickling, a business
advisor with the program
and CEO of Hummingbird
Translations, says that the self-
employment program provides
aspiring entrepreneurs with the
tools to get a business off the
ground.
“Tt’s never been easier
to start a business,” she says,
adding that, “this doesn’t mean
that starting a business is easy.”
The first step to any
successful business venture,
she says, is a “sound business
plan”—the fundamental
document that is required of
entrepreneurs for a number of
business issues, such as funding.
“When you are starting
a business without a good,
sound business plan, it becomes
difficult to manage your
business day-to-day once you
get it up and running.”
One of the first things
participants in the program do is
put together their business plan,
including a two-year earnings
forecast. They then present their
business plan to a Dragon’s Den-
style review panel, consisting
of business owners who are
familiar with the business plan,
for feedback.
The first phase of the 48-
week long program consists of
intensive theoretical training,
including workshops on sales,
operational effectiveness,
marketing, and social media.
After the classroom training,
participants run their businesses
with coaching and mentoring
from the program’s business
consultants.
The program is accessible
to the general public, not only
Douglas College students.
“The program is open to
anybody with a viable business
idea. The first step would be
to go to an orientation to see if
the program is viable. We don’t
want people to lose their shirts;
we want them to be successful,”
says Jickling.
The entire program costs
$2,750, but Jickling says that
it’s an “incredible value” based
on the training and mentorship
being given to participants.
“Our goal is to provide real
training for real entrepreneurs.
Participants [for most of the
duration of the program] are out
running their business; it’s not
like they’re strapped to a chair
in a classroom.”
When asked what the
biggest challenges are for new
entrepreneurs, she said that fear
of failure often comes into play.
“One of the things they
struggle with the most is with
perfectionism, and they use it,
without really knowing it, as a
form of procrastination,” says
Jickling. “There is such a huge
leap between being managed, be
it by teachers, your boss, or your
parents, to managing yourself
[and it] presents a real challenge
for many entrepreneurs.”
The program has benefitted
a wide range of people: both
youth and people in their sixties
alike have seen success in the
self-employment program.
The program’s marquee
event, the Entrepreneur of the
Year Awards, will take place
on October 23 at the Executive
Plaza Hotel and Conference
Centre in Coquitlam. Tickets are
$20 and are still available online
at eya2013.eventbrite.ca/
“The success stories from
the program are far greater than
those who start their business
on their own. Everyone [at the
award gala] would attribute
the success of their start to the
program,” says Jickling, adding
that, “anyone wanting to come
to the dinner would likely get
inspired and empowered to
look at the Self-Employment
Program.”
NEws.
A Class Act
Douglas College
Foundation celebrates
Oktoberfest in style
a
Poe figures, socialites,
students, and prominent
community leaders gathered
at Douglas College’s David
Lam campus on October 18 to
raise money for the Douglas
College Foundation, the
college’s charitable arm. The
Douglas College Foundation
assists students in financial need
by providing much-needed
bursaries and scholarships.
A Class Act, the
foundation’s marquee
fundraising event, drew a huge
crowd willing to pull out their
cheque books in both a live and
silent auction, as well as a raffle
draw. Now in its 16th year,
this year’s A Class Act had an
Oktoberfest theme, complete
with a variety of German beers,
food, and a live band.
While the total amount
raised by this year’s event—
which includes funds raised by
event ticket sales, raffle tickets
and the winning bids for items
in the silent auction—was not
Patrick
Vailancourt
News Editor
news@ theotherpress.ca
available at press time, the live
auction raised close to $4,000 for
the foundation. Organizers at
the Douglas College Foundation
had been hoping to reach their
goal of raising $25,000 by night's
end.
The Douglas College
Foundation, in operation since
1985, gave out more than 1,864
bursaries, scholarships, and
awards last year, with $675,000
raised for student aid. The
foundation hopes to continue to
provide assistance to students in
need of financial aid.
The event featured samples
of various German wines and
Photos courtesy of Patrick Vaillancourt
beers, as well as a selection
of local brews from a wide
range of vendors. A buffet of
various German foods was also
available, included in the $45-
cost of admission.
Hosts, servers, and cooks
working the event were
members of the Douglas College
hospitality program, giving
them some practical experience
at a relatively large-scale event.
Lisa Collyer, of Douglas
College’s hospitality
management program, said
that students in the program
welcomed the opportunity to
work such a meaningful event.
“Hospitality management
students require practical
experience and this is sucha
great event for our students to
be involved in,” said Collyer
in a short address to those in
attendance.
Some of the big names
in attendance included New
Westminster-Coquitlam MP Fin
Donnelly, Coquitlam Mayor
Richard Stewart, Douglas
College president Dr. Scott
McAlpine, and Dave Teixeira,
who acted as the master of
ceremonies.
Organizers for the event
urged people to be generous,
saying that bursaries and
scholarships go a long way in
helping students achieve their
educational objectives.
“Support from our donors
puts food on the tables, books
on the desk, and hope in the
hearts of students,” said Darlene
Hyde, chair of the Douglas
College Foundation. “With
every dollar you spend, you are
making a difference in the lives
of our students.”
Creating their own job
Entrepreneurs make
their own way with
Douglas Colleges Self
Employment program
a
Amongst the vast number of
programs and courses available
to students at Douglas College,
one of the most popular and
promising opportunities
available is the Self-Employment
program.
The Self-Employment
program has helped over 3,000
businesses get started, with
students learning things from
developing business plans and
transitioning strategies to being
their own boss. Their track
record is quite impressive: 95
per cent of the businesses started
through the program are still
Patrick
Vailancourt
News Editor
news@theotherpress.ca
up and running after one year,
and 72 per cent of the businesses
opened are still in business after
four years. The program has
been offered since 1995, and has
since become the largest self-
employment program in the
Lower Mainland.
Michelle Jickling, a business
advisor with the program
and CEO of Hummingbird
Translations, says that the self-
employment program provides
aspiring entrepreneurs with the
tools to get a business off the
ground.
“Tt’s never been easier
to start a business,” she says,
adding that, “this doesn’t mean
that starting a business is easy.”
The first step to any
successful business venture,
she says, is a “sound business
plan”—the fundamental
document that is required of
entrepreneurs for a number of
business issues, such as funding.
“When you are starting
a business without a good,
sound business plan, it becomes
difficult to manage your
business day-to-day once you
get it up and running.”
One of the first things
participants in the program do is
put together their business plan,
including a two-year earnings
forecast. They then present their
business plan to a Dragon’s Den-
style review panel, consisting
of business owners who are
familiar with the business plan,
for feedback.
The first phase of the 48-
week long program consists of
intensive theoretical training,
including workshops on sales,
operational effectiveness,
marketing, and social media.
After the classroom training,
participants run their businesses
with coaching and mentoring
from the program’s business
consultants.
The program is accessible
to the general public, not only
Douglas College students.
“The program is open to
anybody with a viable business
idea. The first step would be
to go to an orientation to see if
the program is viable. We don’t
want people to lose their shirts;
we want them to be successful,”
says Jickling.
The entire program costs
$2,750, but Jickling says that
it’s an “incredible value” based
on the training and mentorship
being given to participants.
“Our goal is to provide real
training for real entrepreneurs.
Participants [for most of the
duration of the program] are out
running their business; it’s not
like they’re strapped to a chair
in a classroom.”
When asked what the
biggest challenges are for new
entrepreneurs, she said that fear
of failure often comes into play.
“One of the things they
struggle with the most is with
perfectionism, and they use it,
without really knowing it, as a
form of procrastination,” says
Jickling. “There is such a huge
leap between being managed, be
it by teachers, your boss, or your
parents, to managing yourself
[and it] presents a real challenge
for many entrepreneurs.”
The program has benefitted
a wide range of people: both
youth and people in their sixties
alike have seen success in the
self-employment program.
The program’s marquee
event, the Entrepreneur of the
Year Awards, will take place
on October 23 at the Executive
Plaza Hotel and Conference
Centre in Coquitlam. Tickets are
$20 and are still available online
at eya2013.eventbrite.ca/
“The success stories from
the program are far greater than
those who start their business
on their own. Everyone [at the
award gala] would attribute
the success of their start to the
program,” says Jickling, adding
that, “anyone wanting to come
to the dinner would likely get
inspired and empowered to
look at the Self-Employment
Program.”
Edited Text
www.theotherpress.ca
NEws.
A Class Act
Douglas College
Foundation celebrates
Oktoberfest in style
a
Poe figures, socialites,
students, and prominent
community leaders gathered
at Douglas College’s David
Lam campus on October 18 to
raise money for the Douglas
College Foundation, the
college’s charitable arm. The
Douglas College Foundation
assists students in financial need
by providing much-needed
bursaries and scholarships.
A Class Act, the
foundation’s marquee
fundraising event, drew a huge
crowd willing to pull out their
cheque books in both a live and
silent auction, as well as a raffle
draw. Now in its 16th year,
this year’s A Class Act had an
Oktoberfest theme, complete
with a variety of German beers,
food, and a live band.
While the total amount
raised by this year’s event—
which includes funds raised by
event ticket sales, raffle tickets
and the winning bids for items
in the silent auction—was not
Patrick
Vailancourt
News Editor
news@ theotherpress.ca
available at press time, the live
auction raised close to $4,000 for
the foundation. Organizers at
the Douglas College Foundation
had been hoping to reach their
goal of raising $25,000 by night's
end.
The Douglas College
Foundation, in operation since
1985, gave out more than 1,864
bursaries, scholarships, and
awards last year, with $675,000
raised for student aid. The
foundation hopes to continue to
provide assistance to students in
need of financial aid.
The event featured samples
of various German wines and
Photos courtesy of Patrick Vaillancourt
beers, as well as a selection
of local brews from a wide
range of vendors. A buffet of
various German foods was also
available, included in the $45-
cost of admission.
Hosts, servers, and cooks
working the event were
members of the Douglas College
hospitality program, giving
them some practical experience
at a relatively large-scale event.
Lisa Collyer, of Douglas
College’s hospitality
management program, said
that students in the program
welcomed the opportunity to
work such a meaningful event.
“Hospitality management
students require practical
experience and this is sucha
great event for our students to
be involved in,” said Collyer
in a short address to those in
attendance.
Some of the big names
in attendance included New
Westminster-Coquitlam MP Fin
Donnelly, Coquitlam Mayor
Richard Stewart, Douglas
College president Dr. Scott
McAlpine, and Dave Teixeira,
who acted as the master of
ceremonies.
Organizers for the event
urged people to be generous,
saying that bursaries and
scholarships go a long way in
helping students achieve their
educational objectives.
“Support from our donors
puts food on the tables, books
on the desk, and hope in the
hearts of students,” said Darlene
Hyde, chair of the Douglas
College Foundation. “With
every dollar you spend, you are
making a difference in the lives
of our students.”
Creating their own job
Entrepreneurs make
their own way with
Douglas Colleges Self
Employment program
a
Amongst the vast number of
programs and courses available
to students at Douglas College,
one of the most popular and
promising opportunities
available is the Self-Employment
program.
The Self-Employment
program has helped over 3,000
businesses get started, with
students learning things from
developing business plans and
transitioning strategies to being
their own boss. Their track
record is quite impressive: 95
per cent of the businesses started
through the program are still
Patrick
Vailancourt
News Editor
news@theotherpress.ca
up and running after one year,
and 72 per cent of the businesses
opened are still in business after
four years. The program has
been offered since 1995, and has
since become the largest self-
employment program in the
Lower Mainland.
Michelle Jickling, a business
advisor with the program
and CEO of Hummingbird
Translations, says that the self-
employment program provides
aspiring entrepreneurs with the
tools to get a business off the
ground.
“Tt’s never been easier
to start a business,” she says,
adding that, “this doesn’t mean
that starting a business is easy.”
The first step to any
successful business venture,
she says, is a “sound business
plan”—the fundamental
document that is required of
entrepreneurs for a number of
business issues, such as funding.
“When you are starting
a business without a good,
sound business plan, it becomes
difficult to manage your
business day-to-day once you
get it up and running.”
One of the first things
participants in the program do is
put together their business plan,
including a two-year earnings
forecast. They then present their
business plan to a Dragon’s Den-
style review panel, consisting
of business owners who are
familiar with the business plan,
for feedback.
The first phase of the 48-
week long program consists of
intensive theoretical training,
including workshops on sales,
operational effectiveness,
marketing, and social media.
After the classroom training,
participants run their businesses
with coaching and mentoring
from the program’s business
consultants.
The program is accessible
to the general public, not only
Douglas College students.
“The program is open to
anybody with a viable business
idea. The first step would be
to go to an orientation to see if
the program is viable. We don’t
want people to lose their shirts;
we want them to be successful,”
says Jickling.
The entire program costs
$2,750, but Jickling says that
it’s an “incredible value” based
on the training and mentorship
being given to participants.
“Our goal is to provide real
training for real entrepreneurs.
Participants [for most of the
duration of the program] are out
running their business; it’s not
like they’re strapped to a chair
in a classroom.”
When asked what the
biggest challenges are for new
entrepreneurs, she said that fear
of failure often comes into play.
“One of the things they
struggle with the most is with
perfectionism, and they use it,
without really knowing it, as a
form of procrastination,” says
Jickling. “There is such a huge
leap between being managed, be
it by teachers, your boss, or your
parents, to managing yourself
[and it] presents a real challenge
for many entrepreneurs.”
The program has benefitted
a wide range of people: both
youth and people in their sixties
alike have seen success in the
self-employment program.
The program’s marquee
event, the Entrepreneur of the
Year Awards, will take place
on October 23 at the Executive
Plaza Hotel and Conference
Centre in Coquitlam. Tickets are
$20 and are still available online
at eya2013.eventbrite.ca/
“The success stories from
the program are far greater than
those who start their business
on their own. Everyone [at the
award gala] would attribute
the success of their start to the
program,” says Jickling, adding
that, “anyone wanting to come
to the dinner would likely get
inspired and empowered to
look at the Self-Employment
Program.”
NEws.
A Class Act
Douglas College
Foundation celebrates
Oktoberfest in style
a
Poe figures, socialites,
students, and prominent
community leaders gathered
at Douglas College’s David
Lam campus on October 18 to
raise money for the Douglas
College Foundation, the
college’s charitable arm. The
Douglas College Foundation
assists students in financial need
by providing much-needed
bursaries and scholarships.
A Class Act, the
foundation’s marquee
fundraising event, drew a huge
crowd willing to pull out their
cheque books in both a live and
silent auction, as well as a raffle
draw. Now in its 16th year,
this year’s A Class Act had an
Oktoberfest theme, complete
with a variety of German beers,
food, and a live band.
While the total amount
raised by this year’s event—
which includes funds raised by
event ticket sales, raffle tickets
and the winning bids for items
in the silent auction—was not
Patrick
Vailancourt
News Editor
news@ theotherpress.ca
available at press time, the live
auction raised close to $4,000 for
the foundation. Organizers at
the Douglas College Foundation
had been hoping to reach their
goal of raising $25,000 by night's
end.
The Douglas College
Foundation, in operation since
1985, gave out more than 1,864
bursaries, scholarships, and
awards last year, with $675,000
raised for student aid. The
foundation hopes to continue to
provide assistance to students in
need of financial aid.
The event featured samples
of various German wines and
Photos courtesy of Patrick Vaillancourt
beers, as well as a selection
of local brews from a wide
range of vendors. A buffet of
various German foods was also
available, included in the $45-
cost of admission.
Hosts, servers, and cooks
working the event were
members of the Douglas College
hospitality program, giving
them some practical experience
at a relatively large-scale event.
Lisa Collyer, of Douglas
College’s hospitality
management program, said
that students in the program
welcomed the opportunity to
work such a meaningful event.
“Hospitality management
students require practical
experience and this is sucha
great event for our students to
be involved in,” said Collyer
in a short address to those in
attendance.
Some of the big names
in attendance included New
Westminster-Coquitlam MP Fin
Donnelly, Coquitlam Mayor
Richard Stewart, Douglas
College president Dr. Scott
McAlpine, and Dave Teixeira,
who acted as the master of
ceremonies.
Organizers for the event
urged people to be generous,
saying that bursaries and
scholarships go a long way in
helping students achieve their
educational objectives.
“Support from our donors
puts food on the tables, books
on the desk, and hope in the
hearts of students,” said Darlene
Hyde, chair of the Douglas
College Foundation. “With
every dollar you spend, you are
making a difference in the lives
of our students.”
Creating their own job
Entrepreneurs make
their own way with
Douglas Colleges Self
Employment program
a
Amongst the vast number of
programs and courses available
to students at Douglas College,
one of the most popular and
promising opportunities
available is the Self-Employment
program.
The Self-Employment
program has helped over 3,000
businesses get started, with
students learning things from
developing business plans and
transitioning strategies to being
their own boss. Their track
record is quite impressive: 95
per cent of the businesses started
through the program are still
Patrick
Vailancourt
News Editor
news@theotherpress.ca
up and running after one year,
and 72 per cent of the businesses
opened are still in business after
four years. The program has
been offered since 1995, and has
since become the largest self-
employment program in the
Lower Mainland.
Michelle Jickling, a business
advisor with the program
and CEO of Hummingbird
Translations, says that the self-
employment program provides
aspiring entrepreneurs with the
tools to get a business off the
ground.
“Tt’s never been easier
to start a business,” she says,
adding that, “this doesn’t mean
that starting a business is easy.”
The first step to any
successful business venture,
she says, is a “sound business
plan”—the fundamental
document that is required of
entrepreneurs for a number of
business issues, such as funding.
“When you are starting
a business without a good,
sound business plan, it becomes
difficult to manage your
business day-to-day once you
get it up and running.”
One of the first things
participants in the program do is
put together their business plan,
including a two-year earnings
forecast. They then present their
business plan to a Dragon’s Den-
style review panel, consisting
of business owners who are
familiar with the business plan,
for feedback.
The first phase of the 48-
week long program consists of
intensive theoretical training,
including workshops on sales,
operational effectiveness,
marketing, and social media.
After the classroom training,
participants run their businesses
with coaching and mentoring
from the program’s business
consultants.
The program is accessible
to the general public, not only
Douglas College students.
“The program is open to
anybody with a viable business
idea. The first step would be
to go to an orientation to see if
the program is viable. We don’t
want people to lose their shirts;
we want them to be successful,”
says Jickling.
The entire program costs
$2,750, but Jickling says that
it’s an “incredible value” based
on the training and mentorship
being given to participants.
“Our goal is to provide real
training for real entrepreneurs.
Participants [for most of the
duration of the program] are out
running their business; it’s not
like they’re strapped to a chair
in a classroom.”
When asked what the
biggest challenges are for new
entrepreneurs, she said that fear
of failure often comes into play.
“One of the things they
struggle with the most is with
perfectionism, and they use it,
without really knowing it, as a
form of procrastination,” says
Jickling. “There is such a huge
leap between being managed, be
it by teachers, your boss, or your
parents, to managing yourself
[and it] presents a real challenge
for many entrepreneurs.”
The program has benefitted
a wide range of people: both
youth and people in their sixties
alike have seen success in the
self-employment program.
The program’s marquee
event, the Entrepreneur of the
Year Awards, will take place
on October 23 at the Executive
Plaza Hotel and Conference
Centre in Coquitlam. Tickets are
$20 and are still available online
at eya2013.eventbrite.ca/
“The success stories from
the program are far greater than
those who start their business
on their own. Everyone [at the
award gala] would attribute
the success of their start to the
program,” says Jickling, adding
that, “anyone wanting to come
to the dinner would likely get
inspired and empowered to
look at the Self-Employment
Program.”
Content type
Page
File
www.theotherpress.ca
OPINIONS.
Got too much on your plate?
Save some room
for dessert
Elliot
Chan
Opinions Editor
bs opinions@theotherpress.ca
S° now you're popular; or
at least, people are starting
to expect more from you.
Responsibilities, commitments,
deadlines, schoolwork, part-
time jobs, and relationships.
When you do have free time
these days, it fills up pretty
quickly. Nobody has to point it
out to you—after all, you feel it
from the strain of carrying the
world on your back—but they
do anyways: you look tired and
it can’t be ignored. How did this
happen? How did you get so
much on your plate?
It’s not a question of how,
but rather a question of why.
Those with too much going on
have made a conscious choice
to say “Yes” more, and by
doing so, they’re receiving more
opportunities. The result is far
from the worst-case scenario.
Sure, you’re thrashing about in
the deep end, but what better
way is there to learn to swim?
Don’t be distracted by the
competition; you set your own
bars in life.
You are being productive
and there is a clear path of
progress, but the weight of it all
can be damaging. You want to
do more, but you're afraid the
standard of your work and the
quality of your relationships will
diminish, while the amount of
rest you get will start depleting.
Don’t panic yet: the crisis is all
in your head.
Pick your battles. You'll
want to do everything,
and that’s respectable, but
sometimes it’s impossible.
Prioritize your work, and ask
yourself what's most important
to you. Sure, money and
reputation are important, but
it’s still your life and you get to
determine how it plays out. Do
you want a promotion at work
or do you want to ace an exam?
Do you want to spend more
time with the family or do you
want to earn a little bit more
for a vacation? Understand
what you are working for: by
having a clear goal, you can
then choose the most pertinent
task and accomplish it. Focus
on one thing at a time, and if
work falls to the back burner,
acknowledge it, communicate
it, but don’t ignore the loss;
someone is always willing to
help you or forgive you, as long
as you vocalize your issues.
Your passion will decide what
is most important—not your
friends, family, instructors, or
employers.
Covering your ass is not
a bad habit. A little safety net
while you work can help reduce
stress. Always communicate
with clients, employers, and
everyone else in your life.
Update them on the progress
of work—honesty is the best
policy. If they don’t appreciate
you then, in my opinion, they
aren’t worth working for or
hanging around with. Keep
the onus on you, and don’t be
pushed around by others. Work
hard, but do it because you want
to do it, not because someone
else demands it.
Treat yourself, because after
a long day of toiling, you'll need
to recharge. Take a breather or
a day off. Work and school are
important, but you need to find
time for friends and family.
Watch a movie, go on a trip, and
make plans that will break you
from the norm. Schedule them
in and treat those enjoyable
obligations like they’re a paying
job, because when it’s all said
and done, that is what you’re
really working for: the sweet
reaping of fun.
Pretty fly for a vocal fry
Why young womens
speech Is innovative,
not annoying
Sharon Miki, Columnist
here are a lot of things
that are almost universally
admired about young women:
smooth skin, fertile wombs,
etc. One aspect of young
womanhood that I’ve noticed
being critiqued more and
more, though, is how we
speak. According to research
published in the Journal
of Voice, two out of three
college-aged women speaking
Standard American English
use a vocal fry—and according
to popular media, it’s really
annoying to listen to.
Even if you don’t know it
by name, if you've ever heard a
Kardashian woman speak or if
you've ever listened to Britney
Spears pontificate on how “oh
yeah, yeah, yeah, yeah, yeah”
she did it again, you're already
familiar with extreme examples
of vocal fry. In fact, if you're
interacting with your female
college peers, you've probably
heard some frying language
on campus—or have used it
yourself.
Vocal fry is a speech
mannerism in which your
speech reaches a low register in
a staccato vibration. Basically, it
sounds like a low, raspy growl.
While the vocal fry pattern
has been on linguists’ radars
for decades, the speech trend
of vocal frying—particularly
among young women at the
end of their sentences—has
come under scrutiny only
recently as they’ve noticed an
increase in the vocal behaviour
that is largely centred on the
social group of young western
women.
Critics of vocal fry argue
that the guttural nature of the
intonation gives the speaker
an air of disinterest (i.e. that
you're “so over ittt”) or a “sexy
baby” intonation that shouldn’t
be taken seriously. And,
because the major proponents
of this style of speech are
young women—a group in
society that is often dismissed
as lacking substance—there is
a general consensus that girls
who speak with vocal fry are
ditzy or annoying.
However, while the
cultural behaviour of young
girls is often written off as
inherently insipid, shifts in
social speech patterns have
historically been linked to
originating in young women.
In a piece published in the
New York Times, linguistics
professor Penny Eckert
acknowledged the dismissive
attitude directed towards girls’
speech mannerisms: “A lot of
these really flamboyant things
you hear are cute, and girls
are supposed to be cute...[b]
ut they’re not just using them
because they’re girls. They’re
using them to achieve some
kind of interactional and
stylistic end.”
HSC ARON yey
Indeed, Nassima Abdelli-
Beruh, speech scientist and an
author of the Journal of Voice
study, defends young women’s
use of perceived-as-annoying
vocal trends as “a tool to
convey something... for them,
it is as a cue.”
Linguistics professor,
Carmen Fought, adds that
“If women do something
like uptalk or vocal fry, it’s
immediately interpreted as
insecure, emotional, or even
stupid, [but the] truth is this:
young women take linguistic
features and use them as
power tools for building
relationships.”
Just because a method of
speech is unfamiliar doesn’t
mean it’s wrong; just because
young women are pioneering
something doesn’t mean it’s
worthless. While many people
found touch-screen phones
confusing, and irritating at first,
as more and more innovators
utilized the technology, they
became a cornerstone of
modern culture. Similarly,
instead of writing off girl-talk
because it sounds unfamiliar,
we should look at why it has
become a trend.
Some linguists suggest
that women use the lower,
deeper tones of vocal fry as a
subtle and almost unconscious
assertion of social power
among dominant, deeper
male voices. | find myself
using vocal fry when I want
to emphasize a point or a
joke—and my points and jokes
are often worth hearing, so
I concur that it’s worth it to
frame them ina sly speech
mannerism. Even if you find
me annoying, you'll most
likely hear me.
I’ma young, educated
woman, and if I want to speak
with a certain intonation, you
should listen and observe—
it’s probably going to be how
everyone's talking in a few
years. But, I mean, whatever.
Do what you want.
I’m overrrr itttt.
1/
OPINIONS.
Got too much on your plate?
Save some room
for dessert
Elliot
Chan
Opinions Editor
bs opinions@theotherpress.ca
S° now you're popular; or
at least, people are starting
to expect more from you.
Responsibilities, commitments,
deadlines, schoolwork, part-
time jobs, and relationships.
When you do have free time
these days, it fills up pretty
quickly. Nobody has to point it
out to you—after all, you feel it
from the strain of carrying the
world on your back—but they
do anyways: you look tired and
it can’t be ignored. How did this
happen? How did you get so
much on your plate?
It’s not a question of how,
but rather a question of why.
Those with too much going on
have made a conscious choice
to say “Yes” more, and by
doing so, they’re receiving more
opportunities. The result is far
from the worst-case scenario.
Sure, you’re thrashing about in
the deep end, but what better
way is there to learn to swim?
Don’t be distracted by the
competition; you set your own
bars in life.
You are being productive
and there is a clear path of
progress, but the weight of it all
can be damaging. You want to
do more, but you're afraid the
standard of your work and the
quality of your relationships will
diminish, while the amount of
rest you get will start depleting.
Don’t panic yet: the crisis is all
in your head.
Pick your battles. You'll
want to do everything,
and that’s respectable, but
sometimes it’s impossible.
Prioritize your work, and ask
yourself what's most important
to you. Sure, money and
reputation are important, but
it’s still your life and you get to
determine how it plays out. Do
you want a promotion at work
or do you want to ace an exam?
Do you want to spend more
time with the family or do you
want to earn a little bit more
for a vacation? Understand
what you are working for: by
having a clear goal, you can
then choose the most pertinent
task and accomplish it. Focus
on one thing at a time, and if
work falls to the back burner,
acknowledge it, communicate
it, but don’t ignore the loss;
someone is always willing to
help you or forgive you, as long
as you vocalize your issues.
Your passion will decide what
is most important—not your
friends, family, instructors, or
employers.
Covering your ass is not
a bad habit. A little safety net
while you work can help reduce
stress. Always communicate
with clients, employers, and
everyone else in your life.
Update them on the progress
of work—honesty is the best
policy. If they don’t appreciate
you then, in my opinion, they
aren’t worth working for or
hanging around with. Keep
the onus on you, and don’t be
pushed around by others. Work
hard, but do it because you want
to do it, not because someone
else demands it.
Treat yourself, because after
a long day of toiling, you'll need
to recharge. Take a breather or
a day off. Work and school are
important, but you need to find
time for friends and family.
Watch a movie, go on a trip, and
make plans that will break you
from the norm. Schedule them
in and treat those enjoyable
obligations like they’re a paying
job, because when it’s all said
and done, that is what you’re
really working for: the sweet
reaping of fun.
Pretty fly for a vocal fry
Why young womens
speech Is innovative,
not annoying
Sharon Miki, Columnist
here are a lot of things
that are almost universally
admired about young women:
smooth skin, fertile wombs,
etc. One aspect of young
womanhood that I’ve noticed
being critiqued more and
more, though, is how we
speak. According to research
published in the Journal
of Voice, two out of three
college-aged women speaking
Standard American English
use a vocal fry—and according
to popular media, it’s really
annoying to listen to.
Even if you don’t know it
by name, if you've ever heard a
Kardashian woman speak or if
you've ever listened to Britney
Spears pontificate on how “oh
yeah, yeah, yeah, yeah, yeah”
she did it again, you're already
familiar with extreme examples
of vocal fry. In fact, if you're
interacting with your female
college peers, you've probably
heard some frying language
on campus—or have used it
yourself.
Vocal fry is a speech
mannerism in which your
speech reaches a low register in
a staccato vibration. Basically, it
sounds like a low, raspy growl.
While the vocal fry pattern
has been on linguists’ radars
for decades, the speech trend
of vocal frying—particularly
among young women at the
end of their sentences—has
come under scrutiny only
recently as they’ve noticed an
increase in the vocal behaviour
that is largely centred on the
social group of young western
women.
Critics of vocal fry argue
that the guttural nature of the
intonation gives the speaker
an air of disinterest (i.e. that
you're “so over ittt”) or a “sexy
baby” intonation that shouldn’t
be taken seriously. And,
because the major proponents
of this style of speech are
young women—a group in
society that is often dismissed
as lacking substance—there is
a general consensus that girls
who speak with vocal fry are
ditzy or annoying.
However, while the
cultural behaviour of young
girls is often written off as
inherently insipid, shifts in
social speech patterns have
historically been linked to
originating in young women.
In a piece published in the
New York Times, linguistics
professor Penny Eckert
acknowledged the dismissive
attitude directed towards girls’
speech mannerisms: “A lot of
these really flamboyant things
you hear are cute, and girls
are supposed to be cute...[b]
ut they’re not just using them
because they’re girls. They’re
using them to achieve some
kind of interactional and
stylistic end.”
HSC ARON yey
Indeed, Nassima Abdelli-
Beruh, speech scientist and an
author of the Journal of Voice
study, defends young women’s
use of perceived-as-annoying
vocal trends as “a tool to
convey something... for them,
it is as a cue.”
Linguistics professor,
Carmen Fought, adds that
“If women do something
like uptalk or vocal fry, it’s
immediately interpreted as
insecure, emotional, or even
stupid, [but the] truth is this:
young women take linguistic
features and use them as
power tools for building
relationships.”
Just because a method of
speech is unfamiliar doesn’t
mean it’s wrong; just because
young women are pioneering
something doesn’t mean it’s
worthless. While many people
found touch-screen phones
confusing, and irritating at first,
as more and more innovators
utilized the technology, they
became a cornerstone of
modern culture. Similarly,
instead of writing off girl-talk
because it sounds unfamiliar,
we should look at why it has
become a trend.
Some linguists suggest
that women use the lower,
deeper tones of vocal fry as a
subtle and almost unconscious
assertion of social power
among dominant, deeper
male voices. | find myself
using vocal fry when I want
to emphasize a point or a
joke—and my points and jokes
are often worth hearing, so
I concur that it’s worth it to
frame them ina sly speech
mannerism. Even if you find
me annoying, you'll most
likely hear me.
I’ma young, educated
woman, and if I want to speak
with a certain intonation, you
should listen and observe—
it’s probably going to be how
everyone's talking in a few
years. But, I mean, whatever.
Do what you want.
I’m overrrr itttt.
1/
Edited Text
www.theotherpress.ca
OPINIONS.
Got too much on your plate?
Save some room
for dessert
Elliot
Chan
Opinions Editor
bs opinions@theotherpress.ca
S° now you're popular; or
at least, people are starting
to expect more from you.
Responsibilities, commitments,
deadlines, schoolwork, part-
time jobs, and relationships.
When you do have free time
these days, it fills up pretty
quickly. Nobody has to point it
out to you—after all, you feel it
from the strain of carrying the
world on your back—but they
do anyways: you look tired and
it can’t be ignored. How did this
happen? How did you get so
much on your plate?
It’s not a question of how,
but rather a question of why.
Those with too much going on
have made a conscious choice
to say “Yes” more, and by
doing so, they’re receiving more
opportunities. The result is far
from the worst-case scenario.
Sure, you’re thrashing about in
the deep end, but what better
way is there to learn to swim?
Don’t be distracted by the
competition; you set your own
bars in life.
You are being productive
and there is a clear path of
progress, but the weight of it all
can be damaging. You want to
do more, but you're afraid the
standard of your work and the
quality of your relationships will
diminish, while the amount of
rest you get will start depleting.
Don’t panic yet: the crisis is all
in your head.
Pick your battles. You'll
want to do everything,
and that’s respectable, but
sometimes it’s impossible.
Prioritize your work, and ask
yourself what's most important
to you. Sure, money and
reputation are important, but
it’s still your life and you get to
determine how it plays out. Do
you want a promotion at work
or do you want to ace an exam?
Do you want to spend more
time with the family or do you
want to earn a little bit more
for a vacation? Understand
what you are working for: by
having a clear goal, you can
then choose the most pertinent
task and accomplish it. Focus
on one thing at a time, and if
work falls to the back burner,
acknowledge it, communicate
it, but don’t ignore the loss;
someone is always willing to
help you or forgive you, as long
as you vocalize your issues.
Your passion will decide what
is most important—not your
friends, family, instructors, or
employers.
Covering your ass is not
a bad habit. A little safety net
while you work can help reduce
stress. Always communicate
with clients, employers, and
everyone else in your life.
Update them on the progress
of work—honesty is the best
policy. If they don’t appreciate
you then, in my opinion, they
aren’t worth working for or
hanging around with. Keep
the onus on you, and don’t be
pushed around by others. Work
hard, but do it because you want
to do it, not because someone
else demands it.
Treat yourself, because after
a long day of toiling, you'll need
to recharge. Take a breather or
a day off. Work and school are
important, but you need to find
time for friends and family.
Watch a movie, go on a trip, and
make plans that will break you
from the norm. Schedule them
in and treat those enjoyable
obligations like they’re a paying
job, because when it’s all said
and done, that is what you’re
really working for: the sweet
reaping of fun.
Pretty fly for a vocal fry
Why young womens
speech Is innovative,
not annoying
Sharon Miki, Columnist
here are a lot of things
that are almost universally
admired about young women:
smooth skin, fertile wombs,
etc. One aspect of young
womanhood that I’ve noticed
being critiqued more and
more, though, is how we
speak. According to research
published in the Journal
of Voice, two out of three
college-aged women speaking
Standard American English
use a vocal fry—and according
to popular media, it’s really
annoying to listen to.
Even if you don’t know it
by name, if you've ever heard a
Kardashian woman speak or if
you've ever listened to Britney
Spears pontificate on how “oh
yeah, yeah, yeah, yeah, yeah”
she did it again, you're already
familiar with extreme examples
of vocal fry. In fact, if you're
interacting with your female
college peers, you've probably
heard some frying language
on campus—or have used it
yourself.
Vocal fry is a speech
mannerism in which your
speech reaches a low register in
a staccato vibration. Basically, it
sounds like a low, raspy growl.
While the vocal fry pattern
has been on linguists’ radars
for decades, the speech trend
of vocal frying—particularly
among young women at the
end of their sentences—has
come under scrutiny only
recently as they’ve noticed an
increase in the vocal behaviour
that is largely centred on the
social group of young western
women.
Critics of vocal fry argue
that the guttural nature of the
intonation gives the speaker
an air of disinterest (i.e. that
you're “so over ittt”) or a “sexy
baby” intonation that shouldn’t
be taken seriously. And,
because the major proponents
of this style of speech are
young women—a group in
society that is often dismissed
as lacking substance—there is
a general consensus that girls
who speak with vocal fry are
ditzy or annoying.
However, while the
cultural behaviour of young
girls is often written off as
inherently insipid, shifts in
social speech patterns have
historically been linked to
originating in young women.
In a piece published in the
New York Times, linguistics
professor Penny Eckert
acknowledged the dismissive
attitude directed towards girls’
speech mannerisms: “A lot of
these really flamboyant things
you hear are cute, and girls
are supposed to be cute...[b]
ut they’re not just using them
because they’re girls. They’re
using them to achieve some
kind of interactional and
stylistic end.”
HSC ARON yey
Indeed, Nassima Abdelli-
Beruh, speech scientist and an
author of the Journal of Voice
study, defends young women’s
use of perceived-as-annoying
vocal trends as “a tool to
convey something... for them,
it is as a cue.”
Linguistics professor,
Carmen Fought, adds that
“If women do something
like uptalk or vocal fry, it’s
immediately interpreted as
insecure, emotional, or even
stupid, [but the] truth is this:
young women take linguistic
features and use them as
power tools for building
relationships.”
Just because a method of
speech is unfamiliar doesn’t
mean it’s wrong; just because
young women are pioneering
something doesn’t mean it’s
worthless. While many people
found touch-screen phones
confusing, and irritating at first,
as more and more innovators
utilized the technology, they
became a cornerstone of
modern culture. Similarly,
instead of writing off girl-talk
because it sounds unfamiliar,
we should look at why it has
become a trend.
Some linguists suggest
that women use the lower,
deeper tones of vocal fry as a
subtle and almost unconscious
assertion of social power
among dominant, deeper
male voices. | find myself
using vocal fry when I want
to emphasize a point or a
joke—and my points and jokes
are often worth hearing, so
I concur that it’s worth it to
frame them ina sly speech
mannerism. Even if you find
me annoying, you'll most
likely hear me.
I’ma young, educated
woman, and if I want to speak
with a certain intonation, you
should listen and observe—
it’s probably going to be how
everyone's talking in a few
years. But, I mean, whatever.
Do what you want.
I’m overrrr itttt.
1/
OPINIONS.
Got too much on your plate?
Save some room
for dessert
Elliot
Chan
Opinions Editor
bs opinions@theotherpress.ca
S° now you're popular; or
at least, people are starting
to expect more from you.
Responsibilities, commitments,
deadlines, schoolwork, part-
time jobs, and relationships.
When you do have free time
these days, it fills up pretty
quickly. Nobody has to point it
out to you—after all, you feel it
from the strain of carrying the
world on your back—but they
do anyways: you look tired and
it can’t be ignored. How did this
happen? How did you get so
much on your plate?
It’s not a question of how,
but rather a question of why.
Those with too much going on
have made a conscious choice
to say “Yes” more, and by
doing so, they’re receiving more
opportunities. The result is far
from the worst-case scenario.
Sure, you’re thrashing about in
the deep end, but what better
way is there to learn to swim?
Don’t be distracted by the
competition; you set your own
bars in life.
You are being productive
and there is a clear path of
progress, but the weight of it all
can be damaging. You want to
do more, but you're afraid the
standard of your work and the
quality of your relationships will
diminish, while the amount of
rest you get will start depleting.
Don’t panic yet: the crisis is all
in your head.
Pick your battles. You'll
want to do everything,
and that’s respectable, but
sometimes it’s impossible.
Prioritize your work, and ask
yourself what's most important
to you. Sure, money and
reputation are important, but
it’s still your life and you get to
determine how it plays out. Do
you want a promotion at work
or do you want to ace an exam?
Do you want to spend more
time with the family or do you
want to earn a little bit more
for a vacation? Understand
what you are working for: by
having a clear goal, you can
then choose the most pertinent
task and accomplish it. Focus
on one thing at a time, and if
work falls to the back burner,
acknowledge it, communicate
it, but don’t ignore the loss;
someone is always willing to
help you or forgive you, as long
as you vocalize your issues.
Your passion will decide what
is most important—not your
friends, family, instructors, or
employers.
Covering your ass is not
a bad habit. A little safety net
while you work can help reduce
stress. Always communicate
with clients, employers, and
everyone else in your life.
Update them on the progress
of work—honesty is the best
policy. If they don’t appreciate
you then, in my opinion, they
aren’t worth working for or
hanging around with. Keep
the onus on you, and don’t be
pushed around by others. Work
hard, but do it because you want
to do it, not because someone
else demands it.
Treat yourself, because after
a long day of toiling, you'll need
to recharge. Take a breather or
a day off. Work and school are
important, but you need to find
time for friends and family.
Watch a movie, go on a trip, and
make plans that will break you
from the norm. Schedule them
in and treat those enjoyable
obligations like they’re a paying
job, because when it’s all said
and done, that is what you’re
really working for: the sweet
reaping of fun.
Pretty fly for a vocal fry
Why young womens
speech Is innovative,
not annoying
Sharon Miki, Columnist
here are a lot of things
that are almost universally
admired about young women:
smooth skin, fertile wombs,
etc. One aspect of young
womanhood that I’ve noticed
being critiqued more and
more, though, is how we
speak. According to research
published in the Journal
of Voice, two out of three
college-aged women speaking
Standard American English
use a vocal fry—and according
to popular media, it’s really
annoying to listen to.
Even if you don’t know it
by name, if you've ever heard a
Kardashian woman speak or if
you've ever listened to Britney
Spears pontificate on how “oh
yeah, yeah, yeah, yeah, yeah”
she did it again, you're already
familiar with extreme examples
of vocal fry. In fact, if you're
interacting with your female
college peers, you've probably
heard some frying language
on campus—or have used it
yourself.
Vocal fry is a speech
mannerism in which your
speech reaches a low register in
a staccato vibration. Basically, it
sounds like a low, raspy growl.
While the vocal fry pattern
has been on linguists’ radars
for decades, the speech trend
of vocal frying—particularly
among young women at the
end of their sentences—has
come under scrutiny only
recently as they’ve noticed an
increase in the vocal behaviour
that is largely centred on the
social group of young western
women.
Critics of vocal fry argue
that the guttural nature of the
intonation gives the speaker
an air of disinterest (i.e. that
you're “so over ittt”) or a “sexy
baby” intonation that shouldn’t
be taken seriously. And,
because the major proponents
of this style of speech are
young women—a group in
society that is often dismissed
as lacking substance—there is
a general consensus that girls
who speak with vocal fry are
ditzy or annoying.
However, while the
cultural behaviour of young
girls is often written off as
inherently insipid, shifts in
social speech patterns have
historically been linked to
originating in young women.
In a piece published in the
New York Times, linguistics
professor Penny Eckert
acknowledged the dismissive
attitude directed towards girls’
speech mannerisms: “A lot of
these really flamboyant things
you hear are cute, and girls
are supposed to be cute...[b]
ut they’re not just using them
because they’re girls. They’re
using them to achieve some
kind of interactional and
stylistic end.”
HSC ARON yey
Indeed, Nassima Abdelli-
Beruh, speech scientist and an
author of the Journal of Voice
study, defends young women’s
use of perceived-as-annoying
vocal trends as “a tool to
convey something... for them,
it is as a cue.”
Linguistics professor,
Carmen Fought, adds that
“If women do something
like uptalk or vocal fry, it’s
immediately interpreted as
insecure, emotional, or even
stupid, [but the] truth is this:
young women take linguistic
features and use them as
power tools for building
relationships.”
Just because a method of
speech is unfamiliar doesn’t
mean it’s wrong; just because
young women are pioneering
something doesn’t mean it’s
worthless. While many people
found touch-screen phones
confusing, and irritating at first,
as more and more innovators
utilized the technology, they
became a cornerstone of
modern culture. Similarly,
instead of writing off girl-talk
because it sounds unfamiliar,
we should look at why it has
become a trend.
Some linguists suggest
that women use the lower,
deeper tones of vocal fry as a
subtle and almost unconscious
assertion of social power
among dominant, deeper
male voices. | find myself
using vocal fry when I want
to emphasize a point or a
joke—and my points and jokes
are often worth hearing, so
I concur that it’s worth it to
frame them ina sly speech
mannerism. Even if you find
me annoying, you'll most
likely hear me.
I’ma young, educated
woman, and if I want to speak
with a certain intonation, you
should listen and observe—
it’s probably going to be how
everyone's talking in a few
years. But, I mean, whatever.
Do what you want.
I’m overrrr itttt.
1/
Content type
Page
File
HUMOUR.
Laugh out loud hilarious? Contact the editor at humour@theotherpress.ca
CONTINUED ON PG. 25
eg
You(iit}Comedy Classics
Halloween Punch
By Joel McCarthy, Graphics Manager
http:/ / www.youtube.com/ watch?v=Z6mXfFTOxbM
Halloween is the only appropriate time of year where you're allowed to scare
people—which is all fun and games, unless you're this high school prankster
who happened to pick the wrong victim. Although this video is short, it is
@ Ryan Reynolds ‘optimistic’ about sequel to Green Lantern
hard to resist watching it on repeat.
Grandfather wins bet that grandson would become college dropout
Parents hate to admit
their son Is a loser
Livia
Turnbull
Humour Editor
humour@theotherpress.ca
British Columbia senior
ets to cash in on some big
money today. Twenty-one years
ago, he bet six-million dollars
that his grandson would become
a college dropout.
“T never really liked my
grandson anyway,” says Ron
Amal, 73. “Even as a baby, he
wouldn’t do anything. He’d
just sit and stare at the ceiling
like the God damn stoner he is
today.”
The bet, which took place
between Amal and his best
friend (who wishes to remain
anonymous), began—like most
stupid bets—after a drunken
night at a bar.
“We were walking home
drunk one night and I said
to him, you know what, my
grandson’s going to be a loser.
I saw him when he was born
and it looked like my trashy
daughter-in-law had sex with an
22
alien. What, are we hiring aliens
from Mars to deliver milk?
Anyway, after we made some...
crude comments, we made the
bet.”
who drop out of college.
“We’ve always believed in
the concept of Indigo Children,”
says Brenda. “Aden just needs
a little more time to grow into
his own realm. He’ll become a
functioning member of society
when he’s ready.”
Children not being real, I believe
that my son is special,” says
Markus. “I mean, look at this
assignment from kindergarten!
Indigo Children always think
The six-million dollar “No matter what the outside the box. My son once
grandson, Aden Amal, released ‘doctors’ say about drew a picture of a frog when
a rather confusing statement: Indigo the assignment clearly said to
“Y’know, I don‘ give a fuck
what that old man say, mang,
he alway after my back just
like those teachers at school.
They used to say a grade is
what matter. But weed matter.
Dem teachers ain’t know
shit. They used to say,
mang, that I could
draw a picture of a cat.”
“Yep, my grandson is as
stupid as hell,” says Amal. “Plus
their house always smells like
reefer. Next thing you know,
he’ll be making up a meth lab
like on the TV show.”
When asked what he was
going to do with the six-million
work as a... dollars, Amal had one thing to
say: “I’m moving to Tahiti to get
ws away from my idiot children.”
McDonalds...
but I ain’t...
gym teacher.”
Markos
and Brenda Amal,
Aden’s parents, are
choosing to live in
denial of the fact
that their son is
one of many
loser potheads
Laugh out loud hilarious? Contact the editor at humour@theotherpress.ca
CONTINUED ON PG. 25
eg
You(iit}Comedy Classics
Halloween Punch
By Joel McCarthy, Graphics Manager
http:/ / www.youtube.com/ watch?v=Z6mXfFTOxbM
Halloween is the only appropriate time of year where you're allowed to scare
people—which is all fun and games, unless you're this high school prankster
who happened to pick the wrong victim. Although this video is short, it is
@ Ryan Reynolds ‘optimistic’ about sequel to Green Lantern
hard to resist watching it on repeat.
Grandfather wins bet that grandson would become college dropout
Parents hate to admit
their son Is a loser
Livia
Turnbull
Humour Editor
humour@theotherpress.ca
British Columbia senior
ets to cash in on some big
money today. Twenty-one years
ago, he bet six-million dollars
that his grandson would become
a college dropout.
“T never really liked my
grandson anyway,” says Ron
Amal, 73. “Even as a baby, he
wouldn’t do anything. He’d
just sit and stare at the ceiling
like the God damn stoner he is
today.”
The bet, which took place
between Amal and his best
friend (who wishes to remain
anonymous), began—like most
stupid bets—after a drunken
night at a bar.
“We were walking home
drunk one night and I said
to him, you know what, my
grandson’s going to be a loser.
I saw him when he was born
and it looked like my trashy
daughter-in-law had sex with an
22
alien. What, are we hiring aliens
from Mars to deliver milk?
Anyway, after we made some...
crude comments, we made the
bet.”
who drop out of college.
“We’ve always believed in
the concept of Indigo Children,”
says Brenda. “Aden just needs
a little more time to grow into
his own realm. He’ll become a
functioning member of society
when he’s ready.”
Children not being real, I believe
that my son is special,” says
Markus. “I mean, look at this
assignment from kindergarten!
Indigo Children always think
The six-million dollar “No matter what the outside the box. My son once
grandson, Aden Amal, released ‘doctors’ say about drew a picture of a frog when
a rather confusing statement: Indigo the assignment clearly said to
“Y’know, I don‘ give a fuck
what that old man say, mang,
he alway after my back just
like those teachers at school.
They used to say a grade is
what matter. But weed matter.
Dem teachers ain’t know
shit. They used to say,
mang, that I could
draw a picture of a cat.”
“Yep, my grandson is as
stupid as hell,” says Amal. “Plus
their house always smells like
reefer. Next thing you know,
he’ll be making up a meth lab
like on the TV show.”
When asked what he was
going to do with the six-million
work as a... dollars, Amal had one thing to
say: “I’m moving to Tahiti to get
ws away from my idiot children.”
McDonalds...
but I ain’t...
gym teacher.”
Markos
and Brenda Amal,
Aden’s parents, are
choosing to live in
denial of the fact
that their son is
one of many
loser potheads
Edited Text
HUMOUR.
Laugh out loud hilarious? Contact the editor at humour@theotherpress.ca
CONTINUED ON PG. 25
eg
You(iit}Comedy Classics
Halloween Punch
By Joel McCarthy, Graphics Manager
http:/ / www.youtube.com/ watch?v=Z6mXfFTOxbM
Halloween is the only appropriate time of year where you're allowed to scare
people—which is all fun and games, unless you're this high school prankster
who happened to pick the wrong victim. Although this video is short, it is
@ Ryan Reynolds ‘optimistic’ about sequel to Green Lantern
hard to resist watching it on repeat.
Grandfather wins bet that grandson would become college dropout
Parents hate to admit
their son Is a loser
Livia
Turnbull
Humour Editor
humour@theotherpress.ca
British Columbia senior
ets to cash in on some big
money today. Twenty-one years
ago, he bet six-million dollars
that his grandson would become
a college dropout.
“T never really liked my
grandson anyway,” says Ron
Amal, 73. “Even as a baby, he
wouldn’t do anything. He’d
just sit and stare at the ceiling
like the God damn stoner he is
today.”
The bet, which took place
between Amal and his best
friend (who wishes to remain
anonymous), began—like most
stupid bets—after a drunken
night at a bar.
“We were walking home
drunk one night and I said
to him, you know what, my
grandson’s going to be a loser.
I saw him when he was born
and it looked like my trashy
daughter-in-law had sex with an
22
alien. What, are we hiring aliens
from Mars to deliver milk?
Anyway, after we made some...
crude comments, we made the
bet.”
who drop out of college.
“We’ve always believed in
the concept of Indigo Children,”
says Brenda. “Aden just needs
a little more time to grow into
his own realm. He’ll become a
functioning member of society
when he’s ready.”
Children not being real, I believe
that my son is special,” says
Markus. “I mean, look at this
assignment from kindergarten!
Indigo Children always think
The six-million dollar “No matter what the outside the box. My son once
grandson, Aden Amal, released ‘doctors’ say about drew a picture of a frog when
a rather confusing statement: Indigo the assignment clearly said to
“Y’know, I don‘ give a fuck
what that old man say, mang,
he alway after my back just
like those teachers at school.
They used to say a grade is
what matter. But weed matter.
Dem teachers ain’t know
shit. They used to say,
mang, that I could
draw a picture of a cat.”
“Yep, my grandson is as
stupid as hell,” says Amal. “Plus
their house always smells like
reefer. Next thing you know,
he’ll be making up a meth lab
like on the TV show.”
When asked what he was
going to do with the six-million
work as a... dollars, Amal had one thing to
say: “I’m moving to Tahiti to get
ws away from my idiot children.”
McDonalds...
but I ain’t...
gym teacher.”
Markos
and Brenda Amal,
Aden’s parents, are
choosing to live in
denial of the fact
that their son is
one of many
loser potheads
Laugh out loud hilarious? Contact the editor at humour@theotherpress.ca
CONTINUED ON PG. 25
eg
You(iit}Comedy Classics
Halloween Punch
By Joel McCarthy, Graphics Manager
http:/ / www.youtube.com/ watch?v=Z6mXfFTOxbM
Halloween is the only appropriate time of year where you're allowed to scare
people—which is all fun and games, unless you're this high school prankster
who happened to pick the wrong victim. Although this video is short, it is
@ Ryan Reynolds ‘optimistic’ about sequel to Green Lantern
hard to resist watching it on repeat.
Grandfather wins bet that grandson would become college dropout
Parents hate to admit
their son Is a loser
Livia
Turnbull
Humour Editor
humour@theotherpress.ca
British Columbia senior
ets to cash in on some big
money today. Twenty-one years
ago, he bet six-million dollars
that his grandson would become
a college dropout.
“T never really liked my
grandson anyway,” says Ron
Amal, 73. “Even as a baby, he
wouldn’t do anything. He’d
just sit and stare at the ceiling
like the God damn stoner he is
today.”
The bet, which took place
between Amal and his best
friend (who wishes to remain
anonymous), began—like most
stupid bets—after a drunken
night at a bar.
“We were walking home
drunk one night and I said
to him, you know what, my
grandson’s going to be a loser.
I saw him when he was born
and it looked like my trashy
daughter-in-law had sex with an
22
alien. What, are we hiring aliens
from Mars to deliver milk?
Anyway, after we made some...
crude comments, we made the
bet.”
who drop out of college.
“We’ve always believed in
the concept of Indigo Children,”
says Brenda. “Aden just needs
a little more time to grow into
his own realm. He’ll become a
functioning member of society
when he’s ready.”
Children not being real, I believe
that my son is special,” says
Markus. “I mean, look at this
assignment from kindergarten!
Indigo Children always think
The six-million dollar “No matter what the outside the box. My son once
grandson, Aden Amal, released ‘doctors’ say about drew a picture of a frog when
a rather confusing statement: Indigo the assignment clearly said to
“Y’know, I don‘ give a fuck
what that old man say, mang,
he alway after my back just
like those teachers at school.
They used to say a grade is
what matter. But weed matter.
Dem teachers ain’t know
shit. They used to say,
mang, that I could
draw a picture of a cat.”
“Yep, my grandson is as
stupid as hell,” says Amal. “Plus
their house always smells like
reefer. Next thing you know,
he’ll be making up a meth lab
like on the TV show.”
When asked what he was
going to do with the six-million
work as a... dollars, Amal had one thing to
say: “I’m moving to Tahiti to get
ws away from my idiot children.”
McDonalds...
but I ain’t...
gym teacher.”
Markos
and Brenda Amal,
Aden’s parents, are
choosing to live in
denial of the fact
that their son is
one of many
loser potheads
Content type
Page
File
Lire & STYLE.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Some like it mulled
Fayourite fall beverages
and some new players
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
‘Tis the season: mornings filled
with fog, days covered in
crunchy, multicoloured leaves,
and nights under spooky full
moons. Even the dollar store
has a Christmas display nestled
next to their tacky Halloween
decorations. October is officially
the start of the holiday season,
and with that, I bring you a
round-up of autumn’s best
hot and spiced beverages. The
following five drinks are perfect
for sipping with your sweetie
after a hockey game, or for
14
enjoying solo over a good book,
preferably in some kind of bay
window seat.
Mulled cider: Hot apple
cider is great for two reasons:
one, it tastes amazing, like
literally biting into an autumn
carnival; and two, simmering
the cider with your spices and
cinnamon sticks in a pot on
the stove will fill your house
with the delightful scents of
the season. It’s better than any
scented candle. To make mulled
apple cider, just get the regular,
non-alcoholic variety from the
store. Also pick up a packet
of mulling spices—you could
make your own, but it’s so much
easier to buy the premixed kind.
Simmer the juice with the spices
in a big pot on the stove, and
enjoy.
Mulled wine: Apple cider’s
sassier older cousin, mulled red
wine, is always a hit at parties.
You can use the same spice mix
as above. I also recommend
using a cheap, dry wine with
this drink, because the mulling
process will make anything
taste good. Adding some citrus
notes to this is a must, which
is why I recommend a few
ounces of Triple Sec and some
sliced oranges. You can also add
cranberry juice cocktail with
some real cranberries floating on
top. Think Christmas sangria.
This drink will get everyone
feeling festive.
Hot milky chai: Easier to
make than you'd think, you
can forgo the saccharine store-
bought chai mixes this year in
favour of this super simple,
spiced milk recipe. You'll need:
2 black tea bags; a cup of milk; a
cup of water; 4 cardamom seeds;
4 cloves; 1 cinnamon stick; 1/2
inch of fresh ginger, sliced; sugar
to taste. Smash the spices with
a mortar and pestle, or just a
Ziploc bag and a hammer. Then
mix all the ingredients except
the tea bags in a sauce pan.
Bring it to a boil, add the tea
bags, cover, and let steep for ten
or so minutes—then enjoy!
Hot toddy: Put simply, a hot
toddy is any drink that mixes
booze with water and spices.
It’s sure to warm you up from
head to toe, and then put you to
sleep. That's why it’s fantastic
for the season: it'll get you your
sick rest better than NeoCitran;
alternatively, if you’re in good
health and looking to party, it
will get you just as rowdy as
a winter ale, and considerably
warmer. The Scottish make
a traditional hot toddy with
whiskey, boiling water, and
sugar, sometimes with added
lemon, cinnamon, or cloves.
Hot chocolate: Last but
not least, the most traditional
drink of the fall season. Since
we all have a pretty good idea
of how to make hot chocolate
(mix a Carnation powder packet
with water), I’ll offer you some
unique twists on this timeless
classic. First, the ooey-gooey
version: make your hot cocoa
however you like it, then add
some toasted marshmallows.
Toast them at home by placing
large marshmallows under
your stove’s broiler, or your
toaster oven’s broiler setting,
for about 30 seconds. Extra
sugary yumminess! The second
variation involves the always
popular combination of heat
and sweet. Simply mix your
cocoa with a pinch of ground
chipotle chilli pepper and a
pinch of ground cinnamon. Top
with whipped cream and enjoy
as the spices bring out the rich
chocolate flavour.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Some like it mulled
Fayourite fall beverages
and some new players
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
‘Tis the season: mornings filled
with fog, days covered in
crunchy, multicoloured leaves,
and nights under spooky full
moons. Even the dollar store
has a Christmas display nestled
next to their tacky Halloween
decorations. October is officially
the start of the holiday season,
and with that, I bring you a
round-up of autumn’s best
hot and spiced beverages. The
following five drinks are perfect
for sipping with your sweetie
after a hockey game, or for
14
enjoying solo over a good book,
preferably in some kind of bay
window seat.
Mulled cider: Hot apple
cider is great for two reasons:
one, it tastes amazing, like
literally biting into an autumn
carnival; and two, simmering
the cider with your spices and
cinnamon sticks in a pot on
the stove will fill your house
with the delightful scents of
the season. It’s better than any
scented candle. To make mulled
apple cider, just get the regular,
non-alcoholic variety from the
store. Also pick up a packet
of mulling spices—you could
make your own, but it’s so much
easier to buy the premixed kind.
Simmer the juice with the spices
in a big pot on the stove, and
enjoy.
Mulled wine: Apple cider’s
sassier older cousin, mulled red
wine, is always a hit at parties.
You can use the same spice mix
as above. I also recommend
using a cheap, dry wine with
this drink, because the mulling
process will make anything
taste good. Adding some citrus
notes to this is a must, which
is why I recommend a few
ounces of Triple Sec and some
sliced oranges. You can also add
cranberry juice cocktail with
some real cranberries floating on
top. Think Christmas sangria.
This drink will get everyone
feeling festive.
Hot milky chai: Easier to
make than you'd think, you
can forgo the saccharine store-
bought chai mixes this year in
favour of this super simple,
spiced milk recipe. You'll need:
2 black tea bags; a cup of milk; a
cup of water; 4 cardamom seeds;
4 cloves; 1 cinnamon stick; 1/2
inch of fresh ginger, sliced; sugar
to taste. Smash the spices with
a mortar and pestle, or just a
Ziploc bag and a hammer. Then
mix all the ingredients except
the tea bags in a sauce pan.
Bring it to a boil, add the tea
bags, cover, and let steep for ten
or so minutes—then enjoy!
Hot toddy: Put simply, a hot
toddy is any drink that mixes
booze with water and spices.
It’s sure to warm you up from
head to toe, and then put you to
sleep. That's why it’s fantastic
for the season: it'll get you your
sick rest better than NeoCitran;
alternatively, if you’re in good
health and looking to party, it
will get you just as rowdy as
a winter ale, and considerably
warmer. The Scottish make
a traditional hot toddy with
whiskey, boiling water, and
sugar, sometimes with added
lemon, cinnamon, or cloves.
Hot chocolate: Last but
not least, the most traditional
drink of the fall season. Since
we all have a pretty good idea
of how to make hot chocolate
(mix a Carnation powder packet
with water), I’ll offer you some
unique twists on this timeless
classic. First, the ooey-gooey
version: make your hot cocoa
however you like it, then add
some toasted marshmallows.
Toast them at home by placing
large marshmallows under
your stove’s broiler, or your
toaster oven’s broiler setting,
for about 30 seconds. Extra
sugary yumminess! The second
variation involves the always
popular combination of heat
and sweet. Simply mix your
cocoa with a pinch of ground
chipotle chilli pepper and a
pinch of ground cinnamon. Top
with whipped cream and enjoy
as the spices bring out the rich
chocolate flavour.
Edited Text
Lire & STYLE.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Some like it mulled
Fayourite fall beverages
and some new players
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
‘Tis the season: mornings filled
with fog, days covered in
crunchy, multicoloured leaves,
and nights under spooky full
moons. Even the dollar store
has a Christmas display nestled
next to their tacky Halloween
decorations. October is officially
the start of the holiday season,
and with that, I bring you a
round-up of autumn’s best
hot and spiced beverages. The
following five drinks are perfect
for sipping with your sweetie
after a hockey game, or for
14
enjoying solo over a good book,
preferably in some kind of bay
window seat.
Mulled cider: Hot apple
cider is great for two reasons:
one, it tastes amazing, like
literally biting into an autumn
carnival; and two, simmering
the cider with your spices and
cinnamon sticks in a pot on
the stove will fill your house
with the delightful scents of
the season. It’s better than any
scented candle. To make mulled
apple cider, just get the regular,
non-alcoholic variety from the
store. Also pick up a packet
of mulling spices—you could
make your own, but it’s so much
easier to buy the premixed kind.
Simmer the juice with the spices
in a big pot on the stove, and
enjoy.
Mulled wine: Apple cider’s
sassier older cousin, mulled red
wine, is always a hit at parties.
You can use the same spice mix
as above. I also recommend
using a cheap, dry wine with
this drink, because the mulling
process will make anything
taste good. Adding some citrus
notes to this is a must, which
is why I recommend a few
ounces of Triple Sec and some
sliced oranges. You can also add
cranberry juice cocktail with
some real cranberries floating on
top. Think Christmas sangria.
This drink will get everyone
feeling festive.
Hot milky chai: Easier to
make than you'd think, you
can forgo the saccharine store-
bought chai mixes this year in
favour of this super simple,
spiced milk recipe. You'll need:
2 black tea bags; a cup of milk; a
cup of water; 4 cardamom seeds;
4 cloves; 1 cinnamon stick; 1/2
inch of fresh ginger, sliced; sugar
to taste. Smash the spices with
a mortar and pestle, or just a
Ziploc bag and a hammer. Then
mix all the ingredients except
the tea bags in a sauce pan.
Bring it to a boil, add the tea
bags, cover, and let steep for ten
or so minutes—then enjoy!
Hot toddy: Put simply, a hot
toddy is any drink that mixes
booze with water and spices.
It’s sure to warm you up from
head to toe, and then put you to
sleep. That's why it’s fantastic
for the season: it'll get you your
sick rest better than NeoCitran;
alternatively, if you’re in good
health and looking to party, it
will get you just as rowdy as
a winter ale, and considerably
warmer. The Scottish make
a traditional hot toddy with
whiskey, boiling water, and
sugar, sometimes with added
lemon, cinnamon, or cloves.
Hot chocolate: Last but
not least, the most traditional
drink of the fall season. Since
we all have a pretty good idea
of how to make hot chocolate
(mix a Carnation powder packet
with water), I’ll offer you some
unique twists on this timeless
classic. First, the ooey-gooey
version: make your hot cocoa
however you like it, then add
some toasted marshmallows.
Toast them at home by placing
large marshmallows under
your stove’s broiler, or your
toaster oven’s broiler setting,
for about 30 seconds. Extra
sugary yumminess! The second
variation involves the always
popular combination of heat
and sweet. Simply mix your
cocoa with a pinch of ground
chipotle chilli pepper and a
pinch of ground cinnamon. Top
with whipped cream and enjoy
as the spices bring out the rich
chocolate flavour.
Have a fitness tip or recipe to share? Contact the editor at lifeandstyle@theotherpress.ca
Some like it mulled
Fayourite fall beverages
and some new players
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
‘Tis the season: mornings filled
with fog, days covered in
crunchy, multicoloured leaves,
and nights under spooky full
moons. Even the dollar store
has a Christmas display nestled
next to their tacky Halloween
decorations. October is officially
the start of the holiday season,
and with that, I bring you a
round-up of autumn’s best
hot and spiced beverages. The
following five drinks are perfect
for sipping with your sweetie
after a hockey game, or for
14
enjoying solo over a good book,
preferably in some kind of bay
window seat.
Mulled cider: Hot apple
cider is great for two reasons:
one, it tastes amazing, like
literally biting into an autumn
carnival; and two, simmering
the cider with your spices and
cinnamon sticks in a pot on
the stove will fill your house
with the delightful scents of
the season. It’s better than any
scented candle. To make mulled
apple cider, just get the regular,
non-alcoholic variety from the
store. Also pick up a packet
of mulling spices—you could
make your own, but it’s so much
easier to buy the premixed kind.
Simmer the juice with the spices
in a big pot on the stove, and
enjoy.
Mulled wine: Apple cider’s
sassier older cousin, mulled red
wine, is always a hit at parties.
You can use the same spice mix
as above. I also recommend
using a cheap, dry wine with
this drink, because the mulling
process will make anything
taste good. Adding some citrus
notes to this is a must, which
is why I recommend a few
ounces of Triple Sec and some
sliced oranges. You can also add
cranberry juice cocktail with
some real cranberries floating on
top. Think Christmas sangria.
This drink will get everyone
feeling festive.
Hot milky chai: Easier to
make than you'd think, you
can forgo the saccharine store-
bought chai mixes this year in
favour of this super simple,
spiced milk recipe. You'll need:
2 black tea bags; a cup of milk; a
cup of water; 4 cardamom seeds;
4 cloves; 1 cinnamon stick; 1/2
inch of fresh ginger, sliced; sugar
to taste. Smash the spices with
a mortar and pestle, or just a
Ziploc bag and a hammer. Then
mix all the ingredients except
the tea bags in a sauce pan.
Bring it to a boil, add the tea
bags, cover, and let steep for ten
or so minutes—then enjoy!
Hot toddy: Put simply, a hot
toddy is any drink that mixes
booze with water and spices.
It’s sure to warm you up from
head to toe, and then put you to
sleep. That's why it’s fantastic
for the season: it'll get you your
sick rest better than NeoCitran;
alternatively, if you’re in good
health and looking to party, it
will get you just as rowdy as
a winter ale, and considerably
warmer. The Scottish make
a traditional hot toddy with
whiskey, boiling water, and
sugar, sometimes with added
lemon, cinnamon, or cloves.
Hot chocolate: Last but
not least, the most traditional
drink of the fall season. Since
we all have a pretty good idea
of how to make hot chocolate
(mix a Carnation powder packet
with water), I’ll offer you some
unique twists on this timeless
classic. First, the ooey-gooey
version: make your hot cocoa
however you like it, then add
some toasted marshmallows.
Toast them at home by placing
large marshmallows under
your stove’s broiler, or your
toaster oven’s broiler setting,
for about 30 seconds. Extra
sugary yumminess! The second
variation involves the always
popular combination of heat
and sweet. Simply mix your
cocoa with a pinch of ground
chipotle chilli pepper and a
pinch of ground cinnamon. Top
with whipped cream and enjoy
as the spices bring out the rich
chocolate flavour.
Content type
Page
File
www.theotherpress.ca
NEws.
Get to know your Douglas Students Union representatives
Jillian Griffin is your voice
to the outside world
Julia
t Siedlanowska
i Staff Writer
illian Griffin is the External
Jretations Coordinator at the
ouglas Students’ Union. In her
interview with the Other Press,
Griffin discusses how she got
involved in student politics,
and the issues she’s passionate
about.
Could you explain for us your
role as External Relations
Coordinator with the Douglas
Students’ Union (DSU)? What
duties does this include?
As the External Relations
Coordinator, my portfolio
consists mostly of working
mostly external. For example,
the primary task I have been
working on for the past two
years has been the U-Pass
BC program. This gives me
the opportunity to work
collaboratively with all the
student unions and post-
secondary institutions in the
Lower Mainland, as well as
TransLink and the Ministry of
Transportation. I also do a lot of
work connecting with students
on campus through various
events and social activism
campaigns, such as free food
events, Sisters in Spirit, and our
upcoming re-launch of the “No
Means No” campaign.
When did you start being
interested in external relations?
Is this how your involvement
with the DSU began?
I originally got involved
with the DSU by being a
volunteer. My roommate at
the time was the External
Relations Coordinator and she
was looking for volunteers to
help with the OnePassNow
campaign. After volunteering
for a year J ran as Member-at-
large and then ran as External
Relations Coordinator the
following year.
How has working with the
DSU affected your life? Have
you found it helpful in other
aspects of your daily life?
Being an elected
representative for students
at Douglas College has had a
profound impact on my life. It
has given me the opportunity to
work with incredible people and
to really connect with Douglas
College as a community.
Being involved in the DSU
has helped me in my daily life
by helping to develop things
like time management and
organizational skills, but most
importantly it has helped to
connect me with my passion.
If you could change one thing
at Douglas College, what
would it be?
If I could change one thing
I would continue to build the
DSU to a hub where all students
could go to explore their
passions and receive the support
they need to be successful
during their time at Douglas
College. The DSU has grown
a lot over the years, but there
is still more room to grow to
achieve this.
What advice would you give
someone wanting to get
involved with the DSU?
Volunteering is a great way
to start! The students’ union has
a wide range of events from pub
nights and free food events to
social activism and awareness
campaigns and events.
Volunteers get the opportunity
to explore what aspects of the
DSU they are most passionate
about.
ris BRP... 8
DSU special meeting fails to meet quorum
Vote on critical staffing
resolution on hold
Patrick
> Vailancourt
* ©) News Editor
anes news@theotherpress.ca
special meeting of the
ouglas Students’ Union
(DSU) membership, which
convened on October 17
to deliberate and approve
an increase in work hours
and compensation for DSU
constituency liaisons, has been
put on hold as the quorum was
not met.
The resolution, which
proposed an amendment to the
DSU’s administrative policy,
would have seen constituency
liaisons (Women, Aboriginal,
Pride, and Disabilities liaisons)
receive a bump in pay and a
mandate to work more hours
in a week.
The changes to the DSU
administrative policy were
put forward as due toa
“significant increase” in the
DSU‘s operations, events,
and committee work. Under
current policy, constituency
liaisons are mandated to work
five hours per week—less than
half as much as members-
at-large. The amendment,
if passed, would mandate
constituency liaisons to work
12.5 hours per week, the
amount currently mandated
for members-at-large. The
change in work hours would
also result in an increase in
pay, given that there has been
a discrepancy in how much
constituency liaisons earn
compared to members-at-large.
DSU Internal Relations
Coordinator Jesse Stamberg
indicated that while there was
no historical record to explain
why constituency liaisons
work less than members-at-
large, he explained that the
DSU underwent significant
changes in the past to its
governance structure.
“At one point, many
years ago, the Representative
Committee structure changed
from a top-down structure
with a president to the more
egalitarian structure we have
today,” said Stamberg. “We
have no history on why the
decision was made to pay
members-at-large more than
constituency liaisons.”
Stamberg stressed that
it was important for this
resolution to pass, even if it
was a simple issue of DSU
governance.
“Constituency liaisons are
obligated to bring forward the
needs, concerns, and issues
of their constituency as well
as facilitating the events and
campaigns relevant to their
constituency. This can be quite
a workload. Therefore it is
high time that the inequity in
remuneration be corrected,”
said Stamberg.
DSU representatives were
adamant that the costs of
this amendment are already
budgeted for and will not
result in a discussion about
raising, student fees.
“Let me reassure
students that their fees will
not be increased. Other than
the annual CPI increase
(Consumer Price Index) tied to
the student fees, the fees can
only increase by a referendum
of the membership. The
Representative Committee has
not even contemplated such a
referendum,” said Stamberg.
The inability to meet
quorum means that the
resolution could not come to
a vote. Despite efforts to draw
students to the meeting with
hot chocolate, pumpkin pie,
and a draw for Vancouver
Canucks tickets, DSU officials
said that it was difficult to
reach the quorum because
of students’ busy classroom
schedules. At one point, the
Jillian Griffin | Photo courtesy of DSU
quorum was almost reached,
but students started filing out
of the meeting around 1 p.m.
as their classes were set to
start.
DSU officials told the
Other Press that a number of
options to hold the meeting
could be contemplated,
including trying to hold
another special meeting
or waiting for the DSU
Annual General Meeting
which usually takes place in
February.
“This is a budget priority
to ensure we have the human
resources to facilitate all
the committees, services,
and events that the DSU is
involved in and projects we are
committed to,” said Stamberg.
More information on the
proposed administrative policy
amendment could be found
on the DSU’s Special General
Meeting event on Facebook
at www.facebook.com/
events /519272861499653 /
NEws.
Get to know your Douglas Students Union representatives
Jillian Griffin is your voice
to the outside world
Julia
t Siedlanowska
i Staff Writer
illian Griffin is the External
Jretations Coordinator at the
ouglas Students’ Union. In her
interview with the Other Press,
Griffin discusses how she got
involved in student politics,
and the issues she’s passionate
about.
Could you explain for us your
role as External Relations
Coordinator with the Douglas
Students’ Union (DSU)? What
duties does this include?
As the External Relations
Coordinator, my portfolio
consists mostly of working
mostly external. For example,
the primary task I have been
working on for the past two
years has been the U-Pass
BC program. This gives me
the opportunity to work
collaboratively with all the
student unions and post-
secondary institutions in the
Lower Mainland, as well as
TransLink and the Ministry of
Transportation. I also do a lot of
work connecting with students
on campus through various
events and social activism
campaigns, such as free food
events, Sisters in Spirit, and our
upcoming re-launch of the “No
Means No” campaign.
When did you start being
interested in external relations?
Is this how your involvement
with the DSU began?
I originally got involved
with the DSU by being a
volunteer. My roommate at
the time was the External
Relations Coordinator and she
was looking for volunteers to
help with the OnePassNow
campaign. After volunteering
for a year J ran as Member-at-
large and then ran as External
Relations Coordinator the
following year.
How has working with the
DSU affected your life? Have
you found it helpful in other
aspects of your daily life?
Being an elected
representative for students
at Douglas College has had a
profound impact on my life. It
has given me the opportunity to
work with incredible people and
to really connect with Douglas
College as a community.
Being involved in the DSU
has helped me in my daily life
by helping to develop things
like time management and
organizational skills, but most
importantly it has helped to
connect me with my passion.
If you could change one thing
at Douglas College, what
would it be?
If I could change one thing
I would continue to build the
DSU to a hub where all students
could go to explore their
passions and receive the support
they need to be successful
during their time at Douglas
College. The DSU has grown
a lot over the years, but there
is still more room to grow to
achieve this.
What advice would you give
someone wanting to get
involved with the DSU?
Volunteering is a great way
to start! The students’ union has
a wide range of events from pub
nights and free food events to
social activism and awareness
campaigns and events.
Volunteers get the opportunity
to explore what aspects of the
DSU they are most passionate
about.
ris BRP... 8
DSU special meeting fails to meet quorum
Vote on critical staffing
resolution on hold
Patrick
> Vailancourt
* ©) News Editor
anes news@theotherpress.ca
special meeting of the
ouglas Students’ Union
(DSU) membership, which
convened on October 17
to deliberate and approve
an increase in work hours
and compensation for DSU
constituency liaisons, has been
put on hold as the quorum was
not met.
The resolution, which
proposed an amendment to the
DSU’s administrative policy,
would have seen constituency
liaisons (Women, Aboriginal,
Pride, and Disabilities liaisons)
receive a bump in pay and a
mandate to work more hours
in a week.
The changes to the DSU
administrative policy were
put forward as due toa
“significant increase” in the
DSU‘s operations, events,
and committee work. Under
current policy, constituency
liaisons are mandated to work
five hours per week—less than
half as much as members-
at-large. The amendment,
if passed, would mandate
constituency liaisons to work
12.5 hours per week, the
amount currently mandated
for members-at-large. The
change in work hours would
also result in an increase in
pay, given that there has been
a discrepancy in how much
constituency liaisons earn
compared to members-at-large.
DSU Internal Relations
Coordinator Jesse Stamberg
indicated that while there was
no historical record to explain
why constituency liaisons
work less than members-at-
large, he explained that the
DSU underwent significant
changes in the past to its
governance structure.
“At one point, many
years ago, the Representative
Committee structure changed
from a top-down structure
with a president to the more
egalitarian structure we have
today,” said Stamberg. “We
have no history on why the
decision was made to pay
members-at-large more than
constituency liaisons.”
Stamberg stressed that
it was important for this
resolution to pass, even if it
was a simple issue of DSU
governance.
“Constituency liaisons are
obligated to bring forward the
needs, concerns, and issues
of their constituency as well
as facilitating the events and
campaigns relevant to their
constituency. This can be quite
a workload. Therefore it is
high time that the inequity in
remuneration be corrected,”
said Stamberg.
DSU representatives were
adamant that the costs of
this amendment are already
budgeted for and will not
result in a discussion about
raising, student fees.
“Let me reassure
students that their fees will
not be increased. Other than
the annual CPI increase
(Consumer Price Index) tied to
the student fees, the fees can
only increase by a referendum
of the membership. The
Representative Committee has
not even contemplated such a
referendum,” said Stamberg.
The inability to meet
quorum means that the
resolution could not come to
a vote. Despite efforts to draw
students to the meeting with
hot chocolate, pumpkin pie,
and a draw for Vancouver
Canucks tickets, DSU officials
said that it was difficult to
reach the quorum because
of students’ busy classroom
schedules. At one point, the
Jillian Griffin | Photo courtesy of DSU
quorum was almost reached,
but students started filing out
of the meeting around 1 p.m.
as their classes were set to
start.
DSU officials told the
Other Press that a number of
options to hold the meeting
could be contemplated,
including trying to hold
another special meeting
or waiting for the DSU
Annual General Meeting
which usually takes place in
February.
“This is a budget priority
to ensure we have the human
resources to facilitate all
the committees, services,
and events that the DSU is
involved in and projects we are
committed to,” said Stamberg.
More information on the
proposed administrative policy
amendment could be found
on the DSU’s Special General
Meeting event on Facebook
at www.facebook.com/
events /519272861499653 /
Edited Text
www.theotherpress.ca
NEws.
Get to know your Douglas Students Union representatives
Jillian Griffin is your voice
to the outside world
Julia
t Siedlanowska
i Staff Writer
illian Griffin is the External
Jretations Coordinator at the
ouglas Students’ Union. In her
interview with the Other Press,
Griffin discusses how she got
involved in student politics,
and the issues she’s passionate
about.
Could you explain for us your
role as External Relations
Coordinator with the Douglas
Students’ Union (DSU)? What
duties does this include?
As the External Relations
Coordinator, my portfolio
consists mostly of working
mostly external. For example,
the primary task I have been
working on for the past two
years has been the U-Pass
BC program. This gives me
the opportunity to work
collaboratively with all the
student unions and post-
secondary institutions in the
Lower Mainland, as well as
TransLink and the Ministry of
Transportation. I also do a lot of
work connecting with students
on campus through various
events and social activism
campaigns, such as free food
events, Sisters in Spirit, and our
upcoming re-launch of the “No
Means No” campaign.
When did you start being
interested in external relations?
Is this how your involvement
with the DSU began?
I originally got involved
with the DSU by being a
volunteer. My roommate at
the time was the External
Relations Coordinator and she
was looking for volunteers to
help with the OnePassNow
campaign. After volunteering
for a year J ran as Member-at-
large and then ran as External
Relations Coordinator the
following year.
How has working with the
DSU affected your life? Have
you found it helpful in other
aspects of your daily life?
Being an elected
representative for students
at Douglas College has had a
profound impact on my life. It
has given me the opportunity to
work with incredible people and
to really connect with Douglas
College as a community.
Being involved in the DSU
has helped me in my daily life
by helping to develop things
like time management and
organizational skills, but most
importantly it has helped to
connect me with my passion.
If you could change one thing
at Douglas College, what
would it be?
If I could change one thing
I would continue to build the
DSU to a hub where all students
could go to explore their
passions and receive the support
they need to be successful
during their time at Douglas
College. The DSU has grown
a lot over the years, but there
is still more room to grow to
achieve this.
What advice would you give
someone wanting to get
involved with the DSU?
Volunteering is a great way
to start! The students’ union has
a wide range of events from pub
nights and free food events to
social activism and awareness
campaigns and events.
Volunteers get the opportunity
to explore what aspects of the
DSU they are most passionate
about.
ris BRP... 8
DSU special meeting fails to meet quorum
Vote on critical staffing
resolution on hold
Patrick
> Vailancourt
* ©) News Editor
anes news@theotherpress.ca
special meeting of the
ouglas Students’ Union
(DSU) membership, which
convened on October 17
to deliberate and approve
an increase in work hours
and compensation for DSU
constituency liaisons, has been
put on hold as the quorum was
not met.
The resolution, which
proposed an amendment to the
DSU’s administrative policy,
would have seen constituency
liaisons (Women, Aboriginal,
Pride, and Disabilities liaisons)
receive a bump in pay and a
mandate to work more hours
in a week.
The changes to the DSU
administrative policy were
put forward as due toa
“significant increase” in the
DSU‘s operations, events,
and committee work. Under
current policy, constituency
liaisons are mandated to work
five hours per week—less than
half as much as members-
at-large. The amendment,
if passed, would mandate
constituency liaisons to work
12.5 hours per week, the
amount currently mandated
for members-at-large. The
change in work hours would
also result in an increase in
pay, given that there has been
a discrepancy in how much
constituency liaisons earn
compared to members-at-large.
DSU Internal Relations
Coordinator Jesse Stamberg
indicated that while there was
no historical record to explain
why constituency liaisons
work less than members-at-
large, he explained that the
DSU underwent significant
changes in the past to its
governance structure.
“At one point, many
years ago, the Representative
Committee structure changed
from a top-down structure
with a president to the more
egalitarian structure we have
today,” said Stamberg. “We
have no history on why the
decision was made to pay
members-at-large more than
constituency liaisons.”
Stamberg stressed that
it was important for this
resolution to pass, even if it
was a simple issue of DSU
governance.
“Constituency liaisons are
obligated to bring forward the
needs, concerns, and issues
of their constituency as well
as facilitating the events and
campaigns relevant to their
constituency. This can be quite
a workload. Therefore it is
high time that the inequity in
remuneration be corrected,”
said Stamberg.
DSU representatives were
adamant that the costs of
this amendment are already
budgeted for and will not
result in a discussion about
raising, student fees.
“Let me reassure
students that their fees will
not be increased. Other than
the annual CPI increase
(Consumer Price Index) tied to
the student fees, the fees can
only increase by a referendum
of the membership. The
Representative Committee has
not even contemplated such a
referendum,” said Stamberg.
The inability to meet
quorum means that the
resolution could not come to
a vote. Despite efforts to draw
students to the meeting with
hot chocolate, pumpkin pie,
and a draw for Vancouver
Canucks tickets, DSU officials
said that it was difficult to
reach the quorum because
of students’ busy classroom
schedules. At one point, the
Jillian Griffin | Photo courtesy of DSU
quorum was almost reached,
but students started filing out
of the meeting around 1 p.m.
as their classes were set to
start.
DSU officials told the
Other Press that a number of
options to hold the meeting
could be contemplated,
including trying to hold
another special meeting
or waiting for the DSU
Annual General Meeting
which usually takes place in
February.
“This is a budget priority
to ensure we have the human
resources to facilitate all
the committees, services,
and events that the DSU is
involved in and projects we are
committed to,” said Stamberg.
More information on the
proposed administrative policy
amendment could be found
on the DSU’s Special General
Meeting event on Facebook
at www.facebook.com/
events /519272861499653 /
NEws.
Get to know your Douglas Students Union representatives
Jillian Griffin is your voice
to the outside world
Julia
t Siedlanowska
i Staff Writer
illian Griffin is the External
Jretations Coordinator at the
ouglas Students’ Union. In her
interview with the Other Press,
Griffin discusses how she got
involved in student politics,
and the issues she’s passionate
about.
Could you explain for us your
role as External Relations
Coordinator with the Douglas
Students’ Union (DSU)? What
duties does this include?
As the External Relations
Coordinator, my portfolio
consists mostly of working
mostly external. For example,
the primary task I have been
working on for the past two
years has been the U-Pass
BC program. This gives me
the opportunity to work
collaboratively with all the
student unions and post-
secondary institutions in the
Lower Mainland, as well as
TransLink and the Ministry of
Transportation. I also do a lot of
work connecting with students
on campus through various
events and social activism
campaigns, such as free food
events, Sisters in Spirit, and our
upcoming re-launch of the “No
Means No” campaign.
When did you start being
interested in external relations?
Is this how your involvement
with the DSU began?
I originally got involved
with the DSU by being a
volunteer. My roommate at
the time was the External
Relations Coordinator and she
was looking for volunteers to
help with the OnePassNow
campaign. After volunteering
for a year J ran as Member-at-
large and then ran as External
Relations Coordinator the
following year.
How has working with the
DSU affected your life? Have
you found it helpful in other
aspects of your daily life?
Being an elected
representative for students
at Douglas College has had a
profound impact on my life. It
has given me the opportunity to
work with incredible people and
to really connect with Douglas
College as a community.
Being involved in the DSU
has helped me in my daily life
by helping to develop things
like time management and
organizational skills, but most
importantly it has helped to
connect me with my passion.
If you could change one thing
at Douglas College, what
would it be?
If I could change one thing
I would continue to build the
DSU to a hub where all students
could go to explore their
passions and receive the support
they need to be successful
during their time at Douglas
College. The DSU has grown
a lot over the years, but there
is still more room to grow to
achieve this.
What advice would you give
someone wanting to get
involved with the DSU?
Volunteering is a great way
to start! The students’ union has
a wide range of events from pub
nights and free food events to
social activism and awareness
campaigns and events.
Volunteers get the opportunity
to explore what aspects of the
DSU they are most passionate
about.
ris BRP... 8
DSU special meeting fails to meet quorum
Vote on critical staffing
resolution on hold
Patrick
> Vailancourt
* ©) News Editor
anes news@theotherpress.ca
special meeting of the
ouglas Students’ Union
(DSU) membership, which
convened on October 17
to deliberate and approve
an increase in work hours
and compensation for DSU
constituency liaisons, has been
put on hold as the quorum was
not met.
The resolution, which
proposed an amendment to the
DSU’s administrative policy,
would have seen constituency
liaisons (Women, Aboriginal,
Pride, and Disabilities liaisons)
receive a bump in pay and a
mandate to work more hours
in a week.
The changes to the DSU
administrative policy were
put forward as due toa
“significant increase” in the
DSU‘s operations, events,
and committee work. Under
current policy, constituency
liaisons are mandated to work
five hours per week—less than
half as much as members-
at-large. The amendment,
if passed, would mandate
constituency liaisons to work
12.5 hours per week, the
amount currently mandated
for members-at-large. The
change in work hours would
also result in an increase in
pay, given that there has been
a discrepancy in how much
constituency liaisons earn
compared to members-at-large.
DSU Internal Relations
Coordinator Jesse Stamberg
indicated that while there was
no historical record to explain
why constituency liaisons
work less than members-at-
large, he explained that the
DSU underwent significant
changes in the past to its
governance structure.
“At one point, many
years ago, the Representative
Committee structure changed
from a top-down structure
with a president to the more
egalitarian structure we have
today,” said Stamberg. “We
have no history on why the
decision was made to pay
members-at-large more than
constituency liaisons.”
Stamberg stressed that
it was important for this
resolution to pass, even if it
was a simple issue of DSU
governance.
“Constituency liaisons are
obligated to bring forward the
needs, concerns, and issues
of their constituency as well
as facilitating the events and
campaigns relevant to their
constituency. This can be quite
a workload. Therefore it is
high time that the inequity in
remuneration be corrected,”
said Stamberg.
DSU representatives were
adamant that the costs of
this amendment are already
budgeted for and will not
result in a discussion about
raising, student fees.
“Let me reassure
students that their fees will
not be increased. Other than
the annual CPI increase
(Consumer Price Index) tied to
the student fees, the fees can
only increase by a referendum
of the membership. The
Representative Committee has
not even contemplated such a
referendum,” said Stamberg.
The inability to meet
quorum means that the
resolution could not come to
a vote. Despite efforts to draw
students to the meeting with
hot chocolate, pumpkin pie,
and a draw for Vancouver
Canucks tickets, DSU officials
said that it was difficult to
reach the quorum because
of students’ busy classroom
schedules. At one point, the
Jillian Griffin | Photo courtesy of DSU
quorum was almost reached,
but students started filing out
of the meeting around 1 p.m.
as their classes were set to
start.
DSU officials told the
Other Press that a number of
options to hold the meeting
could be contemplated,
including trying to hold
another special meeting
or waiting for the DSU
Annual General Meeting
which usually takes place in
February.
“This is a budget priority
to ensure we have the human
resources to facilitate all
the committees, services,
and events that the DSU is
involved in and projects we are
committed to,” said Stamberg.
More information on the
proposed administrative policy
amendment could be found
on the DSU’s Special General
Meeting event on Facebook
at www.facebook.com/
events /519272861499653 /
Content type
Page
File
www.theotherpress.ca
ARTS.
Netflix Pix
Choices from Netflix
to combat boredom:
24 US, 2001
Aidan
Mouellic
Staff Writer
4 —
4 is on Netflix, but I’d rec-
ommend waiting until after
your midterms are over before
diving in—you won't be able to
get much done after you start.
The show’s general tone
is of a constant paranoia
that the world is constantly
on the brink of collapse. But
that’s okay because (spoiler
alert) Jack Bauer, a super
spy played by Canadian
actor Kiefer Sutherland,
always saves the world.
This show is a riveting
dramatic spy series that is set
one hour in a day, and each
season contains 24 episodes,
which make up a day in the
life of Jack Bauer and his team
of counter-terrorism agents.
The show is a non-stop
thrill, and you quickly get
lost in the twisting plots and
explosive action sequences.
Though it does contain
some rather controversial views
towards how awesome torture
is and also paints Muslims
with broad strokes, you have to
keep in mind that the show is
American and debuted on Fox
less than two months after 9/11.
With that aside, another
talented Canadian actor, Elisha
Cuthbert, makes regular
appearances on the show as
Jack Bauer’s daughter who is
prone to being kidnapped.
24 is excellent television
and, if you can get past the
politically incorrect undertones
within the series, you will have
a good time watching eight sea-
sons (and another on the way!)
of Jack Bauer killing terrorists.
in real-time: each episode is Still of Kiefer Sutherland in 24
The story between Firefly and Serenity
Serenity: Those Left
Behind’ review
Brittney MacDonald, Contributor
S erenity: Those Left Behind, a
graphic novel compilation
of a three-issue comic book
series, deals with the events
that take place between the
end of the cancelled cult
television hit, Firefly, and the
fan-demanded film, Serenity.
Written by Joss Whedon
and Brett Matthews, the
graphic novel has a spaghetti
western feel with a lot of
action. It centres around the
crew of the Serenity, a firefly-
class cargo ship in space.
The graphic novel is
illustrated by Will Conrad and
features a very distinctive art
style characteristic of modern
North American works such
as The Exile and the Mass
Effect series. This art style
is perfect for people new to
graphic novels who havea
distaste for the harsh lines
and cell shading of traditional
comic books, yet dislike the
stylization of Japanese manga.
It features 96 pages of
full-colour panels, each a
digital painting unto itself.
The smooth gradients and
realistic depictions of the
series’ original actors go a long
way to attract fans of the film
and television series without
alienating more traditional
comic connoisseurs.
For comic fans, the novel
also features guest artwork
by big names such as Adam
Hughes, who is best known
for his work in the Catwoman
and Before Watchmen series.
The novel captures
Whedon’s characteristic sense
of humour, featuring realistic,
situational comedy that works
alongside an often dramatic
plot. The story begins with a
bank heist gone wrong and a
resulting firefight ending in
a loss for Captain Mal, Zoe,
and Jayne. Meanwhile, the
evil corporation, the Hands
of Blue, seeks out Serenity—
and with it River Tam, the
brainwashed psychic warrior
and the sister of Simon,
Serenity’s ship doctor.
Overall, Serenity: Those
Left Behind is a good option for
people looking to explore the
world of graphic novels.
Serenity: Those Left Behind graphic novel
ARTS.
Netflix Pix
Choices from Netflix
to combat boredom:
24 US, 2001
Aidan
Mouellic
Staff Writer
4 —
4 is on Netflix, but I’d rec-
ommend waiting until after
your midterms are over before
diving in—you won't be able to
get much done after you start.
The show’s general tone
is of a constant paranoia
that the world is constantly
on the brink of collapse. But
that’s okay because (spoiler
alert) Jack Bauer, a super
spy played by Canadian
actor Kiefer Sutherland,
always saves the world.
This show is a riveting
dramatic spy series that is set
one hour in a day, and each
season contains 24 episodes,
which make up a day in the
life of Jack Bauer and his team
of counter-terrorism agents.
The show is a non-stop
thrill, and you quickly get
lost in the twisting plots and
explosive action sequences.
Though it does contain
some rather controversial views
towards how awesome torture
is and also paints Muslims
with broad strokes, you have to
keep in mind that the show is
American and debuted on Fox
less than two months after 9/11.
With that aside, another
talented Canadian actor, Elisha
Cuthbert, makes regular
appearances on the show as
Jack Bauer’s daughter who is
prone to being kidnapped.
24 is excellent television
and, if you can get past the
politically incorrect undertones
within the series, you will have
a good time watching eight sea-
sons (and another on the way!)
of Jack Bauer killing terrorists.
in real-time: each episode is Still of Kiefer Sutherland in 24
The story between Firefly and Serenity
Serenity: Those Left
Behind’ review
Brittney MacDonald, Contributor
S erenity: Those Left Behind, a
graphic novel compilation
of a three-issue comic book
series, deals with the events
that take place between the
end of the cancelled cult
television hit, Firefly, and the
fan-demanded film, Serenity.
Written by Joss Whedon
and Brett Matthews, the
graphic novel has a spaghetti
western feel with a lot of
action. It centres around the
crew of the Serenity, a firefly-
class cargo ship in space.
The graphic novel is
illustrated by Will Conrad and
features a very distinctive art
style characteristic of modern
North American works such
as The Exile and the Mass
Effect series. This art style
is perfect for people new to
graphic novels who havea
distaste for the harsh lines
and cell shading of traditional
comic books, yet dislike the
stylization of Japanese manga.
It features 96 pages of
full-colour panels, each a
digital painting unto itself.
The smooth gradients and
realistic depictions of the
series’ original actors go a long
way to attract fans of the film
and television series without
alienating more traditional
comic connoisseurs.
For comic fans, the novel
also features guest artwork
by big names such as Adam
Hughes, who is best known
for his work in the Catwoman
and Before Watchmen series.
The novel captures
Whedon’s characteristic sense
of humour, featuring realistic,
situational comedy that works
alongside an often dramatic
plot. The story begins with a
bank heist gone wrong and a
resulting firefight ending in
a loss for Captain Mal, Zoe,
and Jayne. Meanwhile, the
evil corporation, the Hands
of Blue, seeks out Serenity—
and with it River Tam, the
brainwashed psychic warrior
and the sister of Simon,
Serenity’s ship doctor.
Overall, Serenity: Those
Left Behind is a good option for
people looking to explore the
world of graphic novels.
Serenity: Those Left Behind graphic novel
Edited Text
www.theotherpress.ca
ARTS.
Netflix Pix
Choices from Netflix
to combat boredom:
24 US, 2001
Aidan
Mouellic
Staff Writer
4 —
4 is on Netflix, but I’d rec-
ommend waiting until after
your midterms are over before
diving in—you won't be able to
get much done after you start.
The show’s general tone
is of a constant paranoia
that the world is constantly
on the brink of collapse. But
that’s okay because (spoiler
alert) Jack Bauer, a super
spy played by Canadian
actor Kiefer Sutherland,
always saves the world.
This show is a riveting
dramatic spy series that is set
one hour in a day, and each
season contains 24 episodes,
which make up a day in the
life of Jack Bauer and his team
of counter-terrorism agents.
The show is a non-stop
thrill, and you quickly get
lost in the twisting plots and
explosive action sequences.
Though it does contain
some rather controversial views
towards how awesome torture
is and also paints Muslims
with broad strokes, you have to
keep in mind that the show is
American and debuted on Fox
less than two months after 9/11.
With that aside, another
talented Canadian actor, Elisha
Cuthbert, makes regular
appearances on the show as
Jack Bauer’s daughter who is
prone to being kidnapped.
24 is excellent television
and, if you can get past the
politically incorrect undertones
within the series, you will have
a good time watching eight sea-
sons (and another on the way!)
of Jack Bauer killing terrorists.
in real-time: each episode is Still of Kiefer Sutherland in 24
The story between Firefly and Serenity
Serenity: Those Left
Behind’ review
Brittney MacDonald, Contributor
S erenity: Those Left Behind, a
graphic novel compilation
of a three-issue comic book
series, deals with the events
that take place between the
end of the cancelled cult
television hit, Firefly, and the
fan-demanded film, Serenity.
Written by Joss Whedon
and Brett Matthews, the
graphic novel has a spaghetti
western feel with a lot of
action. It centres around the
crew of the Serenity, a firefly-
class cargo ship in space.
The graphic novel is
illustrated by Will Conrad and
features a very distinctive art
style characteristic of modern
North American works such
as The Exile and the Mass
Effect series. This art style
is perfect for people new to
graphic novels who havea
distaste for the harsh lines
and cell shading of traditional
comic books, yet dislike the
stylization of Japanese manga.
It features 96 pages of
full-colour panels, each a
digital painting unto itself.
The smooth gradients and
realistic depictions of the
series’ original actors go a long
way to attract fans of the film
and television series without
alienating more traditional
comic connoisseurs.
For comic fans, the novel
also features guest artwork
by big names such as Adam
Hughes, who is best known
for his work in the Catwoman
and Before Watchmen series.
The novel captures
Whedon’s characteristic sense
of humour, featuring realistic,
situational comedy that works
alongside an often dramatic
plot. The story begins with a
bank heist gone wrong and a
resulting firefight ending in
a loss for Captain Mal, Zoe,
and Jayne. Meanwhile, the
evil corporation, the Hands
of Blue, seeks out Serenity—
and with it River Tam, the
brainwashed psychic warrior
and the sister of Simon,
Serenity’s ship doctor.
Overall, Serenity: Those
Left Behind is a good option for
people looking to explore the
world of graphic novels.
Serenity: Those Left Behind graphic novel
ARTS.
Netflix Pix
Choices from Netflix
to combat boredom:
24 US, 2001
Aidan
Mouellic
Staff Writer
4 —
4 is on Netflix, but I’d rec-
ommend waiting until after
your midterms are over before
diving in—you won't be able to
get much done after you start.
The show’s general tone
is of a constant paranoia
that the world is constantly
on the brink of collapse. But
that’s okay because (spoiler
alert) Jack Bauer, a super
spy played by Canadian
actor Kiefer Sutherland,
always saves the world.
This show is a riveting
dramatic spy series that is set
one hour in a day, and each
season contains 24 episodes,
which make up a day in the
life of Jack Bauer and his team
of counter-terrorism agents.
The show is a non-stop
thrill, and you quickly get
lost in the twisting plots and
explosive action sequences.
Though it does contain
some rather controversial views
towards how awesome torture
is and also paints Muslims
with broad strokes, you have to
keep in mind that the show is
American and debuted on Fox
less than two months after 9/11.
With that aside, another
talented Canadian actor, Elisha
Cuthbert, makes regular
appearances on the show as
Jack Bauer’s daughter who is
prone to being kidnapped.
24 is excellent television
and, if you can get past the
politically incorrect undertones
within the series, you will have
a good time watching eight sea-
sons (and another on the way!)
of Jack Bauer killing terrorists.
in real-time: each episode is Still of Kiefer Sutherland in 24
The story between Firefly and Serenity
Serenity: Those Left
Behind’ review
Brittney MacDonald, Contributor
S erenity: Those Left Behind, a
graphic novel compilation
of a three-issue comic book
series, deals with the events
that take place between the
end of the cancelled cult
television hit, Firefly, and the
fan-demanded film, Serenity.
Written by Joss Whedon
and Brett Matthews, the
graphic novel has a spaghetti
western feel with a lot of
action. It centres around the
crew of the Serenity, a firefly-
class cargo ship in space.
The graphic novel is
illustrated by Will Conrad and
features a very distinctive art
style characteristic of modern
North American works such
as The Exile and the Mass
Effect series. This art style
is perfect for people new to
graphic novels who havea
distaste for the harsh lines
and cell shading of traditional
comic books, yet dislike the
stylization of Japanese manga.
It features 96 pages of
full-colour panels, each a
digital painting unto itself.
The smooth gradients and
realistic depictions of the
series’ original actors go a long
way to attract fans of the film
and television series without
alienating more traditional
comic connoisseurs.
For comic fans, the novel
also features guest artwork
by big names such as Adam
Hughes, who is best known
for his work in the Catwoman
and Before Watchmen series.
The novel captures
Whedon’s characteristic sense
of humour, featuring realistic,
situational comedy that works
alongside an often dramatic
plot. The story begins with a
bank heist gone wrong and a
resulting firefight ending in
a loss for Captain Mal, Zoe,
and Jayne. Meanwhile, the
evil corporation, the Hands
of Blue, seeks out Serenity—
and with it River Tam, the
brainwashed psychic warrior
and the sister of Simon,
Serenity’s ship doctor.
Overall, Serenity: Those
Left Behind is a good option for
people looking to explore the
world of graphic novels.
Serenity: Those Left Behind graphic novel
Content type
Page
File
www.theotherpress.ca
HUMOUR.
‘Syrian Civil War disappears from headlines, so probably fixed, experts say
Liam Britten, Contributor
anadians breathed a sigh
of relief on Thursday as
the civil war in Syria came toa
conclusion, or something.
Peter Hubert, father of three
and a Syria watcher with over
nine months of experience,
declared the formerly war-torn
nation “A-okay” after seeing no
mention of strife in the country—
or indeed any mention of Syria
at all—in the news for a whole
week.
“Yeah, I guess they got it
all figured out over there now,”
he told the Other Press in an
interview at his town house and
centre for international policy
analysis in Coquitlam. “There’s
nothing in the Province about it...
Thad a feeling it would clear up
soon, anyway.”
Hubert said he was unsure
how the war ended, what caused
it to end, or where Syria exists on
a map. However, despite these
unanswered questions, major
combat of note is well and truly
possibly over.
“Those UN guys got
together, solved the problem, and
they got a peace prize because of
it. I mean, come on, they don’t
give out peace prizes to people
who don’t stop wars.”
The Syrian conflict’s
resolution—or whatever—joins
a long list of issues that once
dominated the news cycle only
to disappear once they were
solved—we think.
It joins global warming,
homophobia in Russia, the
disappearing rainforests, and
First Nations poverty on the
scrapheap of history’s unheard
about, assumed fixed, problems.
Other experts with almost a
full year of knowing the nation
of Syria even existed joined
Hubert in his enthusiasm about
the Syrian situation’s presumed
return to normalcy.
“Tt was really weird,” said
local dental hygienist Sandy
Rho of Delta. “It was like, one
day, thousands killed in gas
attacks and violent government
crackdowns, and then, poof, it’s
off the front page and it’s like
it never even happened. Funny
how international politics works
sometimes, eh?”
Hubert echoed those
sentiments.
“Tt seemed like the last few
months you couldn’t open the
paper or go on Yahoo! News
without seeing something about
that awful country. But now you
don’t, so it’s great they figured it
all out,” he said. “Now it looks
like the big threats today are
just the US government shutting
down and whether or not
[Canucks coach John] Tortorella
can get the Sedins scoring again.”
Al Qafnishii
¢
om Crieff of
Iskensterun§
Falconer 2
p iAlcepe) i
== Madinat ath
Thawrah
a ‘arrait an Nu'man
Khan +
La dShaykhtin
het és
si Watt kad
. amah
: Ar Rastan Jat
Me
ees | ’
rw [|
i | a
~ »tadmur (Palmyra)
= fap 7
igi
\
em,
fiyah
As Sa'an eee
mae 3 al f
L: ae Zabada Al. f
Dumal Ce
“se.
™,
INS S WAYDA' o
Suwayda' ‘
0 2 80 75 100km
i
rr oko abe c=]
0 25 50 75 mi ——
Photo illustration by Joel McCarthy
Pipeline to be made of biodegradable materials
Appeased
environmentalists
win moral victory’
over oll company
| Natalie
Serafini
Assistant Editor
assistant@ theotherpress.ca
n what has been termed a
“moral victory” by many,
environmentalists have
succeeded in convincing
Enbridge to construct their
pipeline out of biodegradable
materials. The pipeline—which
will traverse from the Alberta tar
sands in Bruderheim to Kitimat
in British Columbia and on to
foreign markets—will be made
out of a biodegradable plastic.
“This is what we've been
fighting for. Obviously we
would prefer if the pipeline
wasn't here at all, but within
a year, it'll be like it never
was here,” said Golly Gee, a
spokesperson for Oil Have None
of That.
Where a traditional pipeline
made of metal could take
centuries to decompose, and
even regular plastic could take
50-80 years, biodegradable
plastics decompose into the
environment within a year.
“This sets a precedent
for pipelines to come. And as
long as they’re coming, we
might as well make them as
environmentally friendly as
possible,” continued Gee. “The
plastic will be made out of
recycled pop bottles, it will exist
harmoniously with plants and
animals while it’s sharing space
in the environment, and it will
decompose seamlessly into the
habitat in a year—maybe even
less, with BC’s fantastic fungi
and rain!”
Enbridge initially seemed
skeptical if not dumbfounded
by the proposal, releasing a
statement asking, “Are you
serious?” Now the company
has switched to supporting the
initiative, agreeing to produce a
biodegradable pipeline.
Asked why they
would support the use of
environmentally friendly
material in this project, an
Enbridge spokesperson said,
“It’s cheap.”
Following Enbridge’s more
recent commercial featuring
chipmunks frolicking on the
pipeline, naysayers have
asserted that Enbridge must
be after good press. Self-
proclaimed cynic Paula Fastone,
said, “It sounds too good to be
true and, as a cynic, I don’t trust
things that sound too good to be
true.”
Regardless of intentions,
environmentalists have
been extremely supportive
of Enbridge’s willingness
to produce a non-pollutive
pipeline.
Photo courtesy of andrewcparnell (Flickr)
23
HUMOUR.
‘Syrian Civil War disappears from headlines, so probably fixed, experts say
Liam Britten, Contributor
anadians breathed a sigh
of relief on Thursday as
the civil war in Syria came toa
conclusion, or something.
Peter Hubert, father of three
and a Syria watcher with over
nine months of experience,
declared the formerly war-torn
nation “A-okay” after seeing no
mention of strife in the country—
or indeed any mention of Syria
at all—in the news for a whole
week.
“Yeah, I guess they got it
all figured out over there now,”
he told the Other Press in an
interview at his town house and
centre for international policy
analysis in Coquitlam. “There’s
nothing in the Province about it...
Thad a feeling it would clear up
soon, anyway.”
Hubert said he was unsure
how the war ended, what caused
it to end, or where Syria exists on
a map. However, despite these
unanswered questions, major
combat of note is well and truly
possibly over.
“Those UN guys got
together, solved the problem, and
they got a peace prize because of
it. I mean, come on, they don’t
give out peace prizes to people
who don’t stop wars.”
The Syrian conflict’s
resolution—or whatever—joins
a long list of issues that once
dominated the news cycle only
to disappear once they were
solved—we think.
It joins global warming,
homophobia in Russia, the
disappearing rainforests, and
First Nations poverty on the
scrapheap of history’s unheard
about, assumed fixed, problems.
Other experts with almost a
full year of knowing the nation
of Syria even existed joined
Hubert in his enthusiasm about
the Syrian situation’s presumed
return to normalcy.
“Tt was really weird,” said
local dental hygienist Sandy
Rho of Delta. “It was like, one
day, thousands killed in gas
attacks and violent government
crackdowns, and then, poof, it’s
off the front page and it’s like
it never even happened. Funny
how international politics works
sometimes, eh?”
Hubert echoed those
sentiments.
“Tt seemed like the last few
months you couldn’t open the
paper or go on Yahoo! News
without seeing something about
that awful country. But now you
don’t, so it’s great they figured it
all out,” he said. “Now it looks
like the big threats today are
just the US government shutting
down and whether or not
[Canucks coach John] Tortorella
can get the Sedins scoring again.”
Al Qafnishii
¢
om Crieff of
Iskensterun§
Falconer 2
p iAlcepe) i
== Madinat ath
Thawrah
a ‘arrait an Nu'man
Khan +
La dShaykhtin
het és
si Watt kad
. amah
: Ar Rastan Jat
Me
ees | ’
rw [|
i | a
~ »tadmur (Palmyra)
= fap 7
igi
\
em,
fiyah
As Sa'an eee
mae 3 al f
L: ae Zabada Al. f
Dumal Ce
“se.
™,
INS S WAYDA' o
Suwayda' ‘
0 2 80 75 100km
i
rr oko abe c=]
0 25 50 75 mi ——
Photo illustration by Joel McCarthy
Pipeline to be made of biodegradable materials
Appeased
environmentalists
win moral victory’
over oll company
| Natalie
Serafini
Assistant Editor
assistant@ theotherpress.ca
n what has been termed a
“moral victory” by many,
environmentalists have
succeeded in convincing
Enbridge to construct their
pipeline out of biodegradable
materials. The pipeline—which
will traverse from the Alberta tar
sands in Bruderheim to Kitimat
in British Columbia and on to
foreign markets—will be made
out of a biodegradable plastic.
“This is what we've been
fighting for. Obviously we
would prefer if the pipeline
wasn't here at all, but within
a year, it'll be like it never
was here,” said Golly Gee, a
spokesperson for Oil Have None
of That.
Where a traditional pipeline
made of metal could take
centuries to decompose, and
even regular plastic could take
50-80 years, biodegradable
plastics decompose into the
environment within a year.
“This sets a precedent
for pipelines to come. And as
long as they’re coming, we
might as well make them as
environmentally friendly as
possible,” continued Gee. “The
plastic will be made out of
recycled pop bottles, it will exist
harmoniously with plants and
animals while it’s sharing space
in the environment, and it will
decompose seamlessly into the
habitat in a year—maybe even
less, with BC’s fantastic fungi
and rain!”
Enbridge initially seemed
skeptical if not dumbfounded
by the proposal, releasing a
statement asking, “Are you
serious?” Now the company
has switched to supporting the
initiative, agreeing to produce a
biodegradable pipeline.
Asked why they
would support the use of
environmentally friendly
material in this project, an
Enbridge spokesperson said,
“It’s cheap.”
Following Enbridge’s more
recent commercial featuring
chipmunks frolicking on the
pipeline, naysayers have
asserted that Enbridge must
be after good press. Self-
proclaimed cynic Paula Fastone,
said, “It sounds too good to be
true and, as a cynic, I don’t trust
things that sound too good to be
true.”
Regardless of intentions,
environmentalists have
been extremely supportive
of Enbridge’s willingness
to produce a non-pollutive
pipeline.
Photo courtesy of andrewcparnell (Flickr)
23
Edited Text
www.theotherpress.ca
HUMOUR.
‘Syrian Civil War disappears from headlines, so probably fixed, experts say
Liam Britten, Contributor
anadians breathed a sigh
of relief on Thursday as
the civil war in Syria came toa
conclusion, or something.
Peter Hubert, father of three
and a Syria watcher with over
nine months of experience,
declared the formerly war-torn
nation “A-okay” after seeing no
mention of strife in the country—
or indeed any mention of Syria
at all—in the news for a whole
week.
“Yeah, I guess they got it
all figured out over there now,”
he told the Other Press in an
interview at his town house and
centre for international policy
analysis in Coquitlam. “There’s
nothing in the Province about it...
Thad a feeling it would clear up
soon, anyway.”
Hubert said he was unsure
how the war ended, what caused
it to end, or where Syria exists on
a map. However, despite these
unanswered questions, major
combat of note is well and truly
possibly over.
“Those UN guys got
together, solved the problem, and
they got a peace prize because of
it. I mean, come on, they don’t
give out peace prizes to people
who don’t stop wars.”
The Syrian conflict’s
resolution—or whatever—joins
a long list of issues that once
dominated the news cycle only
to disappear once they were
solved—we think.
It joins global warming,
homophobia in Russia, the
disappearing rainforests, and
First Nations poverty on the
scrapheap of history’s unheard
about, assumed fixed, problems.
Other experts with almost a
full year of knowing the nation
of Syria even existed joined
Hubert in his enthusiasm about
the Syrian situation’s presumed
return to normalcy.
“Tt was really weird,” said
local dental hygienist Sandy
Rho of Delta. “It was like, one
day, thousands killed in gas
attacks and violent government
crackdowns, and then, poof, it’s
off the front page and it’s like
it never even happened. Funny
how international politics works
sometimes, eh?”
Hubert echoed those
sentiments.
“Tt seemed like the last few
months you couldn’t open the
paper or go on Yahoo! News
without seeing something about
that awful country. But now you
don’t, so it’s great they figured it
all out,” he said. “Now it looks
like the big threats today are
just the US government shutting
down and whether or not
[Canucks coach John] Tortorella
can get the Sedins scoring again.”
Al Qafnishii
¢
om Crieff of
Iskensterun§
Falconer 2
p iAlcepe) i
== Madinat ath
Thawrah
a ‘arrait an Nu'man
Khan +
La dShaykhtin
het és
si Watt kad
. amah
: Ar Rastan Jat
Me
ees | ’
rw [|
i | a
~ »tadmur (Palmyra)
= fap 7
igi
\
em,
fiyah
As Sa'an eee
mae 3 al f
L: ae Zabada Al. f
Dumal Ce
“se.
™,
INS S WAYDA' o
Suwayda' ‘
0 2 80 75 100km
i
rr oko abe c=]
0 25 50 75 mi ——
Photo illustration by Joel McCarthy
Pipeline to be made of biodegradable materials
Appeased
environmentalists
win moral victory’
over oll company
| Natalie
Serafini
Assistant Editor
assistant@ theotherpress.ca
n what has been termed a
“moral victory” by many,
environmentalists have
succeeded in convincing
Enbridge to construct their
pipeline out of biodegradable
materials. The pipeline—which
will traverse from the Alberta tar
sands in Bruderheim to Kitimat
in British Columbia and on to
foreign markets—will be made
out of a biodegradable plastic.
“This is what we've been
fighting for. Obviously we
would prefer if the pipeline
wasn't here at all, but within
a year, it'll be like it never
was here,” said Golly Gee, a
spokesperson for Oil Have None
of That.
Where a traditional pipeline
made of metal could take
centuries to decompose, and
even regular plastic could take
50-80 years, biodegradable
plastics decompose into the
environment within a year.
“This sets a precedent
for pipelines to come. And as
long as they’re coming, we
might as well make them as
environmentally friendly as
possible,” continued Gee. “The
plastic will be made out of
recycled pop bottles, it will exist
harmoniously with plants and
animals while it’s sharing space
in the environment, and it will
decompose seamlessly into the
habitat in a year—maybe even
less, with BC’s fantastic fungi
and rain!”
Enbridge initially seemed
skeptical if not dumbfounded
by the proposal, releasing a
statement asking, “Are you
serious?” Now the company
has switched to supporting the
initiative, agreeing to produce a
biodegradable pipeline.
Asked why they
would support the use of
environmentally friendly
material in this project, an
Enbridge spokesperson said,
“It’s cheap.”
Following Enbridge’s more
recent commercial featuring
chipmunks frolicking on the
pipeline, naysayers have
asserted that Enbridge must
be after good press. Self-
proclaimed cynic Paula Fastone,
said, “It sounds too good to be
true and, as a cynic, I don’t trust
things that sound too good to be
true.”
Regardless of intentions,
environmentalists have
been extremely supportive
of Enbridge’s willingness
to produce a non-pollutive
pipeline.
Photo courtesy of andrewcparnell (Flickr)
23
HUMOUR.
‘Syrian Civil War disappears from headlines, so probably fixed, experts say
Liam Britten, Contributor
anadians breathed a sigh
of relief on Thursday as
the civil war in Syria came toa
conclusion, or something.
Peter Hubert, father of three
and a Syria watcher with over
nine months of experience,
declared the formerly war-torn
nation “A-okay” after seeing no
mention of strife in the country—
or indeed any mention of Syria
at all—in the news for a whole
week.
“Yeah, I guess they got it
all figured out over there now,”
he told the Other Press in an
interview at his town house and
centre for international policy
analysis in Coquitlam. “There’s
nothing in the Province about it...
Thad a feeling it would clear up
soon, anyway.”
Hubert said he was unsure
how the war ended, what caused
it to end, or where Syria exists on
a map. However, despite these
unanswered questions, major
combat of note is well and truly
possibly over.
“Those UN guys got
together, solved the problem, and
they got a peace prize because of
it. I mean, come on, they don’t
give out peace prizes to people
who don’t stop wars.”
The Syrian conflict’s
resolution—or whatever—joins
a long list of issues that once
dominated the news cycle only
to disappear once they were
solved—we think.
It joins global warming,
homophobia in Russia, the
disappearing rainforests, and
First Nations poverty on the
scrapheap of history’s unheard
about, assumed fixed, problems.
Other experts with almost a
full year of knowing the nation
of Syria even existed joined
Hubert in his enthusiasm about
the Syrian situation’s presumed
return to normalcy.
“Tt was really weird,” said
local dental hygienist Sandy
Rho of Delta. “It was like, one
day, thousands killed in gas
attacks and violent government
crackdowns, and then, poof, it’s
off the front page and it’s like
it never even happened. Funny
how international politics works
sometimes, eh?”
Hubert echoed those
sentiments.
“Tt seemed like the last few
months you couldn’t open the
paper or go on Yahoo! News
without seeing something about
that awful country. But now you
don’t, so it’s great they figured it
all out,” he said. “Now it looks
like the big threats today are
just the US government shutting
down and whether or not
[Canucks coach John] Tortorella
can get the Sedins scoring again.”
Al Qafnishii
¢
om Crieff of
Iskensterun§
Falconer 2
p iAlcepe) i
== Madinat ath
Thawrah
a ‘arrait an Nu'man
Khan +
La dShaykhtin
het és
si Watt kad
. amah
: Ar Rastan Jat
Me
ees | ’
rw [|
i | a
~ »tadmur (Palmyra)
= fap 7
igi
\
em,
fiyah
As Sa'an eee
mae 3 al f
L: ae Zabada Al. f
Dumal Ce
“se.
™,
INS S WAYDA' o
Suwayda' ‘
0 2 80 75 100km
i
rr oko abe c=]
0 25 50 75 mi ——
Photo illustration by Joel McCarthy
Pipeline to be made of biodegradable materials
Appeased
environmentalists
win moral victory’
over oll company
| Natalie
Serafini
Assistant Editor
assistant@ theotherpress.ca
n what has been termed a
“moral victory” by many,
environmentalists have
succeeded in convincing
Enbridge to construct their
pipeline out of biodegradable
materials. The pipeline—which
will traverse from the Alberta tar
sands in Bruderheim to Kitimat
in British Columbia and on to
foreign markets—will be made
out of a biodegradable plastic.
“This is what we've been
fighting for. Obviously we
would prefer if the pipeline
wasn't here at all, but within
a year, it'll be like it never
was here,” said Golly Gee, a
spokesperson for Oil Have None
of That.
Where a traditional pipeline
made of metal could take
centuries to decompose, and
even regular plastic could take
50-80 years, biodegradable
plastics decompose into the
environment within a year.
“This sets a precedent
for pipelines to come. And as
long as they’re coming, we
might as well make them as
environmentally friendly as
possible,” continued Gee. “The
plastic will be made out of
recycled pop bottles, it will exist
harmoniously with plants and
animals while it’s sharing space
in the environment, and it will
decompose seamlessly into the
habitat in a year—maybe even
less, with BC’s fantastic fungi
and rain!”
Enbridge initially seemed
skeptical if not dumbfounded
by the proposal, releasing a
statement asking, “Are you
serious?” Now the company
has switched to supporting the
initiative, agreeing to produce a
biodegradable pipeline.
Asked why they
would support the use of
environmentally friendly
material in this project, an
Enbridge spokesperson said,
“It’s cheap.”
Following Enbridge’s more
recent commercial featuring
chipmunks frolicking on the
pipeline, naysayers have
asserted that Enbridge must
be after good press. Self-
proclaimed cynic Paula Fastone,
said, “It sounds too good to be
true and, as a cynic, I don’t trust
things that sound too good to be
true.”
Regardless of intentions,
environmentalists have
been extremely supportive
of Enbridge’s willingness
to produce a non-pollutive
pipeline.
Photo courtesy of andrewcparnell (Flickr)
23
Content type
Page
File
www.theotherpress.ca
SPORTS.
Keeping Trim
Womens volleyball
captain selected
yra Iannone, women’s
volleyball coach, was
determined to wait until the
very last minute before choosing
her captain, citing that she was,
“just waiting to see who steps
up.” Three short days later,
Coach Iannone announced her
selection: the team’s libero,
Tori Trim. Her teammates took
pride in the announcement
with respectful applause.
“My captain demonstrates
all the qualities that Douglas
College wants to see in the
culture. She may not be on
the floor all the time, but she
still shows her passion and
commitment to the team every
way that she can. She always
leads by example,” said leftside
player and one of the team’s first
year players, Madison Burt.
With the team being very
young, Trim was excited to
accept the role as she is very
aware of what is needed to
lead a team successfully.
Growing up in Surrey,
Trim originally had plans
to play stateside after her
final year at Clayton Heights
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
(a)
Photo Kyra lannone (centre) celebrating a gold medal victory at the Canada Games | Photo courtesy of www.douglife.ca
Secondary. Shortly after she
met Coach Iannone, however,
her plans quickly changed: “]
was playing in club provincials
and Kyra had noticed me. Her
vision of the team and what
she planned on doing for the
Douglas program really spoke
to me. I ended up staying
pretty much because of her.”
Looking at her coach’s
résumé, it’s not hard to under-
stand why. Iannone has been
recognized for her outstanding
coaching background, and
she has been successful at
both national and interna-
tional levels of volleyball.
An important aspect of
becoming a captain is prepa-
ration and time management.
How does an individual
manage their own personal
responsibilities as well as the
team’s? With this in mind, Trim
has created techniques that hone
her focus, preparedness, and
enthusiasm in order to maintain
a strong mindset. Visualization
plays a huge role in Trim’s day-
to-day growth on the court.
“Visualization is picturing
going through things in my
head. Anything from the
gym, light stands movements,
passing, digging, and serving. It
really allows me to get my head
in the game,” Trim explains.
Trim has made it her goal to
remain true, dedicated, and to
demonstrate the characteristics
of an exceptional role model to
her teammates. Along with this
desire, she is aware that the pro-
cess of developing a great team
will take time. It is her hope that
this year will be a huge stepping
stone to a successful program.
With a fresh young team,
the task will be difficult, but
the Royals are up for the
challenge—as long as a little
visualization is involved, that is!
The world’s greatest
(ould LeBron James
beat Michael Jordan
in his prime?
Courtnie
Martin
Sports Reporter
t
ix-time NBA champion,
five-time MVP, 10-time
AII-NBA First Team, nine-time
All-Defensive First Team,
Rookie of the Year, 14-time
All-Star, three-time All-Star
MVP, and two Olympic gold
medals. Averages of 30.1 points,
2.35 steals, 5.3 assists, and 6.2
rebounds per game. A career 37
per cent 3-point shooter, 49.7 per
cent from the field, and 83.5 per
cent from the free-throw line.
A player like this is unheard
of. While there are many
players who are well-known for
their amazing abilities on the
court—such as Kobe Bryant,
Magic Johnson, Larry Bird,
Bill Russell, Reggie Miller, and
Carmelo Anthony—none can
hold a candle to Michael Jordan.
Jordan is the world’s most
praised professional basketball
player of all time. Known for
his ambitious drive to the hoop
LeBron James, who has
won league MVP four times and
picked up two championship
rings, has made it very clear
that his goal is to become
better than MJ. During an
ESPN interview, James said, “I
don’t really think about it too
much and say, ‘Okay, I want
watch MJ tapes to this day.”
While James remained
humble during his interview,
Jordan took a less modest
approach on James being able
to beat MJ in his prime.
Averaging 26.8 points,
7.3 assists, 8.0 rebounds,
and 1.7 steals per game this
Averaging 26.8 points, 7.3 assists, 8.0 rebounds, and 1.7 steals per game this
season, James stats at least comes close on paper, but could he actually beat
MJ in his prime?
and his forceful slam dunks
with his tongue out, everyone
wants a shot playing the world’s
greatest. Only two players
could potentially beat him in
his prime: one is Kobe Bryant.
The other has been slammed all
over social media for his hope
of one day possessing the ability
to beat Jordan one-on-one.
to catch MJ.’ I’m saying I want
to be the greatest, and I think
I have an opportunity to do
it just because of my skill set
and because I feel like I’ve got
a lot of room to improve. But
I definitely look at MJ as the
greatest. Without MJ, there’s no
me. He gave me hope. He gave
me inspiration as a kid. I still
season, James’ stats at least
come close on paper, but
could he actually beat MJ in
his prime? If you ask Bryant,
having played against James,
he would say no. Similarly,
random outside bloggers
believe the task is impossible.
If you ask millions of
“King James” fans, though, you
would hear the exact opposite.
In terms of body composition,
James has the upper hand.
Weighing approximately 50
pounds more, standing two
inches taller, and arguably
possessing the same court
speed, one could believe James
would accomplish his goal.
Jordan recently commented
that the current, more lax era
of basketball means that “these
kids don’t even have a clue”
about how physical the game
was in Jordan’s era. They
likely would have struggled
to be as successful in MJ's era
as they are now, as a result.
Jordan also commented
that he would pick Bryant
over James: “I don’t think
I would lose... Other than
to Kobe because he steals
all of my moves.”
The world’s great-
est has spoken.
19
SPORTS.
Keeping Trim
Womens volleyball
captain selected
yra Iannone, women’s
volleyball coach, was
determined to wait until the
very last minute before choosing
her captain, citing that she was,
“just waiting to see who steps
up.” Three short days later,
Coach Iannone announced her
selection: the team’s libero,
Tori Trim. Her teammates took
pride in the announcement
with respectful applause.
“My captain demonstrates
all the qualities that Douglas
College wants to see in the
culture. She may not be on
the floor all the time, but she
still shows her passion and
commitment to the team every
way that she can. She always
leads by example,” said leftside
player and one of the team’s first
year players, Madison Burt.
With the team being very
young, Trim was excited to
accept the role as she is very
aware of what is needed to
lead a team successfully.
Growing up in Surrey,
Trim originally had plans
to play stateside after her
final year at Clayton Heights
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
(a)
Photo Kyra lannone (centre) celebrating a gold medal victory at the Canada Games | Photo courtesy of www.douglife.ca
Secondary. Shortly after she
met Coach Iannone, however,
her plans quickly changed: “]
was playing in club provincials
and Kyra had noticed me. Her
vision of the team and what
she planned on doing for the
Douglas program really spoke
to me. I ended up staying
pretty much because of her.”
Looking at her coach’s
résumé, it’s not hard to under-
stand why. Iannone has been
recognized for her outstanding
coaching background, and
she has been successful at
both national and interna-
tional levels of volleyball.
An important aspect of
becoming a captain is prepa-
ration and time management.
How does an individual
manage their own personal
responsibilities as well as the
team’s? With this in mind, Trim
has created techniques that hone
her focus, preparedness, and
enthusiasm in order to maintain
a strong mindset. Visualization
plays a huge role in Trim’s day-
to-day growth on the court.
“Visualization is picturing
going through things in my
head. Anything from the
gym, light stands movements,
passing, digging, and serving. It
really allows me to get my head
in the game,” Trim explains.
Trim has made it her goal to
remain true, dedicated, and to
demonstrate the characteristics
of an exceptional role model to
her teammates. Along with this
desire, she is aware that the pro-
cess of developing a great team
will take time. It is her hope that
this year will be a huge stepping
stone to a successful program.
With a fresh young team,
the task will be difficult, but
the Royals are up for the
challenge—as long as a little
visualization is involved, that is!
The world’s greatest
(ould LeBron James
beat Michael Jordan
in his prime?
Courtnie
Martin
Sports Reporter
t
ix-time NBA champion,
five-time MVP, 10-time
AII-NBA First Team, nine-time
All-Defensive First Team,
Rookie of the Year, 14-time
All-Star, three-time All-Star
MVP, and two Olympic gold
medals. Averages of 30.1 points,
2.35 steals, 5.3 assists, and 6.2
rebounds per game. A career 37
per cent 3-point shooter, 49.7 per
cent from the field, and 83.5 per
cent from the free-throw line.
A player like this is unheard
of. While there are many
players who are well-known for
their amazing abilities on the
court—such as Kobe Bryant,
Magic Johnson, Larry Bird,
Bill Russell, Reggie Miller, and
Carmelo Anthony—none can
hold a candle to Michael Jordan.
Jordan is the world’s most
praised professional basketball
player of all time. Known for
his ambitious drive to the hoop
LeBron James, who has
won league MVP four times and
picked up two championship
rings, has made it very clear
that his goal is to become
better than MJ. During an
ESPN interview, James said, “I
don’t really think about it too
much and say, ‘Okay, I want
watch MJ tapes to this day.”
While James remained
humble during his interview,
Jordan took a less modest
approach on James being able
to beat MJ in his prime.
Averaging 26.8 points,
7.3 assists, 8.0 rebounds,
and 1.7 steals per game this
Averaging 26.8 points, 7.3 assists, 8.0 rebounds, and 1.7 steals per game this
season, James stats at least comes close on paper, but could he actually beat
MJ in his prime?
and his forceful slam dunks
with his tongue out, everyone
wants a shot playing the world’s
greatest. Only two players
could potentially beat him in
his prime: one is Kobe Bryant.
The other has been slammed all
over social media for his hope
of one day possessing the ability
to beat Jordan one-on-one.
to catch MJ.’ I’m saying I want
to be the greatest, and I think
I have an opportunity to do
it just because of my skill set
and because I feel like I’ve got
a lot of room to improve. But
I definitely look at MJ as the
greatest. Without MJ, there’s no
me. He gave me hope. He gave
me inspiration as a kid. I still
season, James’ stats at least
come close on paper, but
could he actually beat MJ in
his prime? If you ask Bryant,
having played against James,
he would say no. Similarly,
random outside bloggers
believe the task is impossible.
If you ask millions of
“King James” fans, though, you
would hear the exact opposite.
In terms of body composition,
James has the upper hand.
Weighing approximately 50
pounds more, standing two
inches taller, and arguably
possessing the same court
speed, one could believe James
would accomplish his goal.
Jordan recently commented
that the current, more lax era
of basketball means that “these
kids don’t even have a clue”
about how physical the game
was in Jordan’s era. They
likely would have struggled
to be as successful in MJ's era
as they are now, as a result.
Jordan also commented
that he would pick Bryant
over James: “I don’t think
I would lose... Other than
to Kobe because he steals
all of my moves.”
The world’s great-
est has spoken.
19
Edited Text
www.theotherpress.ca
SPORTS.
Keeping Trim
Womens volleyball
captain selected
yra Iannone, women’s
volleyball coach, was
determined to wait until the
very last minute before choosing
her captain, citing that she was,
“just waiting to see who steps
up.” Three short days later,
Coach Iannone announced her
selection: the team’s libero,
Tori Trim. Her teammates took
pride in the announcement
with respectful applause.
“My captain demonstrates
all the qualities that Douglas
College wants to see in the
culture. She may not be on
the floor all the time, but she
still shows her passion and
commitment to the team every
way that she can. She always
leads by example,” said leftside
player and one of the team’s first
year players, Madison Burt.
With the team being very
young, Trim was excited to
accept the role as she is very
aware of what is needed to
lead a team successfully.
Growing up in Surrey,
Trim originally had plans
to play stateside after her
final year at Clayton Heights
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
(a)
Photo Kyra lannone (centre) celebrating a gold medal victory at the Canada Games | Photo courtesy of www.douglife.ca
Secondary. Shortly after she
met Coach Iannone, however,
her plans quickly changed: “]
was playing in club provincials
and Kyra had noticed me. Her
vision of the team and what
she planned on doing for the
Douglas program really spoke
to me. I ended up staying
pretty much because of her.”
Looking at her coach’s
résumé, it’s not hard to under-
stand why. Iannone has been
recognized for her outstanding
coaching background, and
she has been successful at
both national and interna-
tional levels of volleyball.
An important aspect of
becoming a captain is prepa-
ration and time management.
How does an individual
manage their own personal
responsibilities as well as the
team’s? With this in mind, Trim
has created techniques that hone
her focus, preparedness, and
enthusiasm in order to maintain
a strong mindset. Visualization
plays a huge role in Trim’s day-
to-day growth on the court.
“Visualization is picturing
going through things in my
head. Anything from the
gym, light stands movements,
passing, digging, and serving. It
really allows me to get my head
in the game,” Trim explains.
Trim has made it her goal to
remain true, dedicated, and to
demonstrate the characteristics
of an exceptional role model to
her teammates. Along with this
desire, she is aware that the pro-
cess of developing a great team
will take time. It is her hope that
this year will be a huge stepping
stone to a successful program.
With a fresh young team,
the task will be difficult, but
the Royals are up for the
challenge—as long as a little
visualization is involved, that is!
The world’s greatest
(ould LeBron James
beat Michael Jordan
in his prime?
Courtnie
Martin
Sports Reporter
t
ix-time NBA champion,
five-time MVP, 10-time
AII-NBA First Team, nine-time
All-Defensive First Team,
Rookie of the Year, 14-time
All-Star, three-time All-Star
MVP, and two Olympic gold
medals. Averages of 30.1 points,
2.35 steals, 5.3 assists, and 6.2
rebounds per game. A career 37
per cent 3-point shooter, 49.7 per
cent from the field, and 83.5 per
cent from the free-throw line.
A player like this is unheard
of. While there are many
players who are well-known for
their amazing abilities on the
court—such as Kobe Bryant,
Magic Johnson, Larry Bird,
Bill Russell, Reggie Miller, and
Carmelo Anthony—none can
hold a candle to Michael Jordan.
Jordan is the world’s most
praised professional basketball
player of all time. Known for
his ambitious drive to the hoop
LeBron James, who has
won league MVP four times and
picked up two championship
rings, has made it very clear
that his goal is to become
better than MJ. During an
ESPN interview, James said, “I
don’t really think about it too
much and say, ‘Okay, I want
watch MJ tapes to this day.”
While James remained
humble during his interview,
Jordan took a less modest
approach on James being able
to beat MJ in his prime.
Averaging 26.8 points,
7.3 assists, 8.0 rebounds,
and 1.7 steals per game this
Averaging 26.8 points, 7.3 assists, 8.0 rebounds, and 1.7 steals per game this
season, James stats at least comes close on paper, but could he actually beat
MJ in his prime?
and his forceful slam dunks
with his tongue out, everyone
wants a shot playing the world’s
greatest. Only two players
could potentially beat him in
his prime: one is Kobe Bryant.
The other has been slammed all
over social media for his hope
of one day possessing the ability
to beat Jordan one-on-one.
to catch MJ.’ I’m saying I want
to be the greatest, and I think
I have an opportunity to do
it just because of my skill set
and because I feel like I’ve got
a lot of room to improve. But
I definitely look at MJ as the
greatest. Without MJ, there’s no
me. He gave me hope. He gave
me inspiration as a kid. I still
season, James’ stats at least
come close on paper, but
could he actually beat MJ in
his prime? If you ask Bryant,
having played against James,
he would say no. Similarly,
random outside bloggers
believe the task is impossible.
If you ask millions of
“King James” fans, though, you
would hear the exact opposite.
In terms of body composition,
James has the upper hand.
Weighing approximately 50
pounds more, standing two
inches taller, and arguably
possessing the same court
speed, one could believe James
would accomplish his goal.
Jordan recently commented
that the current, more lax era
of basketball means that “these
kids don’t even have a clue”
about how physical the game
was in Jordan’s era. They
likely would have struggled
to be as successful in MJ's era
as they are now, as a result.
Jordan also commented
that he would pick Bryant
over James: “I don’t think
I would lose... Other than
to Kobe because he steals
all of my moves.”
The world’s great-
est has spoken.
19
SPORTS.
Keeping Trim
Womens volleyball
captain selected
yra Iannone, women’s
volleyball coach, was
determined to wait until the
very last minute before choosing
her captain, citing that she was,
“just waiting to see who steps
up.” Three short days later,
Coach Iannone announced her
selection: the team’s libero,
Tori Trim. Her teammates took
pride in the announcement
with respectful applause.
“My captain demonstrates
all the qualities that Douglas
College wants to see in the
culture. She may not be on
the floor all the time, but she
still shows her passion and
commitment to the team every
way that she can. She always
leads by example,” said leftside
player and one of the team’s first
year players, Madison Burt.
With the team being very
young, Trim was excited to
accept the role as she is very
aware of what is needed to
lead a team successfully.
Growing up in Surrey,
Trim originally had plans
to play stateside after her
final year at Clayton Heights
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
(a)
Photo Kyra lannone (centre) celebrating a gold medal victory at the Canada Games | Photo courtesy of www.douglife.ca
Secondary. Shortly after she
met Coach Iannone, however,
her plans quickly changed: “]
was playing in club provincials
and Kyra had noticed me. Her
vision of the team and what
she planned on doing for the
Douglas program really spoke
to me. I ended up staying
pretty much because of her.”
Looking at her coach’s
résumé, it’s not hard to under-
stand why. Iannone has been
recognized for her outstanding
coaching background, and
she has been successful at
both national and interna-
tional levels of volleyball.
An important aspect of
becoming a captain is prepa-
ration and time management.
How does an individual
manage their own personal
responsibilities as well as the
team’s? With this in mind, Trim
has created techniques that hone
her focus, preparedness, and
enthusiasm in order to maintain
a strong mindset. Visualization
plays a huge role in Trim’s day-
to-day growth on the court.
“Visualization is picturing
going through things in my
head. Anything from the
gym, light stands movements,
passing, digging, and serving. It
really allows me to get my head
in the game,” Trim explains.
Trim has made it her goal to
remain true, dedicated, and to
demonstrate the characteristics
of an exceptional role model to
her teammates. Along with this
desire, she is aware that the pro-
cess of developing a great team
will take time. It is her hope that
this year will be a huge stepping
stone to a successful program.
With a fresh young team,
the task will be difficult, but
the Royals are up for the
challenge—as long as a little
visualization is involved, that is!
The world’s greatest
(ould LeBron James
beat Michael Jordan
in his prime?
Courtnie
Martin
Sports Reporter
t
ix-time NBA champion,
five-time MVP, 10-time
AII-NBA First Team, nine-time
All-Defensive First Team,
Rookie of the Year, 14-time
All-Star, three-time All-Star
MVP, and two Olympic gold
medals. Averages of 30.1 points,
2.35 steals, 5.3 assists, and 6.2
rebounds per game. A career 37
per cent 3-point shooter, 49.7 per
cent from the field, and 83.5 per
cent from the free-throw line.
A player like this is unheard
of. While there are many
players who are well-known for
their amazing abilities on the
court—such as Kobe Bryant,
Magic Johnson, Larry Bird,
Bill Russell, Reggie Miller, and
Carmelo Anthony—none can
hold a candle to Michael Jordan.
Jordan is the world’s most
praised professional basketball
player of all time. Known for
his ambitious drive to the hoop
LeBron James, who has
won league MVP four times and
picked up two championship
rings, has made it very clear
that his goal is to become
better than MJ. During an
ESPN interview, James said, “I
don’t really think about it too
much and say, ‘Okay, I want
watch MJ tapes to this day.”
While James remained
humble during his interview,
Jordan took a less modest
approach on James being able
to beat MJ in his prime.
Averaging 26.8 points,
7.3 assists, 8.0 rebounds,
and 1.7 steals per game this
Averaging 26.8 points, 7.3 assists, 8.0 rebounds, and 1.7 steals per game this
season, James stats at least comes close on paper, but could he actually beat
MJ in his prime?
and his forceful slam dunks
with his tongue out, everyone
wants a shot playing the world’s
greatest. Only two players
could potentially beat him in
his prime: one is Kobe Bryant.
The other has been slammed all
over social media for his hope
of one day possessing the ability
to beat Jordan one-on-one.
to catch MJ.’ I’m saying I want
to be the greatest, and I think
I have an opportunity to do
it just because of my skill set
and because I feel like I’ve got
a lot of room to improve. But
I definitely look at MJ as the
greatest. Without MJ, there’s no
me. He gave me hope. He gave
me inspiration as a kid. I still
season, James’ stats at least
come close on paper, but
could he actually beat MJ in
his prime? If you ask Bryant,
having played against James,
he would say no. Similarly,
random outside bloggers
believe the task is impossible.
If you ask millions of
“King James” fans, though, you
would hear the exact opposite.
In terms of body composition,
James has the upper hand.
Weighing approximately 50
pounds more, standing two
inches taller, and arguably
possessing the same court
speed, one could believe James
would accomplish his goal.
Jordan recently commented
that the current, more lax era
of basketball means that “these
kids don’t even have a clue”
about how physical the game
was in Jordan’s era. They
likely would have struggled
to be as successful in MJ's era
as they are now, as a result.
Jordan also commented
that he would pick Bryant
over James: “I don’t think
I would lose... Other than
to Kobe because he steals
all of my moves.”
The world’s great-
est has spoken.
19
Content type
Page
File
www.theotherpress.ca
HUMOUR.
Quitting cold turkey
Adalicts crave
Thanksgiving leftovers
Cazz
= Lewchuk
Staff Writer
be of local citizens
are being admitted into
a rehabilitation clinic after
overdosing on the latest
addictive substance to sweep
the nation: Thanksgiving
leftovers. While primarily
a seasonal abuse, reports of
leftovers addiction can come at
any time of the year. However,
with Thanksgiving, special
attention must be given due to
the extremely pleasant sensation
one gets when indulging in such
pleasures.
“1 ate nothing but leftovers
right out of the fridge for a
week!” said Mandy Guthrie, a
local housewife and recovering
addict. “It’s just so much
effort to cook after making
that enormous meal and I was
already so tired... The carbs
gave me a burst of energy, but
the turkey knocked me out for
days afterwards.”
Guthrie is currently being
treated at the Rockefeller Diet
Addictions Centre by renowned
Paleo dietician Dr. Glenn
Rockefeller.
Dr. Rockefeller explained
to the Other Press the appeal
of Thanksgiving leftovers
addiction: “Although holidays
always present a risk for
consumption, Thanksgiving is
especially dangerous. The entire
point of this holiday is to eat—
seriously, I have no idea why
we celebrate it in Canada. It’s a
month early and it’s all cold and
we have nothing to do but eat.
I’m telling you, Paleo is the only
way to go. I’ve gained so much
muscle... Oh yes, where was I?
Right. In this feast celebration,
sweet and succulent foods
make their way to the palate.
Potential eaters have already
been cooking all day, drinking
alcoholic beverages, spending
time with family members,
smoking lots and lots of
marijuana... All these activities,
while quite harmless, make you
extra susceptible to hunger. One
full meal is enough to cause a
two-hour nap, and leftovers
pose even more of a threat due
to their availability. Sure, you
might think that if you don’t eat
them someone else will, or that
one piece of pumpkin pie isn’t
enough to cause an addiction,
but you’d be wrong.”
All patients suffering from
leftovers withdrawal are on
a strict Paleo diet. No more
poultry, potatoes, stuffing, or
pumpkin pie.
The strict preventative
diet seems to be hurting some
more than others. Although all
patients have been experiencing
the usual symptoms of losing
weight while gaining more
energy, developing healthier
Photo illustration by Joel McCarthy
eating habits, and having more
free time, not everyone is as
cheerful as Guthrie now is.
Joe Schmidt gave this for
comment after being pressed:
“1... don’t know why I’m here.
Is this a real clinic? Is he even a
real doctor? What newspaper
are you from again? I’m not a
drug addict! I just ate leftovers
for two days because there
was nothing else in the house!
I spent my food money on an
ounce of weed! I’m being held
here against my will.”
It appears leftovers detox
seems to be working steadily for
everyone involved. Scientists
predict future chronic addictions
may include Halloween candy
and Christmas cake.
21
HUMOUR.
Quitting cold turkey
Adalicts crave
Thanksgiving leftovers
Cazz
= Lewchuk
Staff Writer
be of local citizens
are being admitted into
a rehabilitation clinic after
overdosing on the latest
addictive substance to sweep
the nation: Thanksgiving
leftovers. While primarily
a seasonal abuse, reports of
leftovers addiction can come at
any time of the year. However,
with Thanksgiving, special
attention must be given due to
the extremely pleasant sensation
one gets when indulging in such
pleasures.
“1 ate nothing but leftovers
right out of the fridge for a
week!” said Mandy Guthrie, a
local housewife and recovering
addict. “It’s just so much
effort to cook after making
that enormous meal and I was
already so tired... The carbs
gave me a burst of energy, but
the turkey knocked me out for
days afterwards.”
Guthrie is currently being
treated at the Rockefeller Diet
Addictions Centre by renowned
Paleo dietician Dr. Glenn
Rockefeller.
Dr. Rockefeller explained
to the Other Press the appeal
of Thanksgiving leftovers
addiction: “Although holidays
always present a risk for
consumption, Thanksgiving is
especially dangerous. The entire
point of this holiday is to eat—
seriously, I have no idea why
we celebrate it in Canada. It’s a
month early and it’s all cold and
we have nothing to do but eat.
I’m telling you, Paleo is the only
way to go. I’ve gained so much
muscle... Oh yes, where was I?
Right. In this feast celebration,
sweet and succulent foods
make their way to the palate.
Potential eaters have already
been cooking all day, drinking
alcoholic beverages, spending
time with family members,
smoking lots and lots of
marijuana... All these activities,
while quite harmless, make you
extra susceptible to hunger. One
full meal is enough to cause a
two-hour nap, and leftovers
pose even more of a threat due
to their availability. Sure, you
might think that if you don’t eat
them someone else will, or that
one piece of pumpkin pie isn’t
enough to cause an addiction,
but you’d be wrong.”
All patients suffering from
leftovers withdrawal are on
a strict Paleo diet. No more
poultry, potatoes, stuffing, or
pumpkin pie.
The strict preventative
diet seems to be hurting some
more than others. Although all
patients have been experiencing
the usual symptoms of losing
weight while gaining more
energy, developing healthier
Photo illustration by Joel McCarthy
eating habits, and having more
free time, not everyone is as
cheerful as Guthrie now is.
Joe Schmidt gave this for
comment after being pressed:
“1... don’t know why I’m here.
Is this a real clinic? Is he even a
real doctor? What newspaper
are you from again? I’m not a
drug addict! I just ate leftovers
for two days because there
was nothing else in the house!
I spent my food money on an
ounce of weed! I’m being held
here against my will.”
It appears leftovers detox
seems to be working steadily for
everyone involved. Scientists
predict future chronic addictions
may include Halloween candy
and Christmas cake.
21
Edited Text
www.theotherpress.ca
HUMOUR.
Quitting cold turkey
Adalicts crave
Thanksgiving leftovers
Cazz
= Lewchuk
Staff Writer
be of local citizens
are being admitted into
a rehabilitation clinic after
overdosing on the latest
addictive substance to sweep
the nation: Thanksgiving
leftovers. While primarily
a seasonal abuse, reports of
leftovers addiction can come at
any time of the year. However,
with Thanksgiving, special
attention must be given due to
the extremely pleasant sensation
one gets when indulging in such
pleasures.
“1 ate nothing but leftovers
right out of the fridge for a
week!” said Mandy Guthrie, a
local housewife and recovering
addict. “It’s just so much
effort to cook after making
that enormous meal and I was
already so tired... The carbs
gave me a burst of energy, but
the turkey knocked me out for
days afterwards.”
Guthrie is currently being
treated at the Rockefeller Diet
Addictions Centre by renowned
Paleo dietician Dr. Glenn
Rockefeller.
Dr. Rockefeller explained
to the Other Press the appeal
of Thanksgiving leftovers
addiction: “Although holidays
always present a risk for
consumption, Thanksgiving is
especially dangerous. The entire
point of this holiday is to eat—
seriously, I have no idea why
we celebrate it in Canada. It’s a
month early and it’s all cold and
we have nothing to do but eat.
I’m telling you, Paleo is the only
way to go. I’ve gained so much
muscle... Oh yes, where was I?
Right. In this feast celebration,
sweet and succulent foods
make their way to the palate.
Potential eaters have already
been cooking all day, drinking
alcoholic beverages, spending
time with family members,
smoking lots and lots of
marijuana... All these activities,
while quite harmless, make you
extra susceptible to hunger. One
full meal is enough to cause a
two-hour nap, and leftovers
pose even more of a threat due
to their availability. Sure, you
might think that if you don’t eat
them someone else will, or that
one piece of pumpkin pie isn’t
enough to cause an addiction,
but you’d be wrong.”
All patients suffering from
leftovers withdrawal are on
a strict Paleo diet. No more
poultry, potatoes, stuffing, or
pumpkin pie.
The strict preventative
diet seems to be hurting some
more than others. Although all
patients have been experiencing
the usual symptoms of losing
weight while gaining more
energy, developing healthier
Photo illustration by Joel McCarthy
eating habits, and having more
free time, not everyone is as
cheerful as Guthrie now is.
Joe Schmidt gave this for
comment after being pressed:
“1... don’t know why I’m here.
Is this a real clinic? Is he even a
real doctor? What newspaper
are you from again? I’m not a
drug addict! I just ate leftovers
for two days because there
was nothing else in the house!
I spent my food money on an
ounce of weed! I’m being held
here against my will.”
It appears leftovers detox
seems to be working steadily for
everyone involved. Scientists
predict future chronic addictions
may include Halloween candy
and Christmas cake.
21
HUMOUR.
Quitting cold turkey
Adalicts crave
Thanksgiving leftovers
Cazz
= Lewchuk
Staff Writer
be of local citizens
are being admitted into
a rehabilitation clinic after
overdosing on the latest
addictive substance to sweep
the nation: Thanksgiving
leftovers. While primarily
a seasonal abuse, reports of
leftovers addiction can come at
any time of the year. However,
with Thanksgiving, special
attention must be given due to
the extremely pleasant sensation
one gets when indulging in such
pleasures.
“1 ate nothing but leftovers
right out of the fridge for a
week!” said Mandy Guthrie, a
local housewife and recovering
addict. “It’s just so much
effort to cook after making
that enormous meal and I was
already so tired... The carbs
gave me a burst of energy, but
the turkey knocked me out for
days afterwards.”
Guthrie is currently being
treated at the Rockefeller Diet
Addictions Centre by renowned
Paleo dietician Dr. Glenn
Rockefeller.
Dr. Rockefeller explained
to the Other Press the appeal
of Thanksgiving leftovers
addiction: “Although holidays
always present a risk for
consumption, Thanksgiving is
especially dangerous. The entire
point of this holiday is to eat—
seriously, I have no idea why
we celebrate it in Canada. It’s a
month early and it’s all cold and
we have nothing to do but eat.
I’m telling you, Paleo is the only
way to go. I’ve gained so much
muscle... Oh yes, where was I?
Right. In this feast celebration,
sweet and succulent foods
make their way to the palate.
Potential eaters have already
been cooking all day, drinking
alcoholic beverages, spending
time with family members,
smoking lots and lots of
marijuana... All these activities,
while quite harmless, make you
extra susceptible to hunger. One
full meal is enough to cause a
two-hour nap, and leftovers
pose even more of a threat due
to their availability. Sure, you
might think that if you don’t eat
them someone else will, or that
one piece of pumpkin pie isn’t
enough to cause an addiction,
but you’d be wrong.”
All patients suffering from
leftovers withdrawal are on
a strict Paleo diet. No more
poultry, potatoes, stuffing, or
pumpkin pie.
The strict preventative
diet seems to be hurting some
more than others. Although all
patients have been experiencing
the usual symptoms of losing
weight while gaining more
energy, developing healthier
Photo illustration by Joel McCarthy
eating habits, and having more
free time, not everyone is as
cheerful as Guthrie now is.
Joe Schmidt gave this for
comment after being pressed:
“1... don’t know why I’m here.
Is this a real clinic? Is he even a
real doctor? What newspaper
are you from again? I’m not a
drug addict! I just ate leftovers
for two days because there
was nothing else in the house!
I spent my food money on an
ounce of weed! I’m being held
here against my will.”
It appears leftovers detox
seems to be working steadily for
everyone involved. Scientists
predict future chronic addictions
may include Halloween candy
and Christmas cake.
21
Content type
Page
File
Chance May Crown Me
A mighty costume collaboration for Douglas College's ‘A Macbeth
By Julia Siedlanowska, Staff
Writer
ohn Steinbeck once said
that “there are no good
collaborations,” stating
that “Nothing was ever
created by two men.” Well,
thank goodness for women!
Although Steinbeck meant
that the individual must first
conceptualize the idea before
a group may collaborate on
it, it seems director Thrasso
Petras and costume designer
Trena Hollands have found
a way to meld minds on
design matters. Having
recently created the designs
for Douglas College Theatre
Department’s upcoming
production of A Macbeth, I
thought it would be a good
time to sit down with the two
to examine the origins of this
semester’s costumes.
I first noticed the duo’s
chemistry after a production
of Twelfth Night at Douglas
College: during a talk-back
after the show, the designer
was asked a question about
the costumes, and a copy
of Vogue was subsequently
pulled out by the director
and gushed over.
“Tt was the first show we
worked on together,” recalls
Petras. “Although it seemed
like we’d known each other
for a long time before that.”
I noticed in the director
a certain interest in costume
design that I saw as
uncommon.
“Tm not designing,”
admits Petras. “And I’m not
going to turn up the hem of
a costume and go ‘What's
going on here?’ I can’t sew to
save my life, but I know what
I'm looking at in a different
way... sometimes, especially
opening night will happen,
or the dress rehearsal will
happen and then all of a
sudden there’s the set and
the lights and, you know—
hopefully people will know
what they’re doing—and
then all of a sudden it’s
just like there’s the picture.
Right? The picture just fills
in and you're like ‘Oh!’ I
don’t know... You see the
costumes again for the first
time. And then they’re inside
the context and they become
even more beautiful. It’s
because I know what went
into it, so when I’m looking, I
just look in a different way.”
With the obvious
excitement these two
displayed, I knew this
partnership was more than
ordinary.
“] think that when you’re
working that way with
someone, you have to get
along in a certain way. It’s
like a relationship,” laughs
Petras.
“And I think that we
never laugh at each other’s
ideas,” says Hollands. “Well,
except for sometimes... once
in a while that happens. But
neither one of us ever go
‘That’s crazy, what are you
thinking?’ It’s like there is
nothing too crazy to say.”
“Yeah. Yeah. Yeah, yeah,
yeah, yeah,” Petras chimes in.
“And I think that that’s
really helpful because
while that may have been a
ctazy idea, more will come
from that crazy idea,” adds
Hollands.
The crazy idea that
inspired the designs
for Charles Marowitz’s
A Macbeth was hard to
pinpoint. After a long pause,
glancing at Hollands, Petras
announces “Casati.”
“Oh right! Yes,” exclaims
Hollands. “Sort of. In such
a very, very roundabout
way. Luisa Casati. That one
portrait with the red hair—
that one.”
On the first day of
rehearsals for A Macbeth,
the Douglas College theatre
students were presented with
a picture of Luisa Casati.
The eccentric Italian heiress
was notorious in early 20th
century Europe as a female
“dandy.” A millionaire,
she was reported to have
indulged in such opulence—
like keeping a leopard ona
diamond leash—as to have
been $25-million in debt by
1930. In her final days, she
fled to London, where she
was rumoured to be seen
rummaging in garbage bins
searching for feathers to
decorate her hair. The red
hair in Hollands’ sketch of
Lady Macbeth is inspired by
Casati.
“And the surrealist
idea,” adds Hollands.
“That was kind of like
just the little touchstone,”
says Petras. “The men were
really, really hard for this
show.”
“Yeah. Because it was
all about the kilts,” says
Hollands. “Well we don’t
want kilts but...”
“We want kilts!” the two
say in unison.
This is how the idea of
blown-up or almost “zoomed
in” patterns came about in
the costumes. “How do we
do a kilt without doing a kilt.
You know what I mean?”
asks Hollands. “Although
you wouldn’t necessarily
look at these clothes and
think ‘That's very surrealist,’
but, you know, you're taking
what is and turning it into
something more abstract.”
“Yeah and it doesn’t
take much to just make a
small shift in something very
obvious and traditional,”
adds Petras. “I had just
seen a version of Macbeth in
Edmonton where everyone
was dressed very formally.
They were dressed for a very
formal Scottish wedding.
And everybody was kind
of sexy, and they all had
bow ties and the whole
shebang. And I saw pictures
of Nevermore from New
York, and I was like ‘Wait
a minute!’ That’s the same
kind of aesthetic. And then
Luisa Casati is the same time
frame, kind of like ‘20s /’30s
where everyone’s all slick
and stuff. So we didn’t want
to go fully on, ‘Oh well, we'll
just go for a ‘20s/’30s kind of
aesthetic,’ but that was sort of
the touchstone.”
“And I had all these
plaid samples!” exhales
Hollands.
Although the play is set
in Scotland, it was easy for
both the director and the
designer to see that plaid was
not the direction they wanted
to go in.
“The other practical
thing is that it’s expensive
to do kilts. Really expensive.
To either build them, or find
them so that they all match,
fit properly. It’s huge!”
explains Petras.
“And who wants to
see that again?” chimes
Hollands. “Who wants to
see a million kilts on stage?
Because we haven't seen that
enough times! Not that I have
anything against kilts but...”
“But yeah! We've seen
it and if it’s going to be
anything interesting it needs
to be done really, really
meticulously. Which is going
to cost a lot of money, for
which we just don’t have the
budget,” says Petras. “This
department is producing
miracles of costume with
very little money.”
As the interview went
on, I was able to witness
more and more of the
moments of unison that have
yielded several shows worth
of creative costume designs
for Douglas College. This
next show promises to be
beautiful. As we discussed
our favourite costume “4
designs in film, our interview
ended simply:
Hollands: What was that
film? Sofia Coppola I think...
Petras: Marie Antoinette?
H: Yes! That opulence. I still
haven't seen Gatsby, which is
kind of unfortunate...
P: Oh, me neither!
H: Well it’s out on DVD so
we can have a date night.
Excellent! Who's TV is
bigger?
P: Yours. I have a laptop.
H: Fine! You’re coming to my
A mighty costume collaboration for Douglas College's ‘A Macbeth
By Julia Siedlanowska, Staff
Writer
ohn Steinbeck once said
that “there are no good
collaborations,” stating
that “Nothing was ever
created by two men.” Well,
thank goodness for women!
Although Steinbeck meant
that the individual must first
conceptualize the idea before
a group may collaborate on
it, it seems director Thrasso
Petras and costume designer
Trena Hollands have found
a way to meld minds on
design matters. Having
recently created the designs
for Douglas College Theatre
Department’s upcoming
production of A Macbeth, I
thought it would be a good
time to sit down with the two
to examine the origins of this
semester’s costumes.
I first noticed the duo’s
chemistry after a production
of Twelfth Night at Douglas
College: during a talk-back
after the show, the designer
was asked a question about
the costumes, and a copy
of Vogue was subsequently
pulled out by the director
and gushed over.
“Tt was the first show we
worked on together,” recalls
Petras. “Although it seemed
like we’d known each other
for a long time before that.”
I noticed in the director
a certain interest in costume
design that I saw as
uncommon.
“Tm not designing,”
admits Petras. “And I’m not
going to turn up the hem of
a costume and go ‘What's
going on here?’ I can’t sew to
save my life, but I know what
I'm looking at in a different
way... sometimes, especially
opening night will happen,
or the dress rehearsal will
happen and then all of a
sudden there’s the set and
the lights and, you know—
hopefully people will know
what they’re doing—and
then all of a sudden it’s
just like there’s the picture.
Right? The picture just fills
in and you're like ‘Oh!’ I
don’t know... You see the
costumes again for the first
time. And then they’re inside
the context and they become
even more beautiful. It’s
because I know what went
into it, so when I’m looking, I
just look in a different way.”
With the obvious
excitement these two
displayed, I knew this
partnership was more than
ordinary.
“] think that when you’re
working that way with
someone, you have to get
along in a certain way. It’s
like a relationship,” laughs
Petras.
“And I think that we
never laugh at each other’s
ideas,” says Hollands. “Well,
except for sometimes... once
in a while that happens. But
neither one of us ever go
‘That’s crazy, what are you
thinking?’ It’s like there is
nothing too crazy to say.”
“Yeah. Yeah. Yeah, yeah,
yeah, yeah,” Petras chimes in.
“And I think that that’s
really helpful because
while that may have been a
ctazy idea, more will come
from that crazy idea,” adds
Hollands.
The crazy idea that
inspired the designs
for Charles Marowitz’s
A Macbeth was hard to
pinpoint. After a long pause,
glancing at Hollands, Petras
announces “Casati.”
“Oh right! Yes,” exclaims
Hollands. “Sort of. In such
a very, very roundabout
way. Luisa Casati. That one
portrait with the red hair—
that one.”
On the first day of
rehearsals for A Macbeth,
the Douglas College theatre
students were presented with
a picture of Luisa Casati.
The eccentric Italian heiress
was notorious in early 20th
century Europe as a female
“dandy.” A millionaire,
she was reported to have
indulged in such opulence—
like keeping a leopard ona
diamond leash—as to have
been $25-million in debt by
1930. In her final days, she
fled to London, where she
was rumoured to be seen
rummaging in garbage bins
searching for feathers to
decorate her hair. The red
hair in Hollands’ sketch of
Lady Macbeth is inspired by
Casati.
“And the surrealist
idea,” adds Hollands.
“That was kind of like
just the little touchstone,”
says Petras. “The men were
really, really hard for this
show.”
“Yeah. Because it was
all about the kilts,” says
Hollands. “Well we don’t
want kilts but...”
“We want kilts!” the two
say in unison.
This is how the idea of
blown-up or almost “zoomed
in” patterns came about in
the costumes. “How do we
do a kilt without doing a kilt.
You know what I mean?”
asks Hollands. “Although
you wouldn’t necessarily
look at these clothes and
think ‘That's very surrealist,’
but, you know, you're taking
what is and turning it into
something more abstract.”
“Yeah and it doesn’t
take much to just make a
small shift in something very
obvious and traditional,”
adds Petras. “I had just
seen a version of Macbeth in
Edmonton where everyone
was dressed very formally.
They were dressed for a very
formal Scottish wedding.
And everybody was kind
of sexy, and they all had
bow ties and the whole
shebang. And I saw pictures
of Nevermore from New
York, and I was like ‘Wait
a minute!’ That’s the same
kind of aesthetic. And then
Luisa Casati is the same time
frame, kind of like ‘20s /’30s
where everyone’s all slick
and stuff. So we didn’t want
to go fully on, ‘Oh well, we'll
just go for a ‘20s/’30s kind of
aesthetic,’ but that was sort of
the touchstone.”
“And I had all these
plaid samples!” exhales
Hollands.
Although the play is set
in Scotland, it was easy for
both the director and the
designer to see that plaid was
not the direction they wanted
to go in.
“The other practical
thing is that it’s expensive
to do kilts. Really expensive.
To either build them, or find
them so that they all match,
fit properly. It’s huge!”
explains Petras.
“And who wants to
see that again?” chimes
Hollands. “Who wants to
see a million kilts on stage?
Because we haven't seen that
enough times! Not that I have
anything against kilts but...”
“But yeah! We've seen
it and if it’s going to be
anything interesting it needs
to be done really, really
meticulously. Which is going
to cost a lot of money, for
which we just don’t have the
budget,” says Petras. “This
department is producing
miracles of costume with
very little money.”
As the interview went
on, I was able to witness
more and more of the
moments of unison that have
yielded several shows worth
of creative costume designs
for Douglas College. This
next show promises to be
beautiful. As we discussed
our favourite costume “4
designs in film, our interview
ended simply:
Hollands: What was that
film? Sofia Coppola I think...
Petras: Marie Antoinette?
H: Yes! That opulence. I still
haven't seen Gatsby, which is
kind of unfortunate...
P: Oh, me neither!
H: Well it’s out on DVD so
we can have a date night.
Excellent! Who's TV is
bigger?
P: Yours. I have a laptop.
H: Fine! You’re coming to my
Edited Text
Chance May Crown Me
A mighty costume collaboration for Douglas College's ‘A Macbeth
By Julia Siedlanowska, Staff
Writer
ohn Steinbeck once said
that “there are no good
collaborations,” stating
that “Nothing was ever
created by two men.” Well,
thank goodness for women!
Although Steinbeck meant
that the individual must first
conceptualize the idea before
a group may collaborate on
it, it seems director Thrasso
Petras and costume designer
Trena Hollands have found
a way to meld minds on
design matters. Having
recently created the designs
for Douglas College Theatre
Department’s upcoming
production of A Macbeth, I
thought it would be a good
time to sit down with the two
to examine the origins of this
semester’s costumes.
I first noticed the duo’s
chemistry after a production
of Twelfth Night at Douglas
College: during a talk-back
after the show, the designer
was asked a question about
the costumes, and a copy
of Vogue was subsequently
pulled out by the director
and gushed over.
“Tt was the first show we
worked on together,” recalls
Petras. “Although it seemed
like we’d known each other
for a long time before that.”
I noticed in the director
a certain interest in costume
design that I saw as
uncommon.
“Tm not designing,”
admits Petras. “And I’m not
going to turn up the hem of
a costume and go ‘What's
going on here?’ I can’t sew to
save my life, but I know what
I'm looking at in a different
way... sometimes, especially
opening night will happen,
or the dress rehearsal will
happen and then all of a
sudden there’s the set and
the lights and, you know—
hopefully people will know
what they’re doing—and
then all of a sudden it’s
just like there’s the picture.
Right? The picture just fills
in and you're like ‘Oh!’ I
don’t know... You see the
costumes again for the first
time. And then they’re inside
the context and they become
even more beautiful. It’s
because I know what went
into it, so when I’m looking, I
just look in a different way.”
With the obvious
excitement these two
displayed, I knew this
partnership was more than
ordinary.
“] think that when you’re
working that way with
someone, you have to get
along in a certain way. It’s
like a relationship,” laughs
Petras.
“And I think that we
never laugh at each other’s
ideas,” says Hollands. “Well,
except for sometimes... once
in a while that happens. But
neither one of us ever go
‘That’s crazy, what are you
thinking?’ It’s like there is
nothing too crazy to say.”
“Yeah. Yeah. Yeah, yeah,
yeah, yeah,” Petras chimes in.
“And I think that that’s
really helpful because
while that may have been a
ctazy idea, more will come
from that crazy idea,” adds
Hollands.
The crazy idea that
inspired the designs
for Charles Marowitz’s
A Macbeth was hard to
pinpoint. After a long pause,
glancing at Hollands, Petras
announces “Casati.”
“Oh right! Yes,” exclaims
Hollands. “Sort of. In such
a very, very roundabout
way. Luisa Casati. That one
portrait with the red hair—
that one.”
On the first day of
rehearsals for A Macbeth,
the Douglas College theatre
students were presented with
a picture of Luisa Casati.
The eccentric Italian heiress
was notorious in early 20th
century Europe as a female
“dandy.” A millionaire,
she was reported to have
indulged in such opulence—
like keeping a leopard ona
diamond leash—as to have
been $25-million in debt by
1930. In her final days, she
fled to London, where she
was rumoured to be seen
rummaging in garbage bins
searching for feathers to
decorate her hair. The red
hair in Hollands’ sketch of
Lady Macbeth is inspired by
Casati.
“And the surrealist
idea,” adds Hollands.
“That was kind of like
just the little touchstone,”
says Petras. “The men were
really, really hard for this
show.”
“Yeah. Because it was
all about the kilts,” says
Hollands. “Well we don’t
want kilts but...”
“We want kilts!” the two
say in unison.
This is how the idea of
blown-up or almost “zoomed
in” patterns came about in
the costumes. “How do we
do a kilt without doing a kilt.
You know what I mean?”
asks Hollands. “Although
you wouldn’t necessarily
look at these clothes and
think ‘That's very surrealist,’
but, you know, you're taking
what is and turning it into
something more abstract.”
“Yeah and it doesn’t
take much to just make a
small shift in something very
obvious and traditional,”
adds Petras. “I had just
seen a version of Macbeth in
Edmonton where everyone
was dressed very formally.
They were dressed for a very
formal Scottish wedding.
And everybody was kind
of sexy, and they all had
bow ties and the whole
shebang. And I saw pictures
of Nevermore from New
York, and I was like ‘Wait
a minute!’ That’s the same
kind of aesthetic. And then
Luisa Casati is the same time
frame, kind of like ‘20s /’30s
where everyone’s all slick
and stuff. So we didn’t want
to go fully on, ‘Oh well, we'll
just go for a ‘20s/’30s kind of
aesthetic,’ but that was sort of
the touchstone.”
“And I had all these
plaid samples!” exhales
Hollands.
Although the play is set
in Scotland, it was easy for
both the director and the
designer to see that plaid was
not the direction they wanted
to go in.
“The other practical
thing is that it’s expensive
to do kilts. Really expensive.
To either build them, or find
them so that they all match,
fit properly. It’s huge!”
explains Petras.
“And who wants to
see that again?” chimes
Hollands. “Who wants to
see a million kilts on stage?
Because we haven't seen that
enough times! Not that I have
anything against kilts but...”
“But yeah! We've seen
it and if it’s going to be
anything interesting it needs
to be done really, really
meticulously. Which is going
to cost a lot of money, for
which we just don’t have the
budget,” says Petras. “This
department is producing
miracles of costume with
very little money.”
As the interview went
on, I was able to witness
more and more of the
moments of unison that have
yielded several shows worth
of creative costume designs
for Douglas College. This
next show promises to be
beautiful. As we discussed
our favourite costume “4
designs in film, our interview
ended simply:
Hollands: What was that
film? Sofia Coppola I think...
Petras: Marie Antoinette?
H: Yes! That opulence. I still
haven't seen Gatsby, which is
kind of unfortunate...
P: Oh, me neither!
H: Well it’s out on DVD so
we can have a date night.
Excellent! Who's TV is
bigger?
P: Yours. I have a laptop.
H: Fine! You’re coming to my
A mighty costume collaboration for Douglas College's ‘A Macbeth
By Julia Siedlanowska, Staff
Writer
ohn Steinbeck once said
that “there are no good
collaborations,” stating
that “Nothing was ever
created by two men.” Well,
thank goodness for women!
Although Steinbeck meant
that the individual must first
conceptualize the idea before
a group may collaborate on
it, it seems director Thrasso
Petras and costume designer
Trena Hollands have found
a way to meld minds on
design matters. Having
recently created the designs
for Douglas College Theatre
Department’s upcoming
production of A Macbeth, I
thought it would be a good
time to sit down with the two
to examine the origins of this
semester’s costumes.
I first noticed the duo’s
chemistry after a production
of Twelfth Night at Douglas
College: during a talk-back
after the show, the designer
was asked a question about
the costumes, and a copy
of Vogue was subsequently
pulled out by the director
and gushed over.
“Tt was the first show we
worked on together,” recalls
Petras. “Although it seemed
like we’d known each other
for a long time before that.”
I noticed in the director
a certain interest in costume
design that I saw as
uncommon.
“Tm not designing,”
admits Petras. “And I’m not
going to turn up the hem of
a costume and go ‘What's
going on here?’ I can’t sew to
save my life, but I know what
I'm looking at in a different
way... sometimes, especially
opening night will happen,
or the dress rehearsal will
happen and then all of a
sudden there’s the set and
the lights and, you know—
hopefully people will know
what they’re doing—and
then all of a sudden it’s
just like there’s the picture.
Right? The picture just fills
in and you're like ‘Oh!’ I
don’t know... You see the
costumes again for the first
time. And then they’re inside
the context and they become
even more beautiful. It’s
because I know what went
into it, so when I’m looking, I
just look in a different way.”
With the obvious
excitement these two
displayed, I knew this
partnership was more than
ordinary.
“] think that when you’re
working that way with
someone, you have to get
along in a certain way. It’s
like a relationship,” laughs
Petras.
“And I think that we
never laugh at each other’s
ideas,” says Hollands. “Well,
except for sometimes... once
in a while that happens. But
neither one of us ever go
‘That’s crazy, what are you
thinking?’ It’s like there is
nothing too crazy to say.”
“Yeah. Yeah. Yeah, yeah,
yeah, yeah,” Petras chimes in.
“And I think that that’s
really helpful because
while that may have been a
ctazy idea, more will come
from that crazy idea,” adds
Hollands.
The crazy idea that
inspired the designs
for Charles Marowitz’s
A Macbeth was hard to
pinpoint. After a long pause,
glancing at Hollands, Petras
announces “Casati.”
“Oh right! Yes,” exclaims
Hollands. “Sort of. In such
a very, very roundabout
way. Luisa Casati. That one
portrait with the red hair—
that one.”
On the first day of
rehearsals for A Macbeth,
the Douglas College theatre
students were presented with
a picture of Luisa Casati.
The eccentric Italian heiress
was notorious in early 20th
century Europe as a female
“dandy.” A millionaire,
she was reported to have
indulged in such opulence—
like keeping a leopard ona
diamond leash—as to have
been $25-million in debt by
1930. In her final days, she
fled to London, where she
was rumoured to be seen
rummaging in garbage bins
searching for feathers to
decorate her hair. The red
hair in Hollands’ sketch of
Lady Macbeth is inspired by
Casati.
“And the surrealist
idea,” adds Hollands.
“That was kind of like
just the little touchstone,”
says Petras. “The men were
really, really hard for this
show.”
“Yeah. Because it was
all about the kilts,” says
Hollands. “Well we don’t
want kilts but...”
“We want kilts!” the two
say in unison.
This is how the idea of
blown-up or almost “zoomed
in” patterns came about in
the costumes. “How do we
do a kilt without doing a kilt.
You know what I mean?”
asks Hollands. “Although
you wouldn’t necessarily
look at these clothes and
think ‘That's very surrealist,’
but, you know, you're taking
what is and turning it into
something more abstract.”
“Yeah and it doesn’t
take much to just make a
small shift in something very
obvious and traditional,”
adds Petras. “I had just
seen a version of Macbeth in
Edmonton where everyone
was dressed very formally.
They were dressed for a very
formal Scottish wedding.
And everybody was kind
of sexy, and they all had
bow ties and the whole
shebang. And I saw pictures
of Nevermore from New
York, and I was like ‘Wait
a minute!’ That’s the same
kind of aesthetic. And then
Luisa Casati is the same time
frame, kind of like ‘20s /’30s
where everyone’s all slick
and stuff. So we didn’t want
to go fully on, ‘Oh well, we'll
just go for a ‘20s/’30s kind of
aesthetic,’ but that was sort of
the touchstone.”
“And I had all these
plaid samples!” exhales
Hollands.
Although the play is set
in Scotland, it was easy for
both the director and the
designer to see that plaid was
not the direction they wanted
to go in.
“The other practical
thing is that it’s expensive
to do kilts. Really expensive.
To either build them, or find
them so that they all match,
fit properly. It’s huge!”
explains Petras.
“And who wants to
see that again?” chimes
Hollands. “Who wants to
see a million kilts on stage?
Because we haven't seen that
enough times! Not that I have
anything against kilts but...”
“But yeah! We've seen
it and if it’s going to be
anything interesting it needs
to be done really, really
meticulously. Which is going
to cost a lot of money, for
which we just don’t have the
budget,” says Petras. “This
department is producing
miracles of costume with
very little money.”
As the interview went
on, I was able to witness
more and more of the
moments of unison that have
yielded several shows worth
of creative costume designs
for Douglas College. This
next show promises to be
beautiful. As we discussed
our favourite costume “4
designs in film, our interview
ended simply:
Hollands: What was that
film? Sofia Coppola I think...
Petras: Marie Antoinette?
H: Yes! That opulence. I still
haven't seen Gatsby, which is
kind of unfortunate...
P: Oh, me neither!
H: Well it’s out on DVD so
we can have a date night.
Excellent! Who's TV is
bigger?
P: Yours. I have a laptop.
H: Fine! You’re coming to my
Content type
Page
File
—
ee
=
anne all ig .
ein! = See! :
Teenage ee eee r
oS
’
Ve
x
yh
ff ete
—
——
. ec
is
ee
=
anne all ig .
ein! = See! :
Teenage ee eee r
oS
’
Ve
x
yh
ff ete
—
——
. ec
is
Edited Text
—
ee
=
anne all ig .
ein! = See! :
Teenage ee eee r
oS
’
Ve
x
yh
ff ete
—
——
. ec
is
ee
=
anne all ig .
ein! = See! :
Teenage ee eee r
oS
’
Ve
x
yh
ff ete
—
——
. ec
is
Content type
Page
File
OPINIONS.
Need to vent? Contact the editor at opinions @theotherpress.ca
Licenced to procreate
Why todays aspiring
parents should
require government
sanctioned training
Patrick
=) Vailancourt
] 4 News Editor
> news@ theotherpress.ca
hey say that nothing can
adequately prepare someone
for the coming of their first
child. It’s fair to characterize
parenting as an exercise
mastered only by situational
experience, but a framework to
prepare parents-to-be for the
coming of their bundle of joy
must surely exist.
After all, having a child
is one of the most important
and solemn events in one’s life.
Adequate preparations should
be made to ensure one gets a
head start into good parenting,
developing good habits before
the bad. In the end, a little more
knowledge can’t hurt, and in the
case of those who wish to have
children, it should be obligatory.
Ordinary people need to
undergo training and licencing
for a number of things: driving
a vehicle, owning a pet, opening
a business, or even for getting
married. The significance
and lasting impacts of these
activities generally pale in
comparison to the importance of
16
adequately raising a child. Yet,
mandatory parenting instruction
or licencing have never been
seriously contemplated by
government, and are even
seen—as my critics will no
doubt say—as controversial. As
Jerry Steinberg, founding “non-
father” of No Kidding!, writes,
“Tparenting] is the hardest job
in the world to do, yet it’s the
easiest job to get.”
My childhood, as chaotic
as it was when I was a teenager,
had far more structure
than that of a child in my
hometown today. These days,
to the bar, returning only after
becoming sufficiently inebriated
and the kids are long asleep.
This knowledge just adds to my
pessimistic view of the state of
parenting today.
I became convinced of the
need for parental licences after
a friend, a case worker with
the BC Ministry of Children
and Family Development,
told me tales of the horrible
scenes she has witnessed in
her work protecting the most
vulnerable members of our
society. I initially thought that
some of her stories must have
HRY Cee) WAN) 0)y
very little effort and even
less intelligence” is factual
and dangerous. Proof of this
rests in the fact that even with
all of the information about
the risks of smoking during
pregnancy, the National Center
for Biotechnology Information
found that 10.2 per cent of
women who weren't smokers
before becoming pregnant
started smoking during
pregnancy or in postpartum.
While that number may seem
low, consider that just under
four-million babies (3,999,386
is the figure reported by the
As Jerry Steinberg, founding non-father’ of No Kidding! and a supporter of my
views, writes, [parenting] is the hardest job in the world to do, yet its the easiest
Job to get.’
my hometown is filled with
people who see procreation as
a means of acquiring a bigger
cheque from the government,
be it through social assistance
or the federal child benefit,
among other federal and
provincial subsidies. It’s not at
all uncommon for kids to stay
with a babysitter while mama
spends her taxpayer-funded
“baby bonus” at the nightclub
in search of her next “baby
daddy.” Nor is it uncommon
for daddy to leave his kids with
the neighbour while he goes
been embellished, given the
gruesome details of the few
cases she discussed. She then
showed me a picture of a child
from a relatively recent case,
who she had urgently removed
from the parents’ custody: it
was a photo of a smiling man
holding a nude, crying baby
boy over a household deep-
fryer while a woman, who
one assumes was the infant's
mother, was laughing in the
background.
The notion that, as Steinberg
states, “creating a child takes
Centers for Disease Control)
were born in the United States
in 2010.
Maybe there’s a correlation
between the advent of the
digital age and the declining
influence of the nuclear family.
While the accessibility of
information through technology
benefits the average person,
it’s clear that these advances in
North American society have
made everything convenient.
A child’s cries for hunger result
in a trip to the McDonald's
drive-thru; a temper tantrum is
soothed with a two-hour Disney
movie; homework from school
takes a back seat to the newest
video game. There seems to be a
shift towards parents becoming
increasingly uninvolved in their
children’s formative years. This
detachment results in seeking
conveniences and short cuts that
aren’t necessarily healthy for
children and youth.
Regardless of intention,
there are some people who
shouldn't be afforded the
privilege of having children,
because of their inability
to provide kids with the
nurturing required to develop
into responsible, productive
members of society. A licencing
regime may not seem ideal
(particularly given that I provide
no logistical specifics for its
implementation) but it does, at
the very least, compel people
who wish to become parents
to actively seek out more
information.
Some will argue that I’m
advocating for a Chinese One-
Child Policy sort of intervention
into family planning by placing
roadblocks on an individual's
ability and desire to have
children. My position stems
from a desire to elevate the level
of responsible parenting in this
country, in the best interests of
all those who will make up the
next generation.
Need to vent? Contact the editor at opinions @theotherpress.ca
Licenced to procreate
Why todays aspiring
parents should
require government
sanctioned training
Patrick
=) Vailancourt
] 4 News Editor
> news@ theotherpress.ca
hey say that nothing can
adequately prepare someone
for the coming of their first
child. It’s fair to characterize
parenting as an exercise
mastered only by situational
experience, but a framework to
prepare parents-to-be for the
coming of their bundle of joy
must surely exist.
After all, having a child
is one of the most important
and solemn events in one’s life.
Adequate preparations should
be made to ensure one gets a
head start into good parenting,
developing good habits before
the bad. In the end, a little more
knowledge can’t hurt, and in the
case of those who wish to have
children, it should be obligatory.
Ordinary people need to
undergo training and licencing
for a number of things: driving
a vehicle, owning a pet, opening
a business, or even for getting
married. The significance
and lasting impacts of these
activities generally pale in
comparison to the importance of
16
adequately raising a child. Yet,
mandatory parenting instruction
or licencing have never been
seriously contemplated by
government, and are even
seen—as my critics will no
doubt say—as controversial. As
Jerry Steinberg, founding “non-
father” of No Kidding!, writes,
“Tparenting] is the hardest job
in the world to do, yet it’s the
easiest job to get.”
My childhood, as chaotic
as it was when I was a teenager,
had far more structure
than that of a child in my
hometown today. These days,
to the bar, returning only after
becoming sufficiently inebriated
and the kids are long asleep.
This knowledge just adds to my
pessimistic view of the state of
parenting today.
I became convinced of the
need for parental licences after
a friend, a case worker with
the BC Ministry of Children
and Family Development,
told me tales of the horrible
scenes she has witnessed in
her work protecting the most
vulnerable members of our
society. I initially thought that
some of her stories must have
HRY Cee) WAN) 0)y
very little effort and even
less intelligence” is factual
and dangerous. Proof of this
rests in the fact that even with
all of the information about
the risks of smoking during
pregnancy, the National Center
for Biotechnology Information
found that 10.2 per cent of
women who weren't smokers
before becoming pregnant
started smoking during
pregnancy or in postpartum.
While that number may seem
low, consider that just under
four-million babies (3,999,386
is the figure reported by the
As Jerry Steinberg, founding non-father’ of No Kidding! and a supporter of my
views, writes, [parenting] is the hardest job in the world to do, yet its the easiest
Job to get.’
my hometown is filled with
people who see procreation as
a means of acquiring a bigger
cheque from the government,
be it through social assistance
or the federal child benefit,
among other federal and
provincial subsidies. It’s not at
all uncommon for kids to stay
with a babysitter while mama
spends her taxpayer-funded
“baby bonus” at the nightclub
in search of her next “baby
daddy.” Nor is it uncommon
for daddy to leave his kids with
the neighbour while he goes
been embellished, given the
gruesome details of the few
cases she discussed. She then
showed me a picture of a child
from a relatively recent case,
who she had urgently removed
from the parents’ custody: it
was a photo of a smiling man
holding a nude, crying baby
boy over a household deep-
fryer while a woman, who
one assumes was the infant's
mother, was laughing in the
background.
The notion that, as Steinberg
states, “creating a child takes
Centers for Disease Control)
were born in the United States
in 2010.
Maybe there’s a correlation
between the advent of the
digital age and the declining
influence of the nuclear family.
While the accessibility of
information through technology
benefits the average person,
it’s clear that these advances in
North American society have
made everything convenient.
A child’s cries for hunger result
in a trip to the McDonald's
drive-thru; a temper tantrum is
soothed with a two-hour Disney
movie; homework from school
takes a back seat to the newest
video game. There seems to be a
shift towards parents becoming
increasingly uninvolved in their
children’s formative years. This
detachment results in seeking
conveniences and short cuts that
aren’t necessarily healthy for
children and youth.
Regardless of intention,
there are some people who
shouldn't be afforded the
privilege of having children,
because of their inability
to provide kids with the
nurturing required to develop
into responsible, productive
members of society. A licencing
regime may not seem ideal
(particularly given that I provide
no logistical specifics for its
implementation) but it does, at
the very least, compel people
who wish to become parents
to actively seek out more
information.
Some will argue that I’m
advocating for a Chinese One-
Child Policy sort of intervention
into family planning by placing
roadblocks on an individual's
ability and desire to have
children. My position stems
from a desire to elevate the level
of responsible parenting in this
country, in the best interests of
all those who will make up the
next generation.
Edited Text
OPINIONS.
Need to vent? Contact the editor at opinions @theotherpress.ca
Licenced to procreate
Why todays aspiring
parents should
require government
sanctioned training
Patrick
=) Vailancourt
] 4 News Editor
> news@ theotherpress.ca
hey say that nothing can
adequately prepare someone
for the coming of their first
child. It’s fair to characterize
parenting as an exercise
mastered only by situational
experience, but a framework to
prepare parents-to-be for the
coming of their bundle of joy
must surely exist.
After all, having a child
is one of the most important
and solemn events in one’s life.
Adequate preparations should
be made to ensure one gets a
head start into good parenting,
developing good habits before
the bad. In the end, a little more
knowledge can’t hurt, and in the
case of those who wish to have
children, it should be obligatory.
Ordinary people need to
undergo training and licencing
for a number of things: driving
a vehicle, owning a pet, opening
a business, or even for getting
married. The significance
and lasting impacts of these
activities generally pale in
comparison to the importance of
16
adequately raising a child. Yet,
mandatory parenting instruction
or licencing have never been
seriously contemplated by
government, and are even
seen—as my critics will no
doubt say—as controversial. As
Jerry Steinberg, founding “non-
father” of No Kidding!, writes,
“Tparenting] is the hardest job
in the world to do, yet it’s the
easiest job to get.”
My childhood, as chaotic
as it was when I was a teenager,
had far more structure
than that of a child in my
hometown today. These days,
to the bar, returning only after
becoming sufficiently inebriated
and the kids are long asleep.
This knowledge just adds to my
pessimistic view of the state of
parenting today.
I became convinced of the
need for parental licences after
a friend, a case worker with
the BC Ministry of Children
and Family Development,
told me tales of the horrible
scenes she has witnessed in
her work protecting the most
vulnerable members of our
society. I initially thought that
some of her stories must have
HRY Cee) WAN) 0)y
very little effort and even
less intelligence” is factual
and dangerous. Proof of this
rests in the fact that even with
all of the information about
the risks of smoking during
pregnancy, the National Center
for Biotechnology Information
found that 10.2 per cent of
women who weren't smokers
before becoming pregnant
started smoking during
pregnancy or in postpartum.
While that number may seem
low, consider that just under
four-million babies (3,999,386
is the figure reported by the
As Jerry Steinberg, founding non-father’ of No Kidding! and a supporter of my
views, writes, [parenting] is the hardest job in the world to do, yet its the easiest
Job to get.’
my hometown is filled with
people who see procreation as
a means of acquiring a bigger
cheque from the government,
be it through social assistance
or the federal child benefit,
among other federal and
provincial subsidies. It’s not at
all uncommon for kids to stay
with a babysitter while mama
spends her taxpayer-funded
“baby bonus” at the nightclub
in search of her next “baby
daddy.” Nor is it uncommon
for daddy to leave his kids with
the neighbour while he goes
been embellished, given the
gruesome details of the few
cases she discussed. She then
showed me a picture of a child
from a relatively recent case,
who she had urgently removed
from the parents’ custody: it
was a photo of a smiling man
holding a nude, crying baby
boy over a household deep-
fryer while a woman, who
one assumes was the infant's
mother, was laughing in the
background.
The notion that, as Steinberg
states, “creating a child takes
Centers for Disease Control)
were born in the United States
in 2010.
Maybe there’s a correlation
between the advent of the
digital age and the declining
influence of the nuclear family.
While the accessibility of
information through technology
benefits the average person,
it’s clear that these advances in
North American society have
made everything convenient.
A child’s cries for hunger result
in a trip to the McDonald's
drive-thru; a temper tantrum is
soothed with a two-hour Disney
movie; homework from school
takes a back seat to the newest
video game. There seems to be a
shift towards parents becoming
increasingly uninvolved in their
children’s formative years. This
detachment results in seeking
conveniences and short cuts that
aren’t necessarily healthy for
children and youth.
Regardless of intention,
there are some people who
shouldn't be afforded the
privilege of having children,
because of their inability
to provide kids with the
nurturing required to develop
into responsible, productive
members of society. A licencing
regime may not seem ideal
(particularly given that I provide
no logistical specifics for its
implementation) but it does, at
the very least, compel people
who wish to become parents
to actively seek out more
information.
Some will argue that I’m
advocating for a Chinese One-
Child Policy sort of intervention
into family planning by placing
roadblocks on an individual's
ability and desire to have
children. My position stems
from a desire to elevate the level
of responsible parenting in this
country, in the best interests of
all those who will make up the
next generation.
Need to vent? Contact the editor at opinions @theotherpress.ca
Licenced to procreate
Why todays aspiring
parents should
require government
sanctioned training
Patrick
=) Vailancourt
] 4 News Editor
> news@ theotherpress.ca
hey say that nothing can
adequately prepare someone
for the coming of their first
child. It’s fair to characterize
parenting as an exercise
mastered only by situational
experience, but a framework to
prepare parents-to-be for the
coming of their bundle of joy
must surely exist.
After all, having a child
is one of the most important
and solemn events in one’s life.
Adequate preparations should
be made to ensure one gets a
head start into good parenting,
developing good habits before
the bad. In the end, a little more
knowledge can’t hurt, and in the
case of those who wish to have
children, it should be obligatory.
Ordinary people need to
undergo training and licencing
for a number of things: driving
a vehicle, owning a pet, opening
a business, or even for getting
married. The significance
and lasting impacts of these
activities generally pale in
comparison to the importance of
16
adequately raising a child. Yet,
mandatory parenting instruction
or licencing have never been
seriously contemplated by
government, and are even
seen—as my critics will no
doubt say—as controversial. As
Jerry Steinberg, founding “non-
father” of No Kidding!, writes,
“Tparenting] is the hardest job
in the world to do, yet it’s the
easiest job to get.”
My childhood, as chaotic
as it was when I was a teenager,
had far more structure
than that of a child in my
hometown today. These days,
to the bar, returning only after
becoming sufficiently inebriated
and the kids are long asleep.
This knowledge just adds to my
pessimistic view of the state of
parenting today.
I became convinced of the
need for parental licences after
a friend, a case worker with
the BC Ministry of Children
and Family Development,
told me tales of the horrible
scenes she has witnessed in
her work protecting the most
vulnerable members of our
society. I initially thought that
some of her stories must have
HRY Cee) WAN) 0)y
very little effort and even
less intelligence” is factual
and dangerous. Proof of this
rests in the fact that even with
all of the information about
the risks of smoking during
pregnancy, the National Center
for Biotechnology Information
found that 10.2 per cent of
women who weren't smokers
before becoming pregnant
started smoking during
pregnancy or in postpartum.
While that number may seem
low, consider that just under
four-million babies (3,999,386
is the figure reported by the
As Jerry Steinberg, founding non-father’ of No Kidding! and a supporter of my
views, writes, [parenting] is the hardest job in the world to do, yet its the easiest
Job to get.’
my hometown is filled with
people who see procreation as
a means of acquiring a bigger
cheque from the government,
be it through social assistance
or the federal child benefit,
among other federal and
provincial subsidies. It’s not at
all uncommon for kids to stay
with a babysitter while mama
spends her taxpayer-funded
“baby bonus” at the nightclub
in search of her next “baby
daddy.” Nor is it uncommon
for daddy to leave his kids with
the neighbour while he goes
been embellished, given the
gruesome details of the few
cases she discussed. She then
showed me a picture of a child
from a relatively recent case,
who she had urgently removed
from the parents’ custody: it
was a photo of a smiling man
holding a nude, crying baby
boy over a household deep-
fryer while a woman, who
one assumes was the infant's
mother, was laughing in the
background.
The notion that, as Steinberg
states, “creating a child takes
Centers for Disease Control)
were born in the United States
in 2010.
Maybe there’s a correlation
between the advent of the
digital age and the declining
influence of the nuclear family.
While the accessibility of
information through technology
benefits the average person,
it’s clear that these advances in
North American society have
made everything convenient.
A child’s cries for hunger result
in a trip to the McDonald's
drive-thru; a temper tantrum is
soothed with a two-hour Disney
movie; homework from school
takes a back seat to the newest
video game. There seems to be a
shift towards parents becoming
increasingly uninvolved in their
children’s formative years. This
detachment results in seeking
conveniences and short cuts that
aren’t necessarily healthy for
children and youth.
Regardless of intention,
there are some people who
shouldn't be afforded the
privilege of having children,
because of their inability
to provide kids with the
nurturing required to develop
into responsible, productive
members of society. A licencing
regime may not seem ideal
(particularly given that I provide
no logistical specifics for its
implementation) but it does, at
the very least, compel people
who wish to become parents
to actively seek out more
information.
Some will argue that I’m
advocating for a Chinese One-
Child Policy sort of intervention
into family planning by placing
roadblocks on an individual's
ability and desire to have
children. My position stems
from a desire to elevate the level
of responsible parenting in this
country, in the best interests of
all those who will make up the
next generation.
Content type
Page
File
www.dsu18.ca Ed Douglas Students Union Ej2J@dsuis
oe eet
sete tata?
tot ke
i
neta a ate
we -= 4 =" share your opinions about Douglas
= - = — ; q Join us Oct. 24, 4:30, DSU Lounge
for i's Ulex is Ls wll Hepic al VTA
" RZIFANL yvyUOYV—E Z.. tuition fees
= # Servicios ofrecidos por Douglas College | Fi
: : ee Ko 16 STATS IRV ARS TURUNKAN BIAYA KULIABt
Kak. 3a0cOwaTEca C MECTHbIMM CTYAECHTAMH
SIGH ASA Ut a
tern: Fazer amigas lacaée
| I ie wena
eReuine ae 0 SPH
DSUILO UNGE:_
oe eet
sete tata?
tot ke
i
neta a ate
we -= 4 =" share your opinions about Douglas
= - = — ; q Join us Oct. 24, 4:30, DSU Lounge
for i's Ulex is Ls wll Hepic al VTA
" RZIFANL yvyUOYV—E Z.. tuition fees
= # Servicios ofrecidos por Douglas College | Fi
: : ee Ko 16 STATS IRV ARS TURUNKAN BIAYA KULIABt
Kak. 3a0cOwaTEca C MECTHbIMM CTYAECHTAMH
SIGH ASA Ut a
tern: Fazer amigas lacaée
| I ie wena
eReuine ae 0 SPH
DSUILO UNGE:_
Edited Text
www.dsu18.ca Ed Douglas Students Union Ej2J@dsuis
oe eet
sete tata?
tot ke
i
neta a ate
we -= 4 =" share your opinions about Douglas
= - = — ; q Join us Oct. 24, 4:30, DSU Lounge
for i's Ulex is Ls wll Hepic al VTA
" RZIFANL yvyUOYV—E Z.. tuition fees
= # Servicios ofrecidos por Douglas College | Fi
: : ee Ko 16 STATS IRV ARS TURUNKAN BIAYA KULIABt
Kak. 3a0cOwaTEca C MECTHbIMM CTYAECHTAMH
SIGH ASA Ut a
tern: Fazer amigas lacaée
| I ie wena
eReuine ae 0 SPH
DSUILO UNGE:_
oe eet
sete tata?
tot ke
i
neta a ate
we -= 4 =" share your opinions about Douglas
= - = — ; q Join us Oct. 24, 4:30, DSU Lounge
for i's Ulex is Ls wll Hepic al VTA
" RZIFANL yvyUOYV—E Z.. tuition fees
= # Servicios ofrecidos por Douglas College | Fi
: : ee Ko 16 STATS IRV ARS TURUNKAN BIAYA KULIABt
Kak. 3a0cOwaTEca C MECTHbIMM CTYAECHTAMH
SIGH ASA Ut a
tern: Fazer amigas lacaée
| I ie wena
eReuine ae 0 SPH
DSUILO UNGE:_
Content type
Page
File
www.theotherpress.ca
Lire & STYLE.
How to make this
perennial trend
work for you
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
olour blocking, the trend
that seems to crop up every
season as though it’s brand
new, has reared its cool and
coordinated head again this fall.
You may have spied blocks of
colour on mannequins at the
mall, on busy students studying
in the library, and even on the
sweaters of your nearest and
dearest friends. This trend keeps
coming back because, funnily
enough, large geometric swathes
of colour look very nice on the
curvy, decidedly un-geometric
forms of the human body. If you
were wondering how to see it on
yourself without looking like a
Piet Mondrian print, then look
no further than this article!
Simply put, colour blocking
is the use of multiple bold,
single colours, either in one
outfit or within a single article
of clothing. So if you like to
match a red blazer with a blue
blouse and top it off witha
wide, cream-coloured belt, then
you're already colour blocking.
It seems pretty simple, but there
are a few rules to this trend that
should be followed in order
to avoid the aforementioned
fashion disaster.
Rule one: don’t go crazy!
Looking back at my above
example, combining afew
bold colours in the upper half
of your outfit is a great way to
start. But if you plan a colour
blocking bonanza upstairs, you
should use a neutral look for
your bottom half, like a pair
of dark wash jeans and simple
flats. With colour blocking, you
want to look unique and grab
attention, but you also want to
look chic and put-together. It’s
a fine line, but someone has to
walk it!
Rule two: use a colour
wheel. Think back to elementary
school—think way back, to
when we learned about primary
and secondary colours. Colour
theory can go a long way to
make sure you don’t look
like the inside of a washing
machine—in fact, the person
who came up with the jersey
for the Vancouver Canucks
probably missed that day in
Grade One. Complementary
Colour blocking | Photo courtesy of www.iamfarcom/colour-blocking-101
Colour blocking from the runway to the hallway
colours are those that are
opposite to each other on the
colour wheel. This is a good
place to start for foolproof
colour matching.
Rule three: go as big or as
small as you want to. There are
lots of different ways to colour
block, as I’ve already mentioned.
You could keep it all in one
article of clothing—l’ve noticed
a lot of sweaters and dresses this
season that are printed or dyed
in large, blocky hues—or, you
could stick with accessories. A
bright-yellow belt paired with
ated purse and blue pumps
would look stunning with an
otherwise neutral (white or grey)
outfit, and it would still be on
trend. Bright, monochromatic
accessories and shoes are
everywhere this season. I
especially love ALDO’s selection
of boldly coloured heels.
Rule four, and the last
rule: think outside the box!
Wear your blocks of colour
however you want. Be as simple
or as complicated with it as
you want to be. One thing I
love is monochromatic colour
blocking—using different
shades of the same colour in
one outfit or garment. The great
thing about this trend is that you
can take it as far as you want
to, or just keep it safely in the
garage. You could try neon-pink
with neon-green, or simply layer
grey with a lighter grey.
However you decide to
embody the trend of colour
blocking, make sure to do it
fearlessly. Walk down those
halls like you're at New York
Fashion Week and get ready to
turn some heads with your bold
style!
11
Lire & STYLE.
How to make this
perennial trend
work for you
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
olour blocking, the trend
that seems to crop up every
season as though it’s brand
new, has reared its cool and
coordinated head again this fall.
You may have spied blocks of
colour on mannequins at the
mall, on busy students studying
in the library, and even on the
sweaters of your nearest and
dearest friends. This trend keeps
coming back because, funnily
enough, large geometric swathes
of colour look very nice on the
curvy, decidedly un-geometric
forms of the human body. If you
were wondering how to see it on
yourself without looking like a
Piet Mondrian print, then look
no further than this article!
Simply put, colour blocking
is the use of multiple bold,
single colours, either in one
outfit or within a single article
of clothing. So if you like to
match a red blazer with a blue
blouse and top it off witha
wide, cream-coloured belt, then
you're already colour blocking.
It seems pretty simple, but there
are a few rules to this trend that
should be followed in order
to avoid the aforementioned
fashion disaster.
Rule one: don’t go crazy!
Looking back at my above
example, combining afew
bold colours in the upper half
of your outfit is a great way to
start. But if you plan a colour
blocking bonanza upstairs, you
should use a neutral look for
your bottom half, like a pair
of dark wash jeans and simple
flats. With colour blocking, you
want to look unique and grab
attention, but you also want to
look chic and put-together. It’s
a fine line, but someone has to
walk it!
Rule two: use a colour
wheel. Think back to elementary
school—think way back, to
when we learned about primary
and secondary colours. Colour
theory can go a long way to
make sure you don’t look
like the inside of a washing
machine—in fact, the person
who came up with the jersey
for the Vancouver Canucks
probably missed that day in
Grade One. Complementary
Colour blocking | Photo courtesy of www.iamfarcom/colour-blocking-101
Colour blocking from the runway to the hallway
colours are those that are
opposite to each other on the
colour wheel. This is a good
place to start for foolproof
colour matching.
Rule three: go as big or as
small as you want to. There are
lots of different ways to colour
block, as I’ve already mentioned.
You could keep it all in one
article of clothing—l’ve noticed
a lot of sweaters and dresses this
season that are printed or dyed
in large, blocky hues—or, you
could stick with accessories. A
bright-yellow belt paired with
ated purse and blue pumps
would look stunning with an
otherwise neutral (white or grey)
outfit, and it would still be on
trend. Bright, monochromatic
accessories and shoes are
everywhere this season. I
especially love ALDO’s selection
of boldly coloured heels.
Rule four, and the last
rule: think outside the box!
Wear your blocks of colour
however you want. Be as simple
or as complicated with it as
you want to be. One thing I
love is monochromatic colour
blocking—using different
shades of the same colour in
one outfit or garment. The great
thing about this trend is that you
can take it as far as you want
to, or just keep it safely in the
garage. You could try neon-pink
with neon-green, or simply layer
grey with a lighter grey.
However you decide to
embody the trend of colour
blocking, make sure to do it
fearlessly. Walk down those
halls like you're at New York
Fashion Week and get ready to
turn some heads with your bold
style!
11
Edited Text
www.theotherpress.ca
Lire & STYLE.
How to make this
perennial trend
work for you
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
olour blocking, the trend
that seems to crop up every
season as though it’s brand
new, has reared its cool and
coordinated head again this fall.
You may have spied blocks of
colour on mannequins at the
mall, on busy students studying
in the library, and even on the
sweaters of your nearest and
dearest friends. This trend keeps
coming back because, funnily
enough, large geometric swathes
of colour look very nice on the
curvy, decidedly un-geometric
forms of the human body. If you
were wondering how to see it on
yourself without looking like a
Piet Mondrian print, then look
no further than this article!
Simply put, colour blocking
is the use of multiple bold,
single colours, either in one
outfit or within a single article
of clothing. So if you like to
match a red blazer with a blue
blouse and top it off witha
wide, cream-coloured belt, then
you're already colour blocking.
It seems pretty simple, but there
are a few rules to this trend that
should be followed in order
to avoid the aforementioned
fashion disaster.
Rule one: don’t go crazy!
Looking back at my above
example, combining afew
bold colours in the upper half
of your outfit is a great way to
start. But if you plan a colour
blocking bonanza upstairs, you
should use a neutral look for
your bottom half, like a pair
of dark wash jeans and simple
flats. With colour blocking, you
want to look unique and grab
attention, but you also want to
look chic and put-together. It’s
a fine line, but someone has to
walk it!
Rule two: use a colour
wheel. Think back to elementary
school—think way back, to
when we learned about primary
and secondary colours. Colour
theory can go a long way to
make sure you don’t look
like the inside of a washing
machine—in fact, the person
who came up with the jersey
for the Vancouver Canucks
probably missed that day in
Grade One. Complementary
Colour blocking | Photo courtesy of www.iamfarcom/colour-blocking-101
Colour blocking from the runway to the hallway
colours are those that are
opposite to each other on the
colour wheel. This is a good
place to start for foolproof
colour matching.
Rule three: go as big or as
small as you want to. There are
lots of different ways to colour
block, as I’ve already mentioned.
You could keep it all in one
article of clothing—l’ve noticed
a lot of sweaters and dresses this
season that are printed or dyed
in large, blocky hues—or, you
could stick with accessories. A
bright-yellow belt paired with
ated purse and blue pumps
would look stunning with an
otherwise neutral (white or grey)
outfit, and it would still be on
trend. Bright, monochromatic
accessories and shoes are
everywhere this season. I
especially love ALDO’s selection
of boldly coloured heels.
Rule four, and the last
rule: think outside the box!
Wear your blocks of colour
however you want. Be as simple
or as complicated with it as
you want to be. One thing I
love is monochromatic colour
blocking—using different
shades of the same colour in
one outfit or garment. The great
thing about this trend is that you
can take it as far as you want
to, or just keep it safely in the
garage. You could try neon-pink
with neon-green, or simply layer
grey with a lighter grey.
However you decide to
embody the trend of colour
blocking, make sure to do it
fearlessly. Walk down those
halls like you're at New York
Fashion Week and get ready to
turn some heads with your bold
style!
11
Lire & STYLE.
How to make this
perennial trend
work for you
Sophie
Isbister
Life & Style
lifeandstyle@theotherpress.ca
olour blocking, the trend
that seems to crop up every
season as though it’s brand
new, has reared its cool and
coordinated head again this fall.
You may have spied blocks of
colour on mannequins at the
mall, on busy students studying
in the library, and even on the
sweaters of your nearest and
dearest friends. This trend keeps
coming back because, funnily
enough, large geometric swathes
of colour look very nice on the
curvy, decidedly un-geometric
forms of the human body. If you
were wondering how to see it on
yourself without looking like a
Piet Mondrian print, then look
no further than this article!
Simply put, colour blocking
is the use of multiple bold,
single colours, either in one
outfit or within a single article
of clothing. So if you like to
match a red blazer with a blue
blouse and top it off witha
wide, cream-coloured belt, then
you're already colour blocking.
It seems pretty simple, but there
are a few rules to this trend that
should be followed in order
to avoid the aforementioned
fashion disaster.
Rule one: don’t go crazy!
Looking back at my above
example, combining afew
bold colours in the upper half
of your outfit is a great way to
start. But if you plan a colour
blocking bonanza upstairs, you
should use a neutral look for
your bottom half, like a pair
of dark wash jeans and simple
flats. With colour blocking, you
want to look unique and grab
attention, but you also want to
look chic and put-together. It’s
a fine line, but someone has to
walk it!
Rule two: use a colour
wheel. Think back to elementary
school—think way back, to
when we learned about primary
and secondary colours. Colour
theory can go a long way to
make sure you don’t look
like the inside of a washing
machine—in fact, the person
who came up with the jersey
for the Vancouver Canucks
probably missed that day in
Grade One. Complementary
Colour blocking | Photo courtesy of www.iamfarcom/colour-blocking-101
Colour blocking from the runway to the hallway
colours are those that are
opposite to each other on the
colour wheel. This is a good
place to start for foolproof
colour matching.
Rule three: go as big or as
small as you want to. There are
lots of different ways to colour
block, as I’ve already mentioned.
You could keep it all in one
article of clothing—l’ve noticed
a lot of sweaters and dresses this
season that are printed or dyed
in large, blocky hues—or, you
could stick with accessories. A
bright-yellow belt paired with
ated purse and blue pumps
would look stunning with an
otherwise neutral (white or grey)
outfit, and it would still be on
trend. Bright, monochromatic
accessories and shoes are
everywhere this season. I
especially love ALDO’s selection
of boldly coloured heels.
Rule four, and the last
rule: think outside the box!
Wear your blocks of colour
however you want. Be as simple
or as complicated with it as
you want to be. One thing I
love is monochromatic colour
blocking—using different
shades of the same colour in
one outfit or garment. The great
thing about this trend is that you
can take it as far as you want
to, or just keep it safely in the
garage. You could try neon-pink
with neon-green, or simply layer
grey with a lighter grey.
However you decide to
embody the trend of colour
blocking, make sure to do it
fearlessly. Walk down those
halls like you're at New York
Fashion Week and get ready to
turn some heads with your bold
style!
11
Content type
Page
File
nsttostatong designs by Tha lands . . seat . . IND US ON i @
Edited Text
nsttostatong designs by Tha lands . . seat . . IND US ON i @
Content type
Page
File
OtHerPress.
Room 1020 - 700 Royal Ave.
Douglas College
New Westminster, BC V3L 5B2
TELEPHONE: 604.525.3542
WEBSITE: www.theotherpress.ca
EMAIL: editor@theotherpress.ca
It seems to me that in the orbit of
our world you are the North Pole,
| the South—so mucn in balance
In agreement—and yet, the whole
world lies between.”
- Thomas Wolte
Jacey Gibb
Editor-in-chief
editor@theotherpress.ca
Natalie Serafini
Assistant Editor
| es
assistant@theotherpress.ca
TEAR TTT
or the frequent readers out there, you’ve probably noticed a general trend with my Lettitors. So far this year, almost all of them
Angela Ho
Business Manager
accounting@theotherpress.ca
Chris Paik have centered on a birthday, something personal, or even a mash up of the two. It’s not that I view the Other Press as a blog or
Distribution Manager medium for me to complain, but I find the most effective pieces of writing are those that contain a personal edge to it. On that note,
the recent onslaught of the Thanksgiving weekend has affirmed something very conflicting in me.
Cody Klyne As an export from Alberta, I’ve spent the last three and a half years trying to sculpt my life in Vancouver from almost nothing.
Layout Manager New schools, employment, friends, and relationships are just a few of the things I struggled with at first, but now I can safely say
layout@theotherpress.ca I’ve never been happier. In that respect, it might explain why I’m dreading going home in December for Christmas.
In the last year and a half, I've spent exactly three days in Alberta. It was a last-minute arrangement for my dad’s birthday
Joel McCarthy weekend and combined with schoolwork, editing, and one party to see my friends, it was one of the busiest and more stressful
Graphics Manager weekends I've had to endure.
graphics @theotherpress.ca So why the marginal number of days spent visiting the place I lived for 19 years? My family loves me, I still consider many
people in my hometown close friends, and I actually enjoy the occasional overload of nostalgia that comes with visiting. But more
Ed Appleby than all of these things combined, I can’t stand being back. I’m sure that will come as offensive to some; it’s the truth. I regress into
a child whenever I’m around my parents, asking to borrow the vehicle so J can go see friends or pouting when they ask me to help
with chores. It’s a frustrating regression, one that I never mean to undergo and yet it’s seemingly unavoidable.
My Lettitor’s title comes from the Thomas Wolfe novel of the same name. You Can’t Go Home Again refers to the idea that once
you leave the place where you grew up behind, there’s no way to return without the sense that you're losing all the growth you’ve
llustrator
Patrick Vailancourt
News Ector experienced since—partly because you've changed, partly because the place itself has changed too. It sounds ridiculous but I’m
ea sure anyone who’s fled the nest can relate.
; Even the idea of “going home” bothers me because aside from my Alberta student loans, everything about me resides in BC.
Cheryl Minns My apartment and cat are here; so is my girlfriend; same with my two jobs and university. When I “go home,” I sleep on a couch
Arts Editor and pretend that any moment my cat, who cleverly stole away in my suitcase, will hop onto my blankets, do her usual roundabout
arts@theotherpress.ca of my resting my body, and then plop down on top of my legs before falling asleep 17 seconds later. When I “go home,” I have to
rely on other people for rides because the transit system in my town is more unreliable than a dollar store pregnancy test. I think
Sophie Isbister you my point.
Life & Style Editor Why did Thanksgiving bring this topic to mind? It was the thought that I wasn’t going to have a holiday dinner with my
lifeandstyle@theotherpress.ca family. But as the weekend approached I was invited to join my girlfriend’s family for the holiday; I also hosted a dinner for a
group of close friends one evening and was invited to another turkey dinner on the Saturday. Gluttonous? Yes. Delicious? Indeed.
Elliot Chan But the truth is that the food at every dinner could have been rock stew and sock borsch and I still would remember it fondly. It’s a
Opinions Editor reminder that I’m exactly where I need to be and there’s a crop of people out there who would agree with me.
opinions@theotherpress.ca I recognize my worries may seem unwarranted and over privileged (boohoo, I have to go home to my family at Christmas
time!) but it’s just the way I feel. I can’t go home again because I’m already here.
Eric Wilkins ;
Sports Editor So it BOS,
sports@theotherpress.ca Jacey Gibb
Editor-in-chief
Courtnie Martin
Livia Turnbull he Other Press has been Douglas The Other Press is published that includes papers from all across
Humour Editor College’s student newspaper since weekly during the fall and winter Canada.
1976. Since 1978 we have been an semesters, and monthly during the The Other Press reserves the
humour@theotherpress.ca autonomous publication, independent summer. We receive our funding right to choose what we will publish,
of the student union. We are a from a student levy collected and we will not publish material
Cazzy Lewchuk registered society under the Society through tutition fees every semester that is hateful, obscene, or condones
Aidan Mouellic Act of British Columbia, governed at registration, and from local and or promotes illegal activities.
Loe by an eight-person board of directors national advertising revenue. The Submissions may be edited for clarity
Julia Siedlanowska appointed by Wand from our staff. Other Press is a member of the and brevity if necessary. All images
Staff Writers Our head office is located in the New Canadian University Press (CUP), used are copyright to their respective
Westminster campus. a syndicate of student newspapers owners.
Steve Cayer
Senior Columnist
Sharon Miki
Columnist
“ee Connecentth uscntne! @ ©) (ei) @
Contributors @
Room 1020 - 700 Royal Ave.
Douglas College
New Westminster, BC V3L 5B2
TELEPHONE: 604.525.3542
WEBSITE: www.theotherpress.ca
EMAIL: editor@theotherpress.ca
It seems to me that in the orbit of
our world you are the North Pole,
| the South—so mucn in balance
In agreement—and yet, the whole
world lies between.”
- Thomas Wolte
Jacey Gibb
Editor-in-chief
editor@theotherpress.ca
Natalie Serafini
Assistant Editor
| es
assistant@theotherpress.ca
TEAR TTT
or the frequent readers out there, you’ve probably noticed a general trend with my Lettitors. So far this year, almost all of them
Angela Ho
Business Manager
accounting@theotherpress.ca
Chris Paik have centered on a birthday, something personal, or even a mash up of the two. It’s not that I view the Other Press as a blog or
Distribution Manager medium for me to complain, but I find the most effective pieces of writing are those that contain a personal edge to it. On that note,
the recent onslaught of the Thanksgiving weekend has affirmed something very conflicting in me.
Cody Klyne As an export from Alberta, I’ve spent the last three and a half years trying to sculpt my life in Vancouver from almost nothing.
Layout Manager New schools, employment, friends, and relationships are just a few of the things I struggled with at first, but now I can safely say
layout@theotherpress.ca I’ve never been happier. In that respect, it might explain why I’m dreading going home in December for Christmas.
In the last year and a half, I've spent exactly three days in Alberta. It was a last-minute arrangement for my dad’s birthday
Joel McCarthy weekend and combined with schoolwork, editing, and one party to see my friends, it was one of the busiest and more stressful
Graphics Manager weekends I've had to endure.
graphics @theotherpress.ca So why the marginal number of days spent visiting the place I lived for 19 years? My family loves me, I still consider many
people in my hometown close friends, and I actually enjoy the occasional overload of nostalgia that comes with visiting. But more
Ed Appleby than all of these things combined, I can’t stand being back. I’m sure that will come as offensive to some; it’s the truth. I regress into
a child whenever I’m around my parents, asking to borrow the vehicle so J can go see friends or pouting when they ask me to help
with chores. It’s a frustrating regression, one that I never mean to undergo and yet it’s seemingly unavoidable.
My Lettitor’s title comes from the Thomas Wolfe novel of the same name. You Can’t Go Home Again refers to the idea that once
you leave the place where you grew up behind, there’s no way to return without the sense that you're losing all the growth you’ve
llustrator
Patrick Vailancourt
News Ector experienced since—partly because you've changed, partly because the place itself has changed too. It sounds ridiculous but I’m
ea sure anyone who’s fled the nest can relate.
; Even the idea of “going home” bothers me because aside from my Alberta student loans, everything about me resides in BC.
Cheryl Minns My apartment and cat are here; so is my girlfriend; same with my two jobs and university. When I “go home,” I sleep on a couch
Arts Editor and pretend that any moment my cat, who cleverly stole away in my suitcase, will hop onto my blankets, do her usual roundabout
arts@theotherpress.ca of my resting my body, and then plop down on top of my legs before falling asleep 17 seconds later. When I “go home,” I have to
rely on other people for rides because the transit system in my town is more unreliable than a dollar store pregnancy test. I think
Sophie Isbister you my point.
Life & Style Editor Why did Thanksgiving bring this topic to mind? It was the thought that I wasn’t going to have a holiday dinner with my
lifeandstyle@theotherpress.ca family. But as the weekend approached I was invited to join my girlfriend’s family for the holiday; I also hosted a dinner for a
group of close friends one evening and was invited to another turkey dinner on the Saturday. Gluttonous? Yes. Delicious? Indeed.
Elliot Chan But the truth is that the food at every dinner could have been rock stew and sock borsch and I still would remember it fondly. It’s a
Opinions Editor reminder that I’m exactly where I need to be and there’s a crop of people out there who would agree with me.
opinions@theotherpress.ca I recognize my worries may seem unwarranted and over privileged (boohoo, I have to go home to my family at Christmas
time!) but it’s just the way I feel. I can’t go home again because I’m already here.
Eric Wilkins ;
Sports Editor So it BOS,
sports@theotherpress.ca Jacey Gibb
Editor-in-chief
Courtnie Martin
Livia Turnbull he Other Press has been Douglas The Other Press is published that includes papers from all across
Humour Editor College’s student newspaper since weekly during the fall and winter Canada.
1976. Since 1978 we have been an semesters, and monthly during the The Other Press reserves the
humour@theotherpress.ca autonomous publication, independent summer. We receive our funding right to choose what we will publish,
of the student union. We are a from a student levy collected and we will not publish material
Cazzy Lewchuk registered society under the Society through tutition fees every semester that is hateful, obscene, or condones
Aidan Mouellic Act of British Columbia, governed at registration, and from local and or promotes illegal activities.
Loe by an eight-person board of directors national advertising revenue. The Submissions may be edited for clarity
Julia Siedlanowska appointed by Wand from our staff. Other Press is a member of the and brevity if necessary. All images
Staff Writers Our head office is located in the New Canadian University Press (CUP), used are copyright to their respective
Westminster campus. a syndicate of student newspapers owners.
Steve Cayer
Senior Columnist
Sharon Miki
Columnist
“ee Connecentth uscntne! @ ©) (ei) @
Contributors @
Edited Text
OtHerPress.
Room 1020 - 700 Royal Ave.
Douglas College
New Westminster, BC V3L 5B2
TELEPHONE: 604.525.3542
WEBSITE: www.theotherpress.ca
EMAIL: editor@theotherpress.ca
It seems to me that in the orbit of
our world you are the North Pole,
| the South—so mucn in balance
In agreement—and yet, the whole
world lies between.”
- Thomas Wolte
Jacey Gibb
Editor-in-chief
editor@theotherpress.ca
Natalie Serafini
Assistant Editor
| es
assistant@theotherpress.ca
TEAR TTT
or the frequent readers out there, you’ve probably noticed a general trend with my Lettitors. So far this year, almost all of them
Angela Ho
Business Manager
accounting@theotherpress.ca
Chris Paik have centered on a birthday, something personal, or even a mash up of the two. It’s not that I view the Other Press as a blog or
Distribution Manager medium for me to complain, but I find the most effective pieces of writing are those that contain a personal edge to it. On that note,
the recent onslaught of the Thanksgiving weekend has affirmed something very conflicting in me.
Cody Klyne As an export from Alberta, I’ve spent the last three and a half years trying to sculpt my life in Vancouver from almost nothing.
Layout Manager New schools, employment, friends, and relationships are just a few of the things I struggled with at first, but now I can safely say
layout@theotherpress.ca I’ve never been happier. In that respect, it might explain why I’m dreading going home in December for Christmas.
In the last year and a half, I've spent exactly three days in Alberta. It was a last-minute arrangement for my dad’s birthday
Joel McCarthy weekend and combined with schoolwork, editing, and one party to see my friends, it was one of the busiest and more stressful
Graphics Manager weekends I've had to endure.
graphics @theotherpress.ca So why the marginal number of days spent visiting the place I lived for 19 years? My family loves me, I still consider many
people in my hometown close friends, and I actually enjoy the occasional overload of nostalgia that comes with visiting. But more
Ed Appleby than all of these things combined, I can’t stand being back. I’m sure that will come as offensive to some; it’s the truth. I regress into
a child whenever I’m around my parents, asking to borrow the vehicle so J can go see friends or pouting when they ask me to help
with chores. It’s a frustrating regression, one that I never mean to undergo and yet it’s seemingly unavoidable.
My Lettitor’s title comes from the Thomas Wolfe novel of the same name. You Can’t Go Home Again refers to the idea that once
you leave the place where you grew up behind, there’s no way to return without the sense that you're losing all the growth you’ve
llustrator
Patrick Vailancourt
News Ector experienced since—partly because you've changed, partly because the place itself has changed too. It sounds ridiculous but I’m
ea sure anyone who’s fled the nest can relate.
; Even the idea of “going home” bothers me because aside from my Alberta student loans, everything about me resides in BC.
Cheryl Minns My apartment and cat are here; so is my girlfriend; same with my two jobs and university. When I “go home,” I sleep on a couch
Arts Editor and pretend that any moment my cat, who cleverly stole away in my suitcase, will hop onto my blankets, do her usual roundabout
arts@theotherpress.ca of my resting my body, and then plop down on top of my legs before falling asleep 17 seconds later. When I “go home,” I have to
rely on other people for rides because the transit system in my town is more unreliable than a dollar store pregnancy test. I think
Sophie Isbister you my point.
Life & Style Editor Why did Thanksgiving bring this topic to mind? It was the thought that I wasn’t going to have a holiday dinner with my
lifeandstyle@theotherpress.ca family. But as the weekend approached I was invited to join my girlfriend’s family for the holiday; I also hosted a dinner for a
group of close friends one evening and was invited to another turkey dinner on the Saturday. Gluttonous? Yes. Delicious? Indeed.
Elliot Chan But the truth is that the food at every dinner could have been rock stew and sock borsch and I still would remember it fondly. It’s a
Opinions Editor reminder that I’m exactly where I need to be and there’s a crop of people out there who would agree with me.
opinions@theotherpress.ca I recognize my worries may seem unwarranted and over privileged (boohoo, I have to go home to my family at Christmas
time!) but it’s just the way I feel. I can’t go home again because I’m already here.
Eric Wilkins ;
Sports Editor So it BOS,
sports@theotherpress.ca Jacey Gibb
Editor-in-chief
Courtnie Martin
Livia Turnbull he Other Press has been Douglas The Other Press is published that includes papers from all across
Humour Editor College’s student newspaper since weekly during the fall and winter Canada.
1976. Since 1978 we have been an semesters, and monthly during the The Other Press reserves the
humour@theotherpress.ca autonomous publication, independent summer. We receive our funding right to choose what we will publish,
of the student union. We are a from a student levy collected and we will not publish material
Cazzy Lewchuk registered society under the Society through tutition fees every semester that is hateful, obscene, or condones
Aidan Mouellic Act of British Columbia, governed at registration, and from local and or promotes illegal activities.
Loe by an eight-person board of directors national advertising revenue. The Submissions may be edited for clarity
Julia Siedlanowska appointed by Wand from our staff. Other Press is a member of the and brevity if necessary. All images
Staff Writers Our head office is located in the New Canadian University Press (CUP), used are copyright to their respective
Westminster campus. a syndicate of student newspapers owners.
Steve Cayer
Senior Columnist
Sharon Miki
Columnist
“ee Connecentth uscntne! @ ©) (ei) @
Contributors @
Room 1020 - 700 Royal Ave.
Douglas College
New Westminster, BC V3L 5B2
TELEPHONE: 604.525.3542
WEBSITE: www.theotherpress.ca
EMAIL: editor@theotherpress.ca
It seems to me that in the orbit of
our world you are the North Pole,
| the South—so mucn in balance
In agreement—and yet, the whole
world lies between.”
- Thomas Wolte
Jacey Gibb
Editor-in-chief
editor@theotherpress.ca
Natalie Serafini
Assistant Editor
| es
assistant@theotherpress.ca
TEAR TTT
or the frequent readers out there, you’ve probably noticed a general trend with my Lettitors. So far this year, almost all of them
Angela Ho
Business Manager
accounting@theotherpress.ca
Chris Paik have centered on a birthday, something personal, or even a mash up of the two. It’s not that I view the Other Press as a blog or
Distribution Manager medium for me to complain, but I find the most effective pieces of writing are those that contain a personal edge to it. On that note,
the recent onslaught of the Thanksgiving weekend has affirmed something very conflicting in me.
Cody Klyne As an export from Alberta, I’ve spent the last three and a half years trying to sculpt my life in Vancouver from almost nothing.
Layout Manager New schools, employment, friends, and relationships are just a few of the things I struggled with at first, but now I can safely say
layout@theotherpress.ca I’ve never been happier. In that respect, it might explain why I’m dreading going home in December for Christmas.
In the last year and a half, I've spent exactly three days in Alberta. It was a last-minute arrangement for my dad’s birthday
Joel McCarthy weekend and combined with schoolwork, editing, and one party to see my friends, it was one of the busiest and more stressful
Graphics Manager weekends I've had to endure.
graphics @theotherpress.ca So why the marginal number of days spent visiting the place I lived for 19 years? My family loves me, I still consider many
people in my hometown close friends, and I actually enjoy the occasional overload of nostalgia that comes with visiting. But more
Ed Appleby than all of these things combined, I can’t stand being back. I’m sure that will come as offensive to some; it’s the truth. I regress into
a child whenever I’m around my parents, asking to borrow the vehicle so J can go see friends or pouting when they ask me to help
with chores. It’s a frustrating regression, one that I never mean to undergo and yet it’s seemingly unavoidable.
My Lettitor’s title comes from the Thomas Wolfe novel of the same name. You Can’t Go Home Again refers to the idea that once
you leave the place where you grew up behind, there’s no way to return without the sense that you're losing all the growth you’ve
llustrator
Patrick Vailancourt
News Ector experienced since—partly because you've changed, partly because the place itself has changed too. It sounds ridiculous but I’m
ea sure anyone who’s fled the nest can relate.
; Even the idea of “going home” bothers me because aside from my Alberta student loans, everything about me resides in BC.
Cheryl Minns My apartment and cat are here; so is my girlfriend; same with my two jobs and university. When I “go home,” I sleep on a couch
Arts Editor and pretend that any moment my cat, who cleverly stole away in my suitcase, will hop onto my blankets, do her usual roundabout
arts@theotherpress.ca of my resting my body, and then plop down on top of my legs before falling asleep 17 seconds later. When I “go home,” I have to
rely on other people for rides because the transit system in my town is more unreliable than a dollar store pregnancy test. I think
Sophie Isbister you my point.
Life & Style Editor Why did Thanksgiving bring this topic to mind? It was the thought that I wasn’t going to have a holiday dinner with my
lifeandstyle@theotherpress.ca family. But as the weekend approached I was invited to join my girlfriend’s family for the holiday; I also hosted a dinner for a
group of close friends one evening and was invited to another turkey dinner on the Saturday. Gluttonous? Yes. Delicious? Indeed.
Elliot Chan But the truth is that the food at every dinner could have been rock stew and sock borsch and I still would remember it fondly. It’s a
Opinions Editor reminder that I’m exactly where I need to be and there’s a crop of people out there who would agree with me.
opinions@theotherpress.ca I recognize my worries may seem unwarranted and over privileged (boohoo, I have to go home to my family at Christmas
time!) but it’s just the way I feel. I can’t go home again because I’m already here.
Eric Wilkins ;
Sports Editor So it BOS,
sports@theotherpress.ca Jacey Gibb
Editor-in-chief
Courtnie Martin
Livia Turnbull he Other Press has been Douglas The Other Press is published that includes papers from all across
Humour Editor College’s student newspaper since weekly during the fall and winter Canada.
1976. Since 1978 we have been an semesters, and monthly during the The Other Press reserves the
humour@theotherpress.ca autonomous publication, independent summer. We receive our funding right to choose what we will publish,
of the student union. We are a from a student levy collected and we will not publish material
Cazzy Lewchuk registered society under the Society through tutition fees every semester that is hateful, obscene, or condones
Aidan Mouellic Act of British Columbia, governed at registration, and from local and or promotes illegal activities.
Loe by an eight-person board of directors national advertising revenue. The Submissions may be edited for clarity
Julia Siedlanowska appointed by Wand from our staff. Other Press is a member of the and brevity if necessary. All images
Staff Writers Our head office is located in the New Canadian University Press (CUP), used are copyright to their respective
Westminster campus. a syndicate of student newspapers owners.
Steve Cayer
Senior Columnist
Sharon Miki
Columnist
“ee Connecentth uscntne! @ ©) (ei) @
Contributors @
Content type
Page
File
ARTS.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Ballet BC presents trio of enchanting performances
lilt at the Queen
Flizabeth Theatre
Julia
Siedlanowska
Staff Writer
ilt at Ballet BC premiered
two new choreographies
and brought back an old
favourite this Thursday at
the Queen Elizabeth Theatre,
where the show will run
for three nights only.
The first piece, “I and I
am You” by Jorma Elo, was a
beautiful showcase of bodies.
Out of the three pieces, this
one allowed us to marvel at
the skill of the dancers with the
cleanest slate, and was a good
piece to start the show. It opened
in complete silence. Then,
three large industrial-looking
lights came on and a dancer
ran into the stream. This set the
tone for the rest of the show.
The piece was set solely
to the music of Bach with a
modern feel to the movements.
The choreography struck me as
largely horizontal; there weren't
many spectacular lifts and the
piece was very grounded. The
moments when the choreog-
raphy seemed to best depict
the music were beautiful.
The next piece, “16 +a
room,” was choreographed by
Emily Molnar, Ballet BC’s artis-
tic director. When watching this
piece, don’t remove your eyes
for even a minute. After another
silent beginning, the piece starts
with a dancer holding a sign
that reads, “This is a beginning.”
The music then explodes in a
Performers rehearse Tilt, which runs from Oct. 17 to 19 at the Queen Elizabeth Theatre | Photo courtesy of Gerry Kahrmann
succession of pops and clicks to
the fantastic composition of Dirk
P. Haubrich, and the dancers
similarly combust off the stage.
This is where I noticed
Jordan Tuinman’s lighting. The
dancers perform a hair-raising
piece as the lights fade and
brighten as if a generator
were dying and then again
supplying more power.
The piece culminates with
all the dancers on the stage. To
watch this, we must look as if on
stars—the piece shines brighter
when we observe the whole
sky instead of individuals.
Another dancer comes on
stage with a sign that reads,
“This is not the end.” All the
dancers start pulsing as if on
a video loop and the effect is
unreal. The lights slowly go out.
The third piece was
“Walking Mad,” originally
premiered in Den Haag in
2001 and presented in March
of last year by Ballet BC.
Choreographed by Johan
Inger, this was the most theatri-
cal of the three choreographies,
and the only one with an actual
set piece. A dancer walks on
stage from the audience to
seemingly lift the curtain and
reveal a wooden, gapless fence.
The dancing begins and soon
we see the comedy in the piece.
A group of men enter in
pointy, red party hats and chase
a girl around the room. One gets
left behind to explore his pel-
vic-thrusting dance moves while
no one is watching, only to have
the group walk in again in the
middle of his solitary party.
However, the piece ends
on a much less cheery note.
A solemn duet leaves us sad,
contemplating the story we
just witnessed. A sullen girl
obsessed with a trench coat on
the floor cannot be distracted
by her partner, who eventually
jumps off the fence and is
never to be seen again.
The night presented a
variety of pieces all differing
in style and composition.
While in Elo’s piece
we were able to admire the
dancers’ amazing technique,
Molnar’s choreography stands
out because of the spectacular
pairing with Haubrich’s com-
position and because of the way
she works with her dancers.
The piece was in collaboration
with the artists of Ballet BC, so
we can only suspect that the
dancers were able to so freely
inhabit the piece because of the
artistic licence they were able to
practice. With the first two cho-
reographies having a cold qual-
ity about their simplicity and
lack of a clear story, the night
ended with more emotional
reflections in Inger’s piece.
Tilt showcased talent in
all aspects of the production
and left me thinking about
the pieces longer, if not
instantly dropping my jaw.
The history of Cuban art
Artist gives presentation
at Douglas College
Cheryl
=% Minns
- Arts Editor
arts@ theotherpress.ca
avana-born artist Tonel
(Antonio Eligio Fernandez)
graced the Aboriginal Gathering
Place at Douglas College last
week with a lively presentation
and discussion about the many
influences that affect a country’s
art.
The talk was presented for
students in a first year Modern
Languages course, Introduction
to the Language and Cultures
of the Spanish Speaking World,
6
but all Douglas students were
welcome to attend.
Tonel explored the influence
foreign collectors had on
shaping Cuban art in the 1990s
during The Special Period, when
Cuba was embargoed.
“Many Cuban artists are
producing work and thinking
when they make their work
about how this work is going
to be also received outside of
the country, outside of their
culture,” he explained. “Think
of how that can form the art
and how that can create a
situation where you might want
to create something as an artist
which looks really Cuban in a
stereotypical manner so that
it’s easily recognized by those
foreign collectors.”
and the art of Cuban history
Tonel also included photos
of his artwork that were
influenced by Cuba’s changing
state during the 1990s.
One sculpture, “The Boat”
(1993), is simple—an old
wooden boat with the shape
of Cuba carved into the wood
all over—but the message is
powerful: it represents the hope
Cubans had at the time of taking
a boat to US soil and becoming
an American citizen.
But for art lovers to truly
appreciate work such as this,
one needs to know the history
and be able to relate to it,
according to Tonel.
“We think that we
understand something because
we see shapes and forms that
seem to be familiar to us, but
in fact often the case is we
don’t know the back story,”
he explained in a question
and answer period with the
audience. “We don’t know the
culture, the history forming the
making of the creation of that
image.”
He elaborated on the idea
by explaining that Renaissance
paintings cannot be fully
appreciated without some
understanding of the Christian
beliefs that inspired such art.
Tonel’s artwork has been
largely influenced by his
upbringing in Cuba, but after
being away from his homeland
for the past few years, he has a
better understanding of North
American ideas.
“T have done work for some
exhibitions where I’ve been
talking about issues like money
and capital, but I could only do
that because I’ve been spending
most of my time during these
last 13 years outside of Cuba in
North America,” he explained.
“Now my vision of the world
has changed and shifted and
now I have that perspective that
allows me to reflect on those
issues.”
Tonel is currently working
as a co-curator on an exhibition
that is set to open in January
2014 at the Morris and Helen
Belkin Art Gallery at the
University of British Columbia.
The exhibition will feature
contemporary art from Havana.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Ballet BC presents trio of enchanting performances
lilt at the Queen
Flizabeth Theatre
Julia
Siedlanowska
Staff Writer
ilt at Ballet BC premiered
two new choreographies
and brought back an old
favourite this Thursday at
the Queen Elizabeth Theatre,
where the show will run
for three nights only.
The first piece, “I and I
am You” by Jorma Elo, was a
beautiful showcase of bodies.
Out of the three pieces, this
one allowed us to marvel at
the skill of the dancers with the
cleanest slate, and was a good
piece to start the show. It opened
in complete silence. Then,
three large industrial-looking
lights came on and a dancer
ran into the stream. This set the
tone for the rest of the show.
The piece was set solely
to the music of Bach with a
modern feel to the movements.
The choreography struck me as
largely horizontal; there weren't
many spectacular lifts and the
piece was very grounded. The
moments when the choreog-
raphy seemed to best depict
the music were beautiful.
The next piece, “16 +a
room,” was choreographed by
Emily Molnar, Ballet BC’s artis-
tic director. When watching this
piece, don’t remove your eyes
for even a minute. After another
silent beginning, the piece starts
with a dancer holding a sign
that reads, “This is a beginning.”
The music then explodes in a
Performers rehearse Tilt, which runs from Oct. 17 to 19 at the Queen Elizabeth Theatre | Photo courtesy of Gerry Kahrmann
succession of pops and clicks to
the fantastic composition of Dirk
P. Haubrich, and the dancers
similarly combust off the stage.
This is where I noticed
Jordan Tuinman’s lighting. The
dancers perform a hair-raising
piece as the lights fade and
brighten as if a generator
were dying and then again
supplying more power.
The piece culminates with
all the dancers on the stage. To
watch this, we must look as if on
stars—the piece shines brighter
when we observe the whole
sky instead of individuals.
Another dancer comes on
stage with a sign that reads,
“This is not the end.” All the
dancers start pulsing as if on
a video loop and the effect is
unreal. The lights slowly go out.
The third piece was
“Walking Mad,” originally
premiered in Den Haag in
2001 and presented in March
of last year by Ballet BC.
Choreographed by Johan
Inger, this was the most theatri-
cal of the three choreographies,
and the only one with an actual
set piece. A dancer walks on
stage from the audience to
seemingly lift the curtain and
reveal a wooden, gapless fence.
The dancing begins and soon
we see the comedy in the piece.
A group of men enter in
pointy, red party hats and chase
a girl around the room. One gets
left behind to explore his pel-
vic-thrusting dance moves while
no one is watching, only to have
the group walk in again in the
middle of his solitary party.
However, the piece ends
on a much less cheery note.
A solemn duet leaves us sad,
contemplating the story we
just witnessed. A sullen girl
obsessed with a trench coat on
the floor cannot be distracted
by her partner, who eventually
jumps off the fence and is
never to be seen again.
The night presented a
variety of pieces all differing
in style and composition.
While in Elo’s piece
we were able to admire the
dancers’ amazing technique,
Molnar’s choreography stands
out because of the spectacular
pairing with Haubrich’s com-
position and because of the way
she works with her dancers.
The piece was in collaboration
with the artists of Ballet BC, so
we can only suspect that the
dancers were able to so freely
inhabit the piece because of the
artistic licence they were able to
practice. With the first two cho-
reographies having a cold qual-
ity about their simplicity and
lack of a clear story, the night
ended with more emotional
reflections in Inger’s piece.
Tilt showcased talent in
all aspects of the production
and left me thinking about
the pieces longer, if not
instantly dropping my jaw.
The history of Cuban art
Artist gives presentation
at Douglas College
Cheryl
=% Minns
- Arts Editor
arts@ theotherpress.ca
avana-born artist Tonel
(Antonio Eligio Fernandez)
graced the Aboriginal Gathering
Place at Douglas College last
week with a lively presentation
and discussion about the many
influences that affect a country’s
art.
The talk was presented for
students in a first year Modern
Languages course, Introduction
to the Language and Cultures
of the Spanish Speaking World,
6
but all Douglas students were
welcome to attend.
Tonel explored the influence
foreign collectors had on
shaping Cuban art in the 1990s
during The Special Period, when
Cuba was embargoed.
“Many Cuban artists are
producing work and thinking
when they make their work
about how this work is going
to be also received outside of
the country, outside of their
culture,” he explained. “Think
of how that can form the art
and how that can create a
situation where you might want
to create something as an artist
which looks really Cuban in a
stereotypical manner so that
it’s easily recognized by those
foreign collectors.”
and the art of Cuban history
Tonel also included photos
of his artwork that were
influenced by Cuba’s changing
state during the 1990s.
One sculpture, “The Boat”
(1993), is simple—an old
wooden boat with the shape
of Cuba carved into the wood
all over—but the message is
powerful: it represents the hope
Cubans had at the time of taking
a boat to US soil and becoming
an American citizen.
But for art lovers to truly
appreciate work such as this,
one needs to know the history
and be able to relate to it,
according to Tonel.
“We think that we
understand something because
we see shapes and forms that
seem to be familiar to us, but
in fact often the case is we
don’t know the back story,”
he explained in a question
and answer period with the
audience. “We don’t know the
culture, the history forming the
making of the creation of that
image.”
He elaborated on the idea
by explaining that Renaissance
paintings cannot be fully
appreciated without some
understanding of the Christian
beliefs that inspired such art.
Tonel’s artwork has been
largely influenced by his
upbringing in Cuba, but after
being away from his homeland
for the past few years, he has a
better understanding of North
American ideas.
“T have done work for some
exhibitions where I’ve been
talking about issues like money
and capital, but I could only do
that because I’ve been spending
most of my time during these
last 13 years outside of Cuba in
North America,” he explained.
“Now my vision of the world
has changed and shifted and
now I have that perspective that
allows me to reflect on those
issues.”
Tonel is currently working
as a co-curator on an exhibition
that is set to open in January
2014 at the Morris and Helen
Belkin Art Gallery at the
University of British Columbia.
The exhibition will feature
contemporary art from Havana.
Edited Text
ARTS.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Ballet BC presents trio of enchanting performances
lilt at the Queen
Flizabeth Theatre
Julia
Siedlanowska
Staff Writer
ilt at Ballet BC premiered
two new choreographies
and brought back an old
favourite this Thursday at
the Queen Elizabeth Theatre,
where the show will run
for three nights only.
The first piece, “I and I
am You” by Jorma Elo, was a
beautiful showcase of bodies.
Out of the three pieces, this
one allowed us to marvel at
the skill of the dancers with the
cleanest slate, and was a good
piece to start the show. It opened
in complete silence. Then,
three large industrial-looking
lights came on and a dancer
ran into the stream. This set the
tone for the rest of the show.
The piece was set solely
to the music of Bach with a
modern feel to the movements.
The choreography struck me as
largely horizontal; there weren't
many spectacular lifts and the
piece was very grounded. The
moments when the choreog-
raphy seemed to best depict
the music were beautiful.
The next piece, “16 +a
room,” was choreographed by
Emily Molnar, Ballet BC’s artis-
tic director. When watching this
piece, don’t remove your eyes
for even a minute. After another
silent beginning, the piece starts
with a dancer holding a sign
that reads, “This is a beginning.”
The music then explodes in a
Performers rehearse Tilt, which runs from Oct. 17 to 19 at the Queen Elizabeth Theatre | Photo courtesy of Gerry Kahrmann
succession of pops and clicks to
the fantastic composition of Dirk
P. Haubrich, and the dancers
similarly combust off the stage.
This is where I noticed
Jordan Tuinman’s lighting. The
dancers perform a hair-raising
piece as the lights fade and
brighten as if a generator
were dying and then again
supplying more power.
The piece culminates with
all the dancers on the stage. To
watch this, we must look as if on
stars—the piece shines brighter
when we observe the whole
sky instead of individuals.
Another dancer comes on
stage with a sign that reads,
“This is not the end.” All the
dancers start pulsing as if on
a video loop and the effect is
unreal. The lights slowly go out.
The third piece was
“Walking Mad,” originally
premiered in Den Haag in
2001 and presented in March
of last year by Ballet BC.
Choreographed by Johan
Inger, this was the most theatri-
cal of the three choreographies,
and the only one with an actual
set piece. A dancer walks on
stage from the audience to
seemingly lift the curtain and
reveal a wooden, gapless fence.
The dancing begins and soon
we see the comedy in the piece.
A group of men enter in
pointy, red party hats and chase
a girl around the room. One gets
left behind to explore his pel-
vic-thrusting dance moves while
no one is watching, only to have
the group walk in again in the
middle of his solitary party.
However, the piece ends
on a much less cheery note.
A solemn duet leaves us sad,
contemplating the story we
just witnessed. A sullen girl
obsessed with a trench coat on
the floor cannot be distracted
by her partner, who eventually
jumps off the fence and is
never to be seen again.
The night presented a
variety of pieces all differing
in style and composition.
While in Elo’s piece
we were able to admire the
dancers’ amazing technique,
Molnar’s choreography stands
out because of the spectacular
pairing with Haubrich’s com-
position and because of the way
she works with her dancers.
The piece was in collaboration
with the artists of Ballet BC, so
we can only suspect that the
dancers were able to so freely
inhabit the piece because of the
artistic licence they were able to
practice. With the first two cho-
reographies having a cold qual-
ity about their simplicity and
lack of a clear story, the night
ended with more emotional
reflections in Inger’s piece.
Tilt showcased talent in
all aspects of the production
and left me thinking about
the pieces longer, if not
instantly dropping my jaw.
The history of Cuban art
Artist gives presentation
at Douglas College
Cheryl
=% Minns
- Arts Editor
arts@ theotherpress.ca
avana-born artist Tonel
(Antonio Eligio Fernandez)
graced the Aboriginal Gathering
Place at Douglas College last
week with a lively presentation
and discussion about the many
influences that affect a country’s
art.
The talk was presented for
students in a first year Modern
Languages course, Introduction
to the Language and Cultures
of the Spanish Speaking World,
6
but all Douglas students were
welcome to attend.
Tonel explored the influence
foreign collectors had on
shaping Cuban art in the 1990s
during The Special Period, when
Cuba was embargoed.
“Many Cuban artists are
producing work and thinking
when they make their work
about how this work is going
to be also received outside of
the country, outside of their
culture,” he explained. “Think
of how that can form the art
and how that can create a
situation where you might want
to create something as an artist
which looks really Cuban in a
stereotypical manner so that
it’s easily recognized by those
foreign collectors.”
and the art of Cuban history
Tonel also included photos
of his artwork that were
influenced by Cuba’s changing
state during the 1990s.
One sculpture, “The Boat”
(1993), is simple—an old
wooden boat with the shape
of Cuba carved into the wood
all over—but the message is
powerful: it represents the hope
Cubans had at the time of taking
a boat to US soil and becoming
an American citizen.
But for art lovers to truly
appreciate work such as this,
one needs to know the history
and be able to relate to it,
according to Tonel.
“We think that we
understand something because
we see shapes and forms that
seem to be familiar to us, but
in fact often the case is we
don’t know the back story,”
he explained in a question
and answer period with the
audience. “We don’t know the
culture, the history forming the
making of the creation of that
image.”
He elaborated on the idea
by explaining that Renaissance
paintings cannot be fully
appreciated without some
understanding of the Christian
beliefs that inspired such art.
Tonel’s artwork has been
largely influenced by his
upbringing in Cuba, but after
being away from his homeland
for the past few years, he has a
better understanding of North
American ideas.
“T have done work for some
exhibitions where I’ve been
talking about issues like money
and capital, but I could only do
that because I’ve been spending
most of my time during these
last 13 years outside of Cuba in
North America,” he explained.
“Now my vision of the world
has changed and shifted and
now I have that perspective that
allows me to reflect on those
issues.”
Tonel is currently working
as a co-curator on an exhibition
that is set to open in January
2014 at the Morris and Helen
Belkin Art Gallery at the
University of British Columbia.
The exhibition will feature
contemporary art from Havana.
Have an idea for a story or review? Contact the editor at arts@theotherpress.ca
Ballet BC presents trio of enchanting performances
lilt at the Queen
Flizabeth Theatre
Julia
Siedlanowska
Staff Writer
ilt at Ballet BC premiered
two new choreographies
and brought back an old
favourite this Thursday at
the Queen Elizabeth Theatre,
where the show will run
for three nights only.
The first piece, “I and I
am You” by Jorma Elo, was a
beautiful showcase of bodies.
Out of the three pieces, this
one allowed us to marvel at
the skill of the dancers with the
cleanest slate, and was a good
piece to start the show. It opened
in complete silence. Then,
three large industrial-looking
lights came on and a dancer
ran into the stream. This set the
tone for the rest of the show.
The piece was set solely
to the music of Bach with a
modern feel to the movements.
The choreography struck me as
largely horizontal; there weren't
many spectacular lifts and the
piece was very grounded. The
moments when the choreog-
raphy seemed to best depict
the music were beautiful.
The next piece, “16 +a
room,” was choreographed by
Emily Molnar, Ballet BC’s artis-
tic director. When watching this
piece, don’t remove your eyes
for even a minute. After another
silent beginning, the piece starts
with a dancer holding a sign
that reads, “This is a beginning.”
The music then explodes in a
Performers rehearse Tilt, which runs from Oct. 17 to 19 at the Queen Elizabeth Theatre | Photo courtesy of Gerry Kahrmann
succession of pops and clicks to
the fantastic composition of Dirk
P. Haubrich, and the dancers
similarly combust off the stage.
This is where I noticed
Jordan Tuinman’s lighting. The
dancers perform a hair-raising
piece as the lights fade and
brighten as if a generator
were dying and then again
supplying more power.
The piece culminates with
all the dancers on the stage. To
watch this, we must look as if on
stars—the piece shines brighter
when we observe the whole
sky instead of individuals.
Another dancer comes on
stage with a sign that reads,
“This is not the end.” All the
dancers start pulsing as if on
a video loop and the effect is
unreal. The lights slowly go out.
The third piece was
“Walking Mad,” originally
premiered in Den Haag in
2001 and presented in March
of last year by Ballet BC.
Choreographed by Johan
Inger, this was the most theatri-
cal of the three choreographies,
and the only one with an actual
set piece. A dancer walks on
stage from the audience to
seemingly lift the curtain and
reveal a wooden, gapless fence.
The dancing begins and soon
we see the comedy in the piece.
A group of men enter in
pointy, red party hats and chase
a girl around the room. One gets
left behind to explore his pel-
vic-thrusting dance moves while
no one is watching, only to have
the group walk in again in the
middle of his solitary party.
However, the piece ends
on a much less cheery note.
A solemn duet leaves us sad,
contemplating the story we
just witnessed. A sullen girl
obsessed with a trench coat on
the floor cannot be distracted
by her partner, who eventually
jumps off the fence and is
never to be seen again.
The night presented a
variety of pieces all differing
in style and composition.
While in Elo’s piece
we were able to admire the
dancers’ amazing technique,
Molnar’s choreography stands
out because of the spectacular
pairing with Haubrich’s com-
position and because of the way
she works with her dancers.
The piece was in collaboration
with the artists of Ballet BC, so
we can only suspect that the
dancers were able to so freely
inhabit the piece because of the
artistic licence they were able to
practice. With the first two cho-
reographies having a cold qual-
ity about their simplicity and
lack of a clear story, the night
ended with more emotional
reflections in Inger’s piece.
Tilt showcased talent in
all aspects of the production
and left me thinking about
the pieces longer, if not
instantly dropping my jaw.
The history of Cuban art
Artist gives presentation
at Douglas College
Cheryl
=% Minns
- Arts Editor
arts@ theotherpress.ca
avana-born artist Tonel
(Antonio Eligio Fernandez)
graced the Aboriginal Gathering
Place at Douglas College last
week with a lively presentation
and discussion about the many
influences that affect a country’s
art.
The talk was presented for
students in a first year Modern
Languages course, Introduction
to the Language and Cultures
of the Spanish Speaking World,
6
but all Douglas students were
welcome to attend.
Tonel explored the influence
foreign collectors had on
shaping Cuban art in the 1990s
during The Special Period, when
Cuba was embargoed.
“Many Cuban artists are
producing work and thinking
when they make their work
about how this work is going
to be also received outside of
the country, outside of their
culture,” he explained. “Think
of how that can form the art
and how that can create a
situation where you might want
to create something as an artist
which looks really Cuban in a
stereotypical manner so that
it’s easily recognized by those
foreign collectors.”
and the art of Cuban history
Tonel also included photos
of his artwork that were
influenced by Cuba’s changing
state during the 1990s.
One sculpture, “The Boat”
(1993), is simple—an old
wooden boat with the shape
of Cuba carved into the wood
all over—but the message is
powerful: it represents the hope
Cubans had at the time of taking
a boat to US soil and becoming
an American citizen.
But for art lovers to truly
appreciate work such as this,
one needs to know the history
and be able to relate to it,
according to Tonel.
“We think that we
understand something because
we see shapes and forms that
seem to be familiar to us, but
in fact often the case is we
don’t know the back story,”
he explained in a question
and answer period with the
audience. “We don’t know the
culture, the history forming the
making of the creation of that
image.”
He elaborated on the idea
by explaining that Renaissance
paintings cannot be fully
appreciated without some
understanding of the Christian
beliefs that inspired such art.
Tonel’s artwork has been
largely influenced by his
upbringing in Cuba, but after
being away from his homeland
for the past few years, he has a
better understanding of North
American ideas.
“T have done work for some
exhibitions where I’ve been
talking about issues like money
and capital, but I could only do
that because I’ve been spending
most of my time during these
last 13 years outside of Cuba in
North America,” he explained.
“Now my vision of the world
has changed and shifted and
now I have that perspective that
allows me to reflect on those
issues.”
Tonel is currently working
as a co-curator on an exhibition
that is set to open in January
2014 at the Morris and Helen
Belkin Art Gallery at the
University of British Columbia.
The exhibition will feature
contemporary art from Havana.
Content type
Page
File
NEws.
Know the scoop or have a lead? Contact the editor at news @theotherpress.ca
Iconic building burns down
New Westminsters EL
lewis building destroyed
Aidan
=) | Mouellic
A : Staff Writer
{oe
i
n the morning of October
10, residents of New
Westminster awoke to the sound
of sirens, the smell of smoke,
and talk about a local disaster.
The iconic EL Lewis
building, which housed the
famous Copp’s New West
Shoes, was entirely engulfed by
a savage fire that has levelled
a half-block of businesses
along Columbia Street.
The fire broke out at around
4 a.m. and quickly proved too
much for the New Westminster
fire department to handle. Calls
were made to the Burnaby
and Delta fire departments
for back-up. Emergency
services personnel were able
4
to contain the fire to the imme-
diate area and the fire did not
spread to adjacent blocks.
The effects of the fire were
felt far and wide: many local
businesses along Columbia
Street were forced to close
due to the area being closed
by emergency personnel, and
also due to widespread smoke
Great Fire of 1898—was the
epicentre of the disaster and
housed Copp’s Shoes until
earlier this year. The well-
known shoe store moved out
on January 1 and a bridal shop
moved in. Many brides have lost
their gowns, with some gowns
seen laying in the rubble in the
days after the disastrous fire.
Terry Brine, who co-owns
the block and was the owner
of Copp’s Shoes, would like to
rebuild the building but realizes
that “you can’t replace history.”
In times of tragedy, commu-
nity members are either pulled
apart or brought together. In
the case of this recent event
along Columbia Street, people
Ihe loss of the building represents not only a loss to the historical heritage of
New Westminster, but 11 tenants made their living within the EL Lewis building
and those tenants, most of whom were small business owners, are now without
a place to call their own.
odour issues. Many businesses
decided it was better to close
for a few days while the scene
settled down, while many other
businesses will unfortunately
not be able to re-open due to
the damage the fire caused.
The EL Lewis building—
built in 1904 shortly after the
The loss of the building
represents not only a loss to
the historical heritage of New
Westminster, but 11 tenants
made their living within the
EL Lewis building and those
tenants, most of whom were
small business owners, are now
without a place to call their own.
are coming together to over-
come. The Paramount Theatre
Gentlemen’s Club changed part
of its marquee to say “We love
you, New West. Stay strong,”
and Marisa Wiens of Surrey has
started a Facebook page where
people can donate wedding
gowns to those women who
Wa Fie
Columbia Street fire | Photo courtesy of Aidan Mouellic
lost theirs in the fire; her page,
Gowns for Golden Brides,
has more than 600 likes.
The New Westminster fire
department has yet to disclose
whether or not the fire is suspi-
cious and are still determining
the series of events that led up
to the disaster. Investigators are
still sifting through the rubble
to determine a cause of the fire.
Early indications are that pro-
pane canisters, which were on
the roof from construction work
that had been done earlier that
day, may have caused the fire.
Once again, Downtown
New Westminster has been
permanently altered and a
vast chunk of prime historical
buildings has gone up in
smoke. Fortunately, no injuries
have been reported and local
residents are banding together
to assist all affected parties.
Know the scoop or have a lead? Contact the editor at news @theotherpress.ca
Iconic building burns down
New Westminsters EL
lewis building destroyed
Aidan
=) | Mouellic
A : Staff Writer
{oe
i
n the morning of October
10, residents of New
Westminster awoke to the sound
of sirens, the smell of smoke,
and talk about a local disaster.
The iconic EL Lewis
building, which housed the
famous Copp’s New West
Shoes, was entirely engulfed by
a savage fire that has levelled
a half-block of businesses
along Columbia Street.
The fire broke out at around
4 a.m. and quickly proved too
much for the New Westminster
fire department to handle. Calls
were made to the Burnaby
and Delta fire departments
for back-up. Emergency
services personnel were able
4
to contain the fire to the imme-
diate area and the fire did not
spread to adjacent blocks.
The effects of the fire were
felt far and wide: many local
businesses along Columbia
Street were forced to close
due to the area being closed
by emergency personnel, and
also due to widespread smoke
Great Fire of 1898—was the
epicentre of the disaster and
housed Copp’s Shoes until
earlier this year. The well-
known shoe store moved out
on January 1 and a bridal shop
moved in. Many brides have lost
their gowns, with some gowns
seen laying in the rubble in the
days after the disastrous fire.
Terry Brine, who co-owns
the block and was the owner
of Copp’s Shoes, would like to
rebuild the building but realizes
that “you can’t replace history.”
In times of tragedy, commu-
nity members are either pulled
apart or brought together. In
the case of this recent event
along Columbia Street, people
Ihe loss of the building represents not only a loss to the historical heritage of
New Westminster, but 11 tenants made their living within the EL Lewis building
and those tenants, most of whom were small business owners, are now without
a place to call their own.
odour issues. Many businesses
decided it was better to close
for a few days while the scene
settled down, while many other
businesses will unfortunately
not be able to re-open due to
the damage the fire caused.
The EL Lewis building—
built in 1904 shortly after the
The loss of the building
represents not only a loss to
the historical heritage of New
Westminster, but 11 tenants
made their living within the
EL Lewis building and those
tenants, most of whom were
small business owners, are now
without a place to call their own.
are coming together to over-
come. The Paramount Theatre
Gentlemen’s Club changed part
of its marquee to say “We love
you, New West. Stay strong,”
and Marisa Wiens of Surrey has
started a Facebook page where
people can donate wedding
gowns to those women who
Wa Fie
Columbia Street fire | Photo courtesy of Aidan Mouellic
lost theirs in the fire; her page,
Gowns for Golden Brides,
has more than 600 likes.
The New Westminster fire
department has yet to disclose
whether or not the fire is suspi-
cious and are still determining
the series of events that led up
to the disaster. Investigators are
still sifting through the rubble
to determine a cause of the fire.
Early indications are that pro-
pane canisters, which were on
the roof from construction work
that had been done earlier that
day, may have caused the fire.
Once again, Downtown
New Westminster has been
permanently altered and a
vast chunk of prime historical
buildings has gone up in
smoke. Fortunately, no injuries
have been reported and local
residents are banding together
to assist all affected parties.
Edited Text
NEws.
Know the scoop or have a lead? Contact the editor at news @theotherpress.ca
Iconic building burns down
New Westminsters EL
lewis building destroyed
Aidan
=) | Mouellic
A : Staff Writer
{oe
i
n the morning of October
10, residents of New
Westminster awoke to the sound
of sirens, the smell of smoke,
and talk about a local disaster.
The iconic EL Lewis
building, which housed the
famous Copp’s New West
Shoes, was entirely engulfed by
a savage fire that has levelled
a half-block of businesses
along Columbia Street.
The fire broke out at around
4 a.m. and quickly proved too
much for the New Westminster
fire department to handle. Calls
were made to the Burnaby
and Delta fire departments
for back-up. Emergency
services personnel were able
4
to contain the fire to the imme-
diate area and the fire did not
spread to adjacent blocks.
The effects of the fire were
felt far and wide: many local
businesses along Columbia
Street were forced to close
due to the area being closed
by emergency personnel, and
also due to widespread smoke
Great Fire of 1898—was the
epicentre of the disaster and
housed Copp’s Shoes until
earlier this year. The well-
known shoe store moved out
on January 1 and a bridal shop
moved in. Many brides have lost
their gowns, with some gowns
seen laying in the rubble in the
days after the disastrous fire.
Terry Brine, who co-owns
the block and was the owner
of Copp’s Shoes, would like to
rebuild the building but realizes
that “you can’t replace history.”
In times of tragedy, commu-
nity members are either pulled
apart or brought together. In
the case of this recent event
along Columbia Street, people
Ihe loss of the building represents not only a loss to the historical heritage of
New Westminster, but 11 tenants made their living within the EL Lewis building
and those tenants, most of whom were small business owners, are now without
a place to call their own.
odour issues. Many businesses
decided it was better to close
for a few days while the scene
settled down, while many other
businesses will unfortunately
not be able to re-open due to
the damage the fire caused.
The EL Lewis building—
built in 1904 shortly after the
The loss of the building
represents not only a loss to
the historical heritage of New
Westminster, but 11 tenants
made their living within the
EL Lewis building and those
tenants, most of whom were
small business owners, are now
without a place to call their own.
are coming together to over-
come. The Paramount Theatre
Gentlemen’s Club changed part
of its marquee to say “We love
you, New West. Stay strong,”
and Marisa Wiens of Surrey has
started a Facebook page where
people can donate wedding
gowns to those women who
Wa Fie
Columbia Street fire | Photo courtesy of Aidan Mouellic
lost theirs in the fire; her page,
Gowns for Golden Brides,
has more than 600 likes.
The New Westminster fire
department has yet to disclose
whether or not the fire is suspi-
cious and are still determining
the series of events that led up
to the disaster. Investigators are
still sifting through the rubble
to determine a cause of the fire.
Early indications are that pro-
pane canisters, which were on
the roof from construction work
that had been done earlier that
day, may have caused the fire.
Once again, Downtown
New Westminster has been
permanently altered and a
vast chunk of prime historical
buildings has gone up in
smoke. Fortunately, no injuries
have been reported and local
residents are banding together
to assist all affected parties.
Know the scoop or have a lead? Contact the editor at news @theotherpress.ca
Iconic building burns down
New Westminsters EL
lewis building destroyed
Aidan
=) | Mouellic
A : Staff Writer
{oe
i
n the morning of October
10, residents of New
Westminster awoke to the sound
of sirens, the smell of smoke,
and talk about a local disaster.
The iconic EL Lewis
building, which housed the
famous Copp’s New West
Shoes, was entirely engulfed by
a savage fire that has levelled
a half-block of businesses
along Columbia Street.
The fire broke out at around
4 a.m. and quickly proved too
much for the New Westminster
fire department to handle. Calls
were made to the Burnaby
and Delta fire departments
for back-up. Emergency
services personnel were able
4
to contain the fire to the imme-
diate area and the fire did not
spread to adjacent blocks.
The effects of the fire were
felt far and wide: many local
businesses along Columbia
Street were forced to close
due to the area being closed
by emergency personnel, and
also due to widespread smoke
Great Fire of 1898—was the
epicentre of the disaster and
housed Copp’s Shoes until
earlier this year. The well-
known shoe store moved out
on January 1 and a bridal shop
moved in. Many brides have lost
their gowns, with some gowns
seen laying in the rubble in the
days after the disastrous fire.
Terry Brine, who co-owns
the block and was the owner
of Copp’s Shoes, would like to
rebuild the building but realizes
that “you can’t replace history.”
In times of tragedy, commu-
nity members are either pulled
apart or brought together. In
the case of this recent event
along Columbia Street, people
Ihe loss of the building represents not only a loss to the historical heritage of
New Westminster, but 11 tenants made their living within the EL Lewis building
and those tenants, most of whom were small business owners, are now without
a place to call their own.
odour issues. Many businesses
decided it was better to close
for a few days while the scene
settled down, while many other
businesses will unfortunately
not be able to re-open due to
the damage the fire caused.
The EL Lewis building—
built in 1904 shortly after the
The loss of the building
represents not only a loss to
the historical heritage of New
Westminster, but 11 tenants
made their living within the
EL Lewis building and those
tenants, most of whom were
small business owners, are now
without a place to call their own.
are coming together to over-
come. The Paramount Theatre
Gentlemen’s Club changed part
of its marquee to say “We love
you, New West. Stay strong,”
and Marisa Wiens of Surrey has
started a Facebook page where
people can donate wedding
gowns to those women who
Wa Fie
Columbia Street fire | Photo courtesy of Aidan Mouellic
lost theirs in the fire; her page,
Gowns for Golden Brides,
has more than 600 likes.
The New Westminster fire
department has yet to disclose
whether or not the fire is suspi-
cious and are still determining
the series of events that led up
to the disaster. Investigators are
still sifting through the rubble
to determine a cause of the fire.
Early indications are that pro-
pane canisters, which were on
the roof from construction work
that had been done earlier that
day, may have caused the fire.
Once again, Downtown
New Westminster has been
permanently altered and a
vast chunk of prime historical
buildings has gone up in
smoke. Fortunately, no injuries
have been reported and local
residents are banding together
to assist all affected parties.
Content type
Page
File
SPORTS.
Know the score? Contact the editor at sports@theotherpress.ca
ss ek.
Ex-Buccanneer
storms the Cassel
(
hristian Ponder was taken
12th overall in the 2011 NFL
draft by the Minnesota Vikings
to be the main man behind
centre. Now, not even halfway
through his third season, it
looks as though his billing as the
franchise quarterback is over—
thanks to the arrival of Tampa
Bay cast-off, Josh Freeman.
While the speed of the
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
18
Ponder-ing a Freeman
2. 5 ei
change should come as a bit of
a surprise (and a bit of a slight
to the consistently average
Matt Cassel), the fact that it
happened shouldn’t. Ponder
has been, at best, a mediocre
game manager. Not a mediocre
quarterback. A manager. And
it’s debatable if he’s even as
good as that. Thad Lewis could
probably look respectable if he
had the best back in the league
to take some pressure off him
too. Pivots taken in the top half
of the draft are expected to be
more than average. Ponder has
woefully failed in that regard.
That said, it’s not really
his fault. Even when he was
selected by the Vikings,
many saw it as an overdraft.
A desperate move by a club
needing someone to take the
snaps. Everyone knew Donovan
McNabb wasn’t going to be
the answer. While Ponder is
definitely a bust, the situation
he was thrown into made this
result unavoidable. A team with
no receivers to speak of and
impossibly high expectations;
what was he supposed to do?
Ponder’s failure also illus-
trates the faults of the modern
shift in thinking when it comes
to quarterback development:
gone are the days of first-round-
ers spending a season or two
on the bench and becoming
acclimatized to the league before
taking the reins. Nowadays,
rookies are thrust into the
spotlight almost immediately.
Last year’s crop of highly
touted quarterbacks (Andrew
Luck, Robert Griffin III, Russell
Wilson, Ryan Tannehill, and
Brandon Weeden) were thrown
into the fight from day one.
While Luck, RGIII, and Wilson
are obviously exceptional play-
ers who proved the move was
the right choice, Tannehill and
Weeden’s baptisms by fire were
significantly less successful.
While recent history has
shown that this shift isn’t
as ineffective as previously
thought, one does have to
question the reasoning behind
it. Yes, some teams seemingly
have no other choice but to start
their prized prospect due to a
lack of depth in the position;
but even in those situations,
is it really so much about the
Minnesota Vikings Christian Ponder | Photo courtesy of Bruce Kluckhohn/US Presswire
club starting their best available
player, or getting fans into the
seats? Don’t kid yourself. The
NFL is a money-driven league.
In as much as every coach is
doing their best to turn their
club into a contender, one can’t
help but think that owners get
a little bit too involved with
the football operations for their
own good. After all, who would
you rather see behind centre? A
journeyman or a hyped rookie?
Who's going to put butts in
the seats? Sell more jerseys?
Get on the cover of Sports
Illustrated? From a financial
point of view, it’s a no-brainer.
But from a football standpoint?
Beware. For every Cam Newton,
there’s a Blaine Gabbert.
Know the score? Contact the editor at sports@theotherpress.ca
ss ek.
Ex-Buccanneer
storms the Cassel
(
hristian Ponder was taken
12th overall in the 2011 NFL
draft by the Minnesota Vikings
to be the main man behind
centre. Now, not even halfway
through his third season, it
looks as though his billing as the
franchise quarterback is over—
thanks to the arrival of Tampa
Bay cast-off, Josh Freeman.
While the speed of the
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
18
Ponder-ing a Freeman
2. 5 ei
change should come as a bit of
a surprise (and a bit of a slight
to the consistently average
Matt Cassel), the fact that it
happened shouldn’t. Ponder
has been, at best, a mediocre
game manager. Not a mediocre
quarterback. A manager. And
it’s debatable if he’s even as
good as that. Thad Lewis could
probably look respectable if he
had the best back in the league
to take some pressure off him
too. Pivots taken in the top half
of the draft are expected to be
more than average. Ponder has
woefully failed in that regard.
That said, it’s not really
his fault. Even when he was
selected by the Vikings,
many saw it as an overdraft.
A desperate move by a club
needing someone to take the
snaps. Everyone knew Donovan
McNabb wasn’t going to be
the answer. While Ponder is
definitely a bust, the situation
he was thrown into made this
result unavoidable. A team with
no receivers to speak of and
impossibly high expectations;
what was he supposed to do?
Ponder’s failure also illus-
trates the faults of the modern
shift in thinking when it comes
to quarterback development:
gone are the days of first-round-
ers spending a season or two
on the bench and becoming
acclimatized to the league before
taking the reins. Nowadays,
rookies are thrust into the
spotlight almost immediately.
Last year’s crop of highly
touted quarterbacks (Andrew
Luck, Robert Griffin III, Russell
Wilson, Ryan Tannehill, and
Brandon Weeden) were thrown
into the fight from day one.
While Luck, RGIII, and Wilson
are obviously exceptional play-
ers who proved the move was
the right choice, Tannehill and
Weeden’s baptisms by fire were
significantly less successful.
While recent history has
shown that this shift isn’t
as ineffective as previously
thought, one does have to
question the reasoning behind
it. Yes, some teams seemingly
have no other choice but to start
their prized prospect due to a
lack of depth in the position;
but even in those situations,
is it really so much about the
Minnesota Vikings Christian Ponder | Photo courtesy of Bruce Kluckhohn/US Presswire
club starting their best available
player, or getting fans into the
seats? Don’t kid yourself. The
NFL is a money-driven league.
In as much as every coach is
doing their best to turn their
club into a contender, one can’t
help but think that owners get
a little bit too involved with
the football operations for their
own good. After all, who would
you rather see behind centre? A
journeyman or a hyped rookie?
Who's going to put butts in
the seats? Sell more jerseys?
Get on the cover of Sports
Illustrated? From a financial
point of view, it’s a no-brainer.
But from a football standpoint?
Beware. For every Cam Newton,
there’s a Blaine Gabbert.
Edited Text
SPORTS.
Know the score? Contact the editor at sports@theotherpress.ca
ss ek.
Ex-Buccanneer
storms the Cassel
(
hristian Ponder was taken
12th overall in the 2011 NFL
draft by the Minnesota Vikings
to be the main man behind
centre. Now, not even halfway
through his third season, it
looks as though his billing as the
franchise quarterback is over—
thanks to the arrival of Tampa
Bay cast-off, Josh Freeman.
While the speed of the
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
18
Ponder-ing a Freeman
2. 5 ei
change should come as a bit of
a surprise (and a bit of a slight
to the consistently average
Matt Cassel), the fact that it
happened shouldn’t. Ponder
has been, at best, a mediocre
game manager. Not a mediocre
quarterback. A manager. And
it’s debatable if he’s even as
good as that. Thad Lewis could
probably look respectable if he
had the best back in the league
to take some pressure off him
too. Pivots taken in the top half
of the draft are expected to be
more than average. Ponder has
woefully failed in that regard.
That said, it’s not really
his fault. Even when he was
selected by the Vikings,
many saw it as an overdraft.
A desperate move by a club
needing someone to take the
snaps. Everyone knew Donovan
McNabb wasn’t going to be
the answer. While Ponder is
definitely a bust, the situation
he was thrown into made this
result unavoidable. A team with
no receivers to speak of and
impossibly high expectations;
what was he supposed to do?
Ponder’s failure also illus-
trates the faults of the modern
shift in thinking when it comes
to quarterback development:
gone are the days of first-round-
ers spending a season or two
on the bench and becoming
acclimatized to the league before
taking the reins. Nowadays,
rookies are thrust into the
spotlight almost immediately.
Last year’s crop of highly
touted quarterbacks (Andrew
Luck, Robert Griffin III, Russell
Wilson, Ryan Tannehill, and
Brandon Weeden) were thrown
into the fight from day one.
While Luck, RGIII, and Wilson
are obviously exceptional play-
ers who proved the move was
the right choice, Tannehill and
Weeden’s baptisms by fire were
significantly less successful.
While recent history has
shown that this shift isn’t
as ineffective as previously
thought, one does have to
question the reasoning behind
it. Yes, some teams seemingly
have no other choice but to start
their prized prospect due to a
lack of depth in the position;
but even in those situations,
is it really so much about the
Minnesota Vikings Christian Ponder | Photo courtesy of Bruce Kluckhohn/US Presswire
club starting their best available
player, or getting fans into the
seats? Don’t kid yourself. The
NFL is a money-driven league.
In as much as every coach is
doing their best to turn their
club into a contender, one can’t
help but think that owners get
a little bit too involved with
the football operations for their
own good. After all, who would
you rather see behind centre? A
journeyman or a hyped rookie?
Who's going to put butts in
the seats? Sell more jerseys?
Get on the cover of Sports
Illustrated? From a financial
point of view, it’s a no-brainer.
But from a football standpoint?
Beware. For every Cam Newton,
there’s a Blaine Gabbert.
Know the score? Contact the editor at sports@theotherpress.ca
ss ek.
Ex-Buccanneer
storms the Cassel
(
hristian Ponder was taken
12th overall in the 2011 NFL
draft by the Minnesota Vikings
to be the main man behind
centre. Now, not even halfway
through his third season, it
looks as though his billing as the
franchise quarterback is over—
thanks to the arrival of Tampa
Bay cast-off, Josh Freeman.
While the speed of the
Eric
Wilkins
Sports Editor
sports@theotherpress.ca
18
Ponder-ing a Freeman
2. 5 ei
change should come as a bit of
a surprise (and a bit of a slight
to the consistently average
Matt Cassel), the fact that it
happened shouldn’t. Ponder
has been, at best, a mediocre
game manager. Not a mediocre
quarterback. A manager. And
it’s debatable if he’s even as
good as that. Thad Lewis could
probably look respectable if he
had the best back in the league
to take some pressure off him
too. Pivots taken in the top half
of the draft are expected to be
more than average. Ponder has
woefully failed in that regard.
That said, it’s not really
his fault. Even when he was
selected by the Vikings,
many saw it as an overdraft.
A desperate move by a club
needing someone to take the
snaps. Everyone knew Donovan
McNabb wasn’t going to be
the answer. While Ponder is
definitely a bust, the situation
he was thrown into made this
result unavoidable. A team with
no receivers to speak of and
impossibly high expectations;
what was he supposed to do?
Ponder’s failure also illus-
trates the faults of the modern
shift in thinking when it comes
to quarterback development:
gone are the days of first-round-
ers spending a season or two
on the bench and becoming
acclimatized to the league before
taking the reins. Nowadays,
rookies are thrust into the
spotlight almost immediately.
Last year’s crop of highly
touted quarterbacks (Andrew
Luck, Robert Griffin III, Russell
Wilson, Ryan Tannehill, and
Brandon Weeden) were thrown
into the fight from day one.
While Luck, RGIII, and Wilson
are obviously exceptional play-
ers who proved the move was
the right choice, Tannehill and
Weeden’s baptisms by fire were
significantly less successful.
While recent history has
shown that this shift isn’t
as ineffective as previously
thought, one does have to
question the reasoning behind
it. Yes, some teams seemingly
have no other choice but to start
their prized prospect due to a
lack of depth in the position;
but even in those situations,
is it really so much about the
Minnesota Vikings Christian Ponder | Photo courtesy of Bruce Kluckhohn/US Presswire
club starting their best available
player, or getting fans into the
seats? Don’t kid yourself. The
NFL is a money-driven league.
In as much as every coach is
doing their best to turn their
club into a contender, one can’t
help but think that owners get
a little bit too involved with
the football operations for their
own good. After all, who would
you rather see behind centre? A
journeyman or a hyped rookie?
Who's going to put butts in
the seats? Sell more jerseys?
Get on the cover of Sports
Illustrated? From a financial
point of view, it’s a no-brainer.
But from a football standpoint?
Beware. For every Cam Newton,
there’s a Blaine Gabbert.
Content type
Page
File
www.theotherpress.ca
Lire & STYLE.
Keeping it in the city
Ihe benefits of
seeing local shows
Cazz
sh Lewchuk
Staff Writer
ali,
Mes is an integral part of
almost everyone's life—
especially the average college
student’s. Almost everybody has
gone to or would like to gotoa
concert, whether your tastes are
dubstep DJs mixing the latest
sounds or professional violinists
serenading by candlelight. Some
concerts are held in stadiums big
enough to hold football games,
others in places no bigger than
a kitchen. In addition to the
live experience, we all enjoy
listening to recorded music,
whether on MP3s, CDs, or vinyl.
Whatever genre and way of
enjoying music you like, there’s
one great way to improve the
experience: supporting local
music. Just like with food or
other types of art, supporting
the local industry can really
benefit you, your friends, and
the people on the other side of
the music—and a local concert
service fees from giant ticketing
companies. Most local bands sell
the tickets at independent record
stores, or direct to you straight
from the musician’s hands—a
bonus if you’ve never met the
person or if you're a huge fan.
Every single local concert I’ve
attended has cost less than $20,
Vancouver's Said the Whale | Photo courtesy of Russ Gordon
a couple hundred people,
allowing for a better view of the
stage and an improved ability
to hear the band. Musicians
interact with the audience a lot
more, and almost always hang
around to talk after. It’s a much
more intimate experience, yet
the tickets are a fraction of what
a local concert definitely beats staying home on Saturday night and watching
reruns of Friends.
definitely beats staying home
on Saturday night and watching
reruns of Friends.
For starters, local concerts
are much cheaper than most
touring shows. This is because
bands can charge less since they
don’t have tour expenses or
and there are usually multiple
bands on the bill. You'd think
seeing more bands would make
ticket prices higher, but the
opposite holds true.
Smaller venues are another
benefit to local shows. They
usually don’t hold more than
you'd pay to see Katy Perry at
Rogers Arena. Small venues also
allow you to meet your fellow
show-goers—great for making
friends, hookups, or dates.
The Lower Mainland music
scene has a huge variety of
music: there’s pop-punk, rock,
indie, rap, dubstep, and many
others. With such a wide range
of tastes, there’s something
for everyone. You could easily
entertain yourself with a variety
of sounds without even having
to entertain the idea of paying
exorbitant prices to a touring
band.
Local bands usually do
their music as a hobby or side
job and aren’t professionals; by
supporting them, you'll have a
direct effect on their ability to
do what they love. Connections
with local bands are really easy
to form, and you'll probably
make friends with the musicians
you see multiple times. Whether
it’s through buying merchandise
and CDs or just seeing the show,
supporting local music benefits
musicians, venues, and the local
economy—plus, they can be a
much greater experience than
going to a big touring show.
Lire & STYLE.
Keeping it in the city
Ihe benefits of
seeing local shows
Cazz
sh Lewchuk
Staff Writer
ali,
Mes is an integral part of
almost everyone's life—
especially the average college
student’s. Almost everybody has
gone to or would like to gotoa
concert, whether your tastes are
dubstep DJs mixing the latest
sounds or professional violinists
serenading by candlelight. Some
concerts are held in stadiums big
enough to hold football games,
others in places no bigger than
a kitchen. In addition to the
live experience, we all enjoy
listening to recorded music,
whether on MP3s, CDs, or vinyl.
Whatever genre and way of
enjoying music you like, there’s
one great way to improve the
experience: supporting local
music. Just like with food or
other types of art, supporting
the local industry can really
benefit you, your friends, and
the people on the other side of
the music—and a local concert
service fees from giant ticketing
companies. Most local bands sell
the tickets at independent record
stores, or direct to you straight
from the musician’s hands—a
bonus if you’ve never met the
person or if you're a huge fan.
Every single local concert I’ve
attended has cost less than $20,
Vancouver's Said the Whale | Photo courtesy of Russ Gordon
a couple hundred people,
allowing for a better view of the
stage and an improved ability
to hear the band. Musicians
interact with the audience a lot
more, and almost always hang
around to talk after. It’s a much
more intimate experience, yet
the tickets are a fraction of what
a local concert definitely beats staying home on Saturday night and watching
reruns of Friends.
definitely beats staying home
on Saturday night and watching
reruns of Friends.
For starters, local concerts
are much cheaper than most
touring shows. This is because
bands can charge less since they
don’t have tour expenses or
and there are usually multiple
bands on the bill. You'd think
seeing more bands would make
ticket prices higher, but the
opposite holds true.
Smaller venues are another
benefit to local shows. They
usually don’t hold more than
you'd pay to see Katy Perry at
Rogers Arena. Small venues also
allow you to meet your fellow
show-goers—great for making
friends, hookups, or dates.
The Lower Mainland music
scene has a huge variety of
music: there’s pop-punk, rock,
indie, rap, dubstep, and many
others. With such a wide range
of tastes, there’s something
for everyone. You could easily
entertain yourself with a variety
of sounds without even having
to entertain the idea of paying
exorbitant prices to a touring
band.
Local bands usually do
their music as a hobby or side
job and aren’t professionals; by
supporting them, you'll have a
direct effect on their ability to
do what they love. Connections
with local bands are really easy
to form, and you'll probably
make friends with the musicians
you see multiple times. Whether
it’s through buying merchandise
and CDs or just seeing the show,
supporting local music benefits
musicians, venues, and the local
economy—plus, they can be a
much greater experience than
going to a big touring show.
Edited Text
www.theotherpress.ca
Lire & STYLE.
Keeping it in the city
Ihe benefits of
seeing local shows
Cazz
sh Lewchuk
Staff Writer
ali,
Mes is an integral part of
almost everyone's life—
especially the average college
student’s. Almost everybody has
gone to or would like to gotoa
concert, whether your tastes are
dubstep DJs mixing the latest
sounds or professional violinists
serenading by candlelight. Some
concerts are held in stadiums big
enough to hold football games,
others in places no bigger than
a kitchen. In addition to the
live experience, we all enjoy
listening to recorded music,
whether on MP3s, CDs, or vinyl.
Whatever genre and way of
enjoying music you like, there’s
one great way to improve the
experience: supporting local
music. Just like with food or
other types of art, supporting
the local industry can really
benefit you, your friends, and
the people on the other side of
the music—and a local concert
service fees from giant ticketing
companies. Most local bands sell
the tickets at independent record
stores, or direct to you straight
from the musician’s hands—a
bonus if you’ve never met the
person or if you're a huge fan.
Every single local concert I’ve
attended has cost less than $20,
Vancouver's Said the Whale | Photo courtesy of Russ Gordon
a couple hundred people,
allowing for a better view of the
stage and an improved ability
to hear the band. Musicians
interact with the audience a lot
more, and almost always hang
around to talk after. It’s a much
more intimate experience, yet
the tickets are a fraction of what
a local concert definitely beats staying home on Saturday night and watching
reruns of Friends.
definitely beats staying home
on Saturday night and watching
reruns of Friends.
For starters, local concerts
are much cheaper than most
touring shows. This is because
bands can charge less since they
don’t have tour expenses or
and there are usually multiple
bands on the bill. You'd think
seeing more bands would make
ticket prices higher, but the
opposite holds true.
Smaller venues are another
benefit to local shows. They
usually don’t hold more than
you'd pay to see Katy Perry at
Rogers Arena. Small venues also
allow you to meet your fellow
show-goers—great for making
friends, hookups, or dates.
The Lower Mainland music
scene has a huge variety of
music: there’s pop-punk, rock,
indie, rap, dubstep, and many
others. With such a wide range
of tastes, there’s something
for everyone. You could easily
entertain yourself with a variety
of sounds without even having
to entertain the idea of paying
exorbitant prices to a touring
band.
Local bands usually do
their music as a hobby or side
job and aren’t professionals; by
supporting them, you'll have a
direct effect on their ability to
do what they love. Connections
with local bands are really easy
to form, and you'll probably
make friends with the musicians
you see multiple times. Whether
it’s through buying merchandise
and CDs or just seeing the show,
supporting local music benefits
musicians, venues, and the local
economy—plus, they can be a
much greater experience than
going to a big touring show.
Lire & STYLE.
Keeping it in the city
Ihe benefits of
seeing local shows
Cazz
sh Lewchuk
Staff Writer
ali,
Mes is an integral part of
almost everyone's life—
especially the average college
student’s. Almost everybody has
gone to or would like to gotoa
concert, whether your tastes are
dubstep DJs mixing the latest
sounds or professional violinists
serenading by candlelight. Some
concerts are held in stadiums big
enough to hold football games,
others in places no bigger than
a kitchen. In addition to the
live experience, we all enjoy
listening to recorded music,
whether on MP3s, CDs, or vinyl.
Whatever genre and way of
enjoying music you like, there’s
one great way to improve the
experience: supporting local
music. Just like with food or
other types of art, supporting
the local industry can really
benefit you, your friends, and
the people on the other side of
the music—and a local concert
service fees from giant ticketing
companies. Most local bands sell
the tickets at independent record
stores, or direct to you straight
from the musician’s hands—a
bonus if you’ve never met the
person or if you're a huge fan.
Every single local concert I’ve
attended has cost less than $20,
Vancouver's Said the Whale | Photo courtesy of Russ Gordon
a couple hundred people,
allowing for a better view of the
stage and an improved ability
to hear the band. Musicians
interact with the audience a lot
more, and almost always hang
around to talk after. It’s a much
more intimate experience, yet
the tickets are a fraction of what
a local concert definitely beats staying home on Saturday night and watching
reruns of Friends.
definitely beats staying home
on Saturday night and watching
reruns of Friends.
For starters, local concerts
are much cheaper than most
touring shows. This is because
bands can charge less since they
don’t have tour expenses or
and there are usually multiple
bands on the bill. You'd think
seeing more bands would make
ticket prices higher, but the
opposite holds true.
Smaller venues are another
benefit to local shows. They
usually don’t hold more than
you'd pay to see Katy Perry at
Rogers Arena. Small venues also
allow you to meet your fellow
show-goers—great for making
friends, hookups, or dates.
The Lower Mainland music
scene has a huge variety of
music: there’s pop-punk, rock,
indie, rap, dubstep, and many
others. With such a wide range
of tastes, there’s something
for everyone. You could easily
entertain yourself with a variety
of sounds without even having
to entertain the idea of paying
exorbitant prices to a touring
band.
Local bands usually do
their music as a hobby or side
job and aren’t professionals; by
supporting them, you'll have a
direct effect on their ability to
do what they love. Connections
with local bands are really easy
to form, and you'll probably
make friends with the musicians
you see multiple times. Whether
it’s through buying merchandise
and CDs or just seeing the show,
supporting local music benefits
musicians, venues, and the local
economy—plus, they can be a
much greater experience than
going to a big touring show.
Content type
Page
File
www.theotherpress.ca
OPINIONS.
Fight for your right
+
The pros and cons of
peaceful protest
Elliot
Chan
Opinions Editor
‘ts opinions@theotherpress.ca
hat began as a peaceful
protest near Rexton, New
Brunswick on October 17 turned
violent as armed RCMP clashed
with those opposing shale gas
exploration and fracking. Led
by the Mi’kmaq First Nations
people, the protesters created
a blockade and asserted
they were “willing to die”
for their position. Molotov
cocktails and firearms don’t
necessarily demonstrate peace
or a willingness to negotiate, so
when the smoke cleared, guns
were holstered, and the roads
were emptied, 40 protesters
were arrested and five RCMP
vehicles were torched.
This was a fine example of
a peaceful protest gone wrong,
but has a peaceful protest ever
gone right? Has dissatisfaction
ever been effectively
communicated through
defiance? Do rebels ever sway
public opinion? Personally, I
am a supporter of protest: when
injustice is clearly displayed,
it’s our duty as citizens to stand
up and stand together. The
history books are full of great
examples of effective peaceful
protests. Of course the results
weren't immediate, but those
who banded together sparked
changes and got the rolling
eS
Protesters have to pass burning police cruisers to get out of the way to saftey | Photo courtesy of Laura Brown/@01LBrown
wheel of revolution heading in
the right direction.
What some consider
mischief, others see as heroic.
Hell, when put in a high
pressure situation, I hope I have
the guts to march out in front of
a moving tank like the students
did in Tiananmen Square during
the June Fourth Incident in
1989. I like to think that I have
the courage to stand up for my
fellow man when the situation
calls for it. We all like to believe
we can take down Goliath,
and we like to cheer for the
underdogs, but often we simply
bark—what happens when we
bite?
More often than not, we
consider protest to be a waste
of taxpayers’ dollars. Just take a
glance at the accomplishments—
oops, I mean the consequences—
of Occupy Wall Street in 2011.
When done right, a protest
will trigger debates, dialogue,
and meaningful conversations.
When done wrong, it becomes
a spectacle and a shame on the
city, country, and even mankind.
There is a lesson we need
to learn from all of this: lessons
from Mahatma Gandhi's hunger
strike, Martin Luther King Jr.’s
March on Washington, and John
Lennon and Yoko Ono’s Bed-Ins
for Peace. The strikes, boycotts,
and protests garner attention,
but all lead to tragic results.
They effectively call attention
to a problem, thus paving way
for a solution, but we must
recognize that there might not
be such thing as a peaceful
protest: all protest hurts in one
way or another.
As disruptive as it is,
protesting is our human
right—or it should be. North
Americans are accustomed
to their safe little abodes and
often only see the devastation
of violent protests in other
countries. Those people in Egypt
and Turkey aren't uneducated
ruffians causing trouble for the
establishment. They’re just like
us, trying to find comfort and
trying to defend something
they truly believe in. Those
people are “willing to die” for
their cause, and to me that is
something humanity needs.
Protest is an amiable choice and
a potentially horrible one—but
when push comes to shove, only
the cowards are passive.
Artwork is work
Does the responsibility
in ensuring a healthy
culture lle in us?
Julia
Siedlanowska
Staff Writer
he debate about whether
arts should receive public
funding is a hot one. Although a
part of me wants to believe that
the arts should be able to sustain
itself in a competitive market
based on demand, another part
knows that the government has
a responsibility to ensure the
health of our culture. Some art
institutions providing valuable
services could really use a hand
in starting up. Some artists
are worth developing, and
sometimes that requires a grant
or residency funding. However,
the root of it all doesn’t just lie
in the government—t lies in us,
the majority.
We live in a complex and
fast-paced world—this we
know. Music is abundant and
everyone is a photographer.
After all, when was the last
time you paid for a song on
iTunes? Music downloads are
everywhere on the Internet, you
can pick up the latest print from
IKEA for $20, and everyone and
their dog seems to make artisan
soap and jewelry. In a world
of excess, even the movement
to simplify can quickly be
disregarded, because of its
abundance. There is simply too
much!
Love and passion are not
always enough to make a living;
and yet, we can see a distinct
difference in quality between all
these artistic products available
to us. We only buy a product
if we think it'll add value to
our lives. Perhaps a part of the
problem is that we've forgotten
what really does add value and
how to patronize it accordingly.
In all this abundance, we've
forgotten that there is a person
(hopefully) pouring their soul
and talents into their craft.
Our community is still
developing, even though the
arts have had frighteningly
drastic funding cuts in the
past few years. The Cultch is
opening up the York Theatre on
Commercial Drive in December,
starting the season with a very
appropriate East Van Panto. The
music scene is thriving with DJ's
playing after hours shows. The
burlesque and contemporary
dance scenes are continuing
to grow as well. Vancouver
is developing its own unique
and vivid identity. I, for one,
am becoming more and more
excited to be maturing and
developing as an artist in this
city.
I dreamt of a time when art
could be a community event—
free, without politics or want of
personal monetary gain. Earning
a living has always been a
struggle for artists, and the
extraordinary have made their
mark (sometimes surviving,
sometimes dying in squalor).
Travelling bands of actors
had to go from community
to community to make their
fare. Artists provide a quality
service; however, it’s in our
hands to identify which services
are valuable, and to show our
gratitude in coins, bills, or
plastic.
The arts should unite us in
public events and connect us
with our community in a way
that echoes its original roots
in myth and ritual. It should
engender a pride in ourselves
and our culture. Although this is
something that the government
should value, we should also
prove its value in the way we
live our lives daily.
15
OPINIONS.
Fight for your right
+
The pros and cons of
peaceful protest
Elliot
Chan
Opinions Editor
‘ts opinions@theotherpress.ca
hat began as a peaceful
protest near Rexton, New
Brunswick on October 17 turned
violent as armed RCMP clashed
with those opposing shale gas
exploration and fracking. Led
by the Mi’kmaq First Nations
people, the protesters created
a blockade and asserted
they were “willing to die”
for their position. Molotov
cocktails and firearms don’t
necessarily demonstrate peace
or a willingness to negotiate, so
when the smoke cleared, guns
were holstered, and the roads
were emptied, 40 protesters
were arrested and five RCMP
vehicles were torched.
This was a fine example of
a peaceful protest gone wrong,
but has a peaceful protest ever
gone right? Has dissatisfaction
ever been effectively
communicated through
defiance? Do rebels ever sway
public opinion? Personally, I
am a supporter of protest: when
injustice is clearly displayed,
it’s our duty as citizens to stand
up and stand together. The
history books are full of great
examples of effective peaceful
protests. Of course the results
weren't immediate, but those
who banded together sparked
changes and got the rolling
eS
Protesters have to pass burning police cruisers to get out of the way to saftey | Photo courtesy of Laura Brown/@01LBrown
wheel of revolution heading in
the right direction.
What some consider
mischief, others see as heroic.
Hell, when put in a high
pressure situation, I hope I have
the guts to march out in front of
a moving tank like the students
did in Tiananmen Square during
the June Fourth Incident in
1989. I like to think that I have
the courage to stand up for my
fellow man when the situation
calls for it. We all like to believe
we can take down Goliath,
and we like to cheer for the
underdogs, but often we simply
bark—what happens when we
bite?
More often than not, we
consider protest to be a waste
of taxpayers’ dollars. Just take a
glance at the accomplishments—
oops, I mean the consequences—
of Occupy Wall Street in 2011.
When done right, a protest
will trigger debates, dialogue,
and meaningful conversations.
When done wrong, it becomes
a spectacle and a shame on the
city, country, and even mankind.
There is a lesson we need
to learn from all of this: lessons
from Mahatma Gandhi's hunger
strike, Martin Luther King Jr.’s
March on Washington, and John
Lennon and Yoko Ono’s Bed-Ins
for Peace. The strikes, boycotts,
and protests garner attention,
but all lead to tragic results.
They effectively call attention
to a problem, thus paving way
for a solution, but we must
recognize that there might not
be such thing as a peaceful
protest: all protest hurts in one
way or another.
As disruptive as it is,
protesting is our human
right—or it should be. North
Americans are accustomed
to their safe little abodes and
often only see the devastation
of violent protests in other
countries. Those people in Egypt
and Turkey aren't uneducated
ruffians causing trouble for the
establishment. They’re just like
us, trying to find comfort and
trying to defend something
they truly believe in. Those
people are “willing to die” for
their cause, and to me that is
something humanity needs.
Protest is an amiable choice and
a potentially horrible one—but
when push comes to shove, only
the cowards are passive.
Artwork is work
Does the responsibility
in ensuring a healthy
culture lle in us?
Julia
Siedlanowska
Staff Writer
he debate about whether
arts should receive public
funding is a hot one. Although a
part of me wants to believe that
the arts should be able to sustain
itself in a competitive market
based on demand, another part
knows that the government has
a responsibility to ensure the
health of our culture. Some art
institutions providing valuable
services could really use a hand
in starting up. Some artists
are worth developing, and
sometimes that requires a grant
or residency funding. However,
the root of it all doesn’t just lie
in the government—t lies in us,
the majority.
We live in a complex and
fast-paced world—this we
know. Music is abundant and
everyone is a photographer.
After all, when was the last
time you paid for a song on
iTunes? Music downloads are
everywhere on the Internet, you
can pick up the latest print from
IKEA for $20, and everyone and
their dog seems to make artisan
soap and jewelry. In a world
of excess, even the movement
to simplify can quickly be
disregarded, because of its
abundance. There is simply too
much!
Love and passion are not
always enough to make a living;
and yet, we can see a distinct
difference in quality between all
these artistic products available
to us. We only buy a product
if we think it'll add value to
our lives. Perhaps a part of the
problem is that we've forgotten
what really does add value and
how to patronize it accordingly.
In all this abundance, we've
forgotten that there is a person
(hopefully) pouring their soul
and talents into their craft.
Our community is still
developing, even though the
arts have had frighteningly
drastic funding cuts in the
past few years. The Cultch is
opening up the York Theatre on
Commercial Drive in December,
starting the season with a very
appropriate East Van Panto. The
music scene is thriving with DJ's
playing after hours shows. The
burlesque and contemporary
dance scenes are continuing
to grow as well. Vancouver
is developing its own unique
and vivid identity. I, for one,
am becoming more and more
excited to be maturing and
developing as an artist in this
city.
I dreamt of a time when art
could be a community event—
free, without politics or want of
personal monetary gain. Earning
a living has always been a
struggle for artists, and the
extraordinary have made their
mark (sometimes surviving,
sometimes dying in squalor).
Travelling bands of actors
had to go from community
to community to make their
fare. Artists provide a quality
service; however, it’s in our
hands to identify which services
are valuable, and to show our
gratitude in coins, bills, or
plastic.
The arts should unite us in
public events and connect us
with our community in a way
that echoes its original roots
in myth and ritual. It should
engender a pride in ourselves
and our culture. Although this is
something that the government
should value, we should also
prove its value in the way we
live our lives daily.
15
Edited Text
www.theotherpress.ca
OPINIONS.
Fight for your right
+
The pros and cons of
peaceful protest
Elliot
Chan
Opinions Editor
‘ts opinions@theotherpress.ca
hat began as a peaceful
protest near Rexton, New
Brunswick on October 17 turned
violent as armed RCMP clashed
with those opposing shale gas
exploration and fracking. Led
by the Mi’kmaq First Nations
people, the protesters created
a blockade and asserted
they were “willing to die”
for their position. Molotov
cocktails and firearms don’t
necessarily demonstrate peace
or a willingness to negotiate, so
when the smoke cleared, guns
were holstered, and the roads
were emptied, 40 protesters
were arrested and five RCMP
vehicles were torched.
This was a fine example of
a peaceful protest gone wrong,
but has a peaceful protest ever
gone right? Has dissatisfaction
ever been effectively
communicated through
defiance? Do rebels ever sway
public opinion? Personally, I
am a supporter of protest: when
injustice is clearly displayed,
it’s our duty as citizens to stand
up and stand together. The
history books are full of great
examples of effective peaceful
protests. Of course the results
weren't immediate, but those
who banded together sparked
changes and got the rolling
eS
Protesters have to pass burning police cruisers to get out of the way to saftey | Photo courtesy of Laura Brown/@01LBrown
wheel of revolution heading in
the right direction.
What some consider
mischief, others see as heroic.
Hell, when put in a high
pressure situation, I hope I have
the guts to march out in front of
a moving tank like the students
did in Tiananmen Square during
the June Fourth Incident in
1989. I like to think that I have
the courage to stand up for my
fellow man when the situation
calls for it. We all like to believe
we can take down Goliath,
and we like to cheer for the
underdogs, but often we simply
bark—what happens when we
bite?
More often than not, we
consider protest to be a waste
of taxpayers’ dollars. Just take a
glance at the accomplishments—
oops, I mean the consequences—
of Occupy Wall Street in 2011.
When done right, a protest
will trigger debates, dialogue,
and meaningful conversations.
When done wrong, it becomes
a spectacle and a shame on the
city, country, and even mankind.
There is a lesson we need
to learn from all of this: lessons
from Mahatma Gandhi's hunger
strike, Martin Luther King Jr.’s
March on Washington, and John
Lennon and Yoko Ono’s Bed-Ins
for Peace. The strikes, boycotts,
and protests garner attention,
but all lead to tragic results.
They effectively call attention
to a problem, thus paving way
for a solution, but we must
recognize that there might not
be such thing as a peaceful
protest: all protest hurts in one
way or another.
As disruptive as it is,
protesting is our human
right—or it should be. North
Americans are accustomed
to their safe little abodes and
often only see the devastation
of violent protests in other
countries. Those people in Egypt
and Turkey aren't uneducated
ruffians causing trouble for the
establishment. They’re just like
us, trying to find comfort and
trying to defend something
they truly believe in. Those
people are “willing to die” for
their cause, and to me that is
something humanity needs.
Protest is an amiable choice and
a potentially horrible one—but
when push comes to shove, only
the cowards are passive.
Artwork is work
Does the responsibility
in ensuring a healthy
culture lle in us?
Julia
Siedlanowska
Staff Writer
he debate about whether
arts should receive public
funding is a hot one. Although a
part of me wants to believe that
the arts should be able to sustain
itself in a competitive market
based on demand, another part
knows that the government has
a responsibility to ensure the
health of our culture. Some art
institutions providing valuable
services could really use a hand
in starting up. Some artists
are worth developing, and
sometimes that requires a grant
or residency funding. However,
the root of it all doesn’t just lie
in the government—t lies in us,
the majority.
We live in a complex and
fast-paced world—this we
know. Music is abundant and
everyone is a photographer.
After all, when was the last
time you paid for a song on
iTunes? Music downloads are
everywhere on the Internet, you
can pick up the latest print from
IKEA for $20, and everyone and
their dog seems to make artisan
soap and jewelry. In a world
of excess, even the movement
to simplify can quickly be
disregarded, because of its
abundance. There is simply too
much!
Love and passion are not
always enough to make a living;
and yet, we can see a distinct
difference in quality between all
these artistic products available
to us. We only buy a product
if we think it'll add value to
our lives. Perhaps a part of the
problem is that we've forgotten
what really does add value and
how to patronize it accordingly.
In all this abundance, we've
forgotten that there is a person
(hopefully) pouring their soul
and talents into their craft.
Our community is still
developing, even though the
arts have had frighteningly
drastic funding cuts in the
past few years. The Cultch is
opening up the York Theatre on
Commercial Drive in December,
starting the season with a very
appropriate East Van Panto. The
music scene is thriving with DJ's
playing after hours shows. The
burlesque and contemporary
dance scenes are continuing
to grow as well. Vancouver
is developing its own unique
and vivid identity. I, for one,
am becoming more and more
excited to be maturing and
developing as an artist in this
city.
I dreamt of a time when art
could be a community event—
free, without politics or want of
personal monetary gain. Earning
a living has always been a
struggle for artists, and the
extraordinary have made their
mark (sometimes surviving,
sometimes dying in squalor).
Travelling bands of actors
had to go from community
to community to make their
fare. Artists provide a quality
service; however, it’s in our
hands to identify which services
are valuable, and to show our
gratitude in coins, bills, or
plastic.
The arts should unite us in
public events and connect us
with our community in a way
that echoes its original roots
in myth and ritual. It should
engender a pride in ourselves
and our culture. Although this is
something that the government
should value, we should also
prove its value in the way we
live our lives daily.
15
OPINIONS.
Fight for your right
+
The pros and cons of
peaceful protest
Elliot
Chan
Opinions Editor
‘ts opinions@theotherpress.ca
hat began as a peaceful
protest near Rexton, New
Brunswick on October 17 turned
violent as armed RCMP clashed
with those opposing shale gas
exploration and fracking. Led
by the Mi’kmaq First Nations
people, the protesters created
a blockade and asserted
they were “willing to die”
for their position. Molotov
cocktails and firearms don’t
necessarily demonstrate peace
or a willingness to negotiate, so
when the smoke cleared, guns
were holstered, and the roads
were emptied, 40 protesters
were arrested and five RCMP
vehicles were torched.
This was a fine example of
a peaceful protest gone wrong,
but has a peaceful protest ever
gone right? Has dissatisfaction
ever been effectively
communicated through
defiance? Do rebels ever sway
public opinion? Personally, I
am a supporter of protest: when
injustice is clearly displayed,
it’s our duty as citizens to stand
up and stand together. The
history books are full of great
examples of effective peaceful
protests. Of course the results
weren't immediate, but those
who banded together sparked
changes and got the rolling
eS
Protesters have to pass burning police cruisers to get out of the way to saftey | Photo courtesy of Laura Brown/@01LBrown
wheel of revolution heading in
the right direction.
What some consider
mischief, others see as heroic.
Hell, when put in a high
pressure situation, I hope I have
the guts to march out in front of
a moving tank like the students
did in Tiananmen Square during
the June Fourth Incident in
1989. I like to think that I have
the courage to stand up for my
fellow man when the situation
calls for it. We all like to believe
we can take down Goliath,
and we like to cheer for the
underdogs, but often we simply
bark—what happens when we
bite?
More often than not, we
consider protest to be a waste
of taxpayers’ dollars. Just take a
glance at the accomplishments—
oops, I mean the consequences—
of Occupy Wall Street in 2011.
When done right, a protest
will trigger debates, dialogue,
and meaningful conversations.
When done wrong, it becomes
a spectacle and a shame on the
city, country, and even mankind.
There is a lesson we need
to learn from all of this: lessons
from Mahatma Gandhi's hunger
strike, Martin Luther King Jr.’s
March on Washington, and John
Lennon and Yoko Ono’s Bed-Ins
for Peace. The strikes, boycotts,
and protests garner attention,
but all lead to tragic results.
They effectively call attention
to a problem, thus paving way
for a solution, but we must
recognize that there might not
be such thing as a peaceful
protest: all protest hurts in one
way or another.
As disruptive as it is,
protesting is our human
right—or it should be. North
Americans are accustomed
to their safe little abodes and
often only see the devastation
of violent protests in other
countries. Those people in Egypt
and Turkey aren't uneducated
ruffians causing trouble for the
establishment. They’re just like
us, trying to find comfort and
trying to defend something
they truly believe in. Those
people are “willing to die” for
their cause, and to me that is
something humanity needs.
Protest is an amiable choice and
a potentially horrible one—but
when push comes to shove, only
the cowards are passive.
Artwork is work
Does the responsibility
in ensuring a healthy
culture lle in us?
Julia
Siedlanowska
Staff Writer
he debate about whether
arts should receive public
funding is a hot one. Although a
part of me wants to believe that
the arts should be able to sustain
itself in a competitive market
based on demand, another part
knows that the government has
a responsibility to ensure the
health of our culture. Some art
institutions providing valuable
services could really use a hand
in starting up. Some artists
are worth developing, and
sometimes that requires a grant
or residency funding. However,
the root of it all doesn’t just lie
in the government—t lies in us,
the majority.
We live in a complex and
fast-paced world—this we
know. Music is abundant and
everyone is a photographer.
After all, when was the last
time you paid for a song on
iTunes? Music downloads are
everywhere on the Internet, you
can pick up the latest print from
IKEA for $20, and everyone and
their dog seems to make artisan
soap and jewelry. In a world
of excess, even the movement
to simplify can quickly be
disregarded, because of its
abundance. There is simply too
much!
Love and passion are not
always enough to make a living;
and yet, we can see a distinct
difference in quality between all
these artistic products available
to us. We only buy a product
if we think it'll add value to
our lives. Perhaps a part of the
problem is that we've forgotten
what really does add value and
how to patronize it accordingly.
In all this abundance, we've
forgotten that there is a person
(hopefully) pouring their soul
and talents into their craft.
Our community is still
developing, even though the
arts have had frighteningly
drastic funding cuts in the
past few years. The Cultch is
opening up the York Theatre on
Commercial Drive in December,
starting the season with a very
appropriate East Van Panto. The
music scene is thriving with DJ's
playing after hours shows. The
burlesque and contemporary
dance scenes are continuing
to grow as well. Vancouver
is developing its own unique
and vivid identity. I, for one,
am becoming more and more
excited to be maturing and
developing as an artist in this
city.
I dreamt of a time when art
could be a community event—
free, without politics or want of
personal monetary gain. Earning
a living has always been a
struggle for artists, and the
extraordinary have made their
mark (sometimes surviving,
sometimes dying in squalor).
Travelling bands of actors
had to go from community
to community to make their
fare. Artists provide a quality
service; however, it’s in our
hands to identify which services
are valuable, and to show our
gratitude in coins, bills, or
plastic.
The arts should unite us in
public events and connect us
with our community in a way
that echoes its original roots
in myth and ritual. It should
engender a pride in ourselves
and our culture. Although this is
something that the government
should value, we should also
prove its value in the way we
live our lives daily.
15